#anathomy

[owlnixwinter]

GOATS because why not?

I drew goats at midnight because why not? watching some cult of the lamb content and i thought: why not study some mountain goat anathomy?? i really love goats and in the cult of the lamb i played as the Goat haha

[inthehouseofslytherin]

Source: We Heart It

[puch-jpg]

some anathomy studies that I really liked

[irisb0]

There was a time when I had a hard time drawing his face these pages of sketches are the result of my attempts to draw him to perfection

[youngerlife]

11.25.2020

It's going to be a very busy day. I'm at the University first thing in the morning, then I'll go to the coffee shop for coffee, then I'll have to run to the theater for a rehearsal.

Studying linguistics is very exciting, but even here we need to study anatomy in all its similarities.

[vavuska]

I don't think the reference to Hans von Gersdorff’s Feldtbüch der Wundartzney [Fieldbook of Surgery], ca. 1530, in Prodigal Son (Season 2, Episode 2) is casual. At page 14 it contains a Wound Man (verwundete Mann), a figure present in 1980 "Red Dragon" and 1999 "Hannibal" by Thomas Harris, first and third novels with Hannibal Lecter, and also in the TV adaptations: Hannibal TV show (season 1, episode 6; season 2, episode 7).

In the original book version of Red Dragon, Will Graham understands that Hannibal Lecter is the Chesapeake Ripper, when he sees an illustration of the Wound Man in his office and remembers that one of the victims was placed and tortured to look like the Wound Man.

Will Graham explains to a police officer how he arrested Hannibal Lecter:

"A couple of friends of mine in the chiefs' association are from Baltimore. I asked them how you spotted Lecter. They said they didn't know. How did you do it? What was the first indication, the first thing you felt?"

"It was a coincidence," Graham said. "The sixth victim was killed in his workshop. He had woodworking equipment and he kept his hunting stuff out there. He was laced to a pegboard where the tools hung, and he was really torn up, cut and stabbed, and he had arrows in him. The wounds reminded me of something. I couldn't think what it was."

"And you had to go on to the next ones."

"Yes. Lecter was very hot - he did the next three in nine days. But this sixth one, he had two old scars on his thigh. The pathologist checked with the local hospital and found he had fallen out of a tree blind five years before while he was bow hunting and stuck an arrow through his leg.

The doctor of record was a resident surgeon, but Lecter had treated him first - he was on duty in the emergency room. His name was on the admissions log. It had been a long time since the accident, but I thought Lecter might remember if anything had seemed fishy about the arrow wound, so I went to his office to see him. We were grabbing at anything then.

He was practicing psychiatry by that time. He had a nice office. Antiques. He said he didn't remember much about the arrow wound, that one of the victim's hunting buddies had brought him in, and that was it.

Something bothered me, though. I thought it was something Lecter said, or something in the office. Crawford and I hashed it over. We checked the files, and Lecter had no record. I wanted some time in his office by myself, but we couldn't get a warrant. We had nothing to show. So I went back to see him.

It was Sunday, he saw patients on Sunday. The building was empty except for a couple of people in his waiting room. He saw me right away. We were talking and he was making this polite effort to help me and I looked up at some very old medical books on the shelf above his head. And I knew it was him.

When I looked at him again, maybe my face changed, I don't know. I knew it and he knew I knew it. I still couldn't think of the reason, though. I didn't trust it. I had to figure it out. So I mumbled something and got out of there, into the hall. There was a pay phone in the hall. I didn't want to stir him up until I had some help. I was talking to the police switchboard when he came out a service door behind me in his socks. I never heard him coming. I felt his breath was all, and then . . . there was the rest of it."

"How did you know, though?"

"I think it was maybe a week later in the hospital I finally figured it out. It was Wound Man - an illustration they used in a lot of the early medical books like the ones Lecter had. It shows different kinds of battle injuries, all in one figure. I had seen it in a survey course a pathologist was teaching at GWU. The sixth victim's position and his injuries were a close match to Wound Man."

"Wound Man, you say? That's all you had?"

"Well, yeah. It was a coincidence that I had seen it. A piece of luck."

"That's some luck."

"If you don't believe me, what the fuck did you ask me for?"

"I didn't hear that."

"Good. I didn't mean to say it. That's the way it happened, though."

"Okay," Springfield said. "Okay. Thank you for telling me. I need to know things like that."

While in the film adaptation of Red Dragon (2002), with Edward Norton as Will Graham and Anthony Hopkins as Dr. Hannibal Lecter, the scene at the beginning of the movie, when Will discovered that the Chesapeake Ripper was Hannibal is different: the Wound Man isn't the key evidence in the homicide investigation.

In the movie, FBI agent Will Graham visits forensic psychiatrist Hannibal Lecter to discuss a case. Graham has been working with Lecter on a psychological profile of a serial killer who removes parts of the victims seemingly keeps them as trophies. They discuss the matter in Lecter’s office, where Graham theorises that their profile is all wrong; after learning that flesh taken from the back of a roasted chicken is known as "oysters", he understands that "trophies" removed from the victims were all used in cooking, convincing him that the killer is actually a cannibal.

After apologising for seemingly not having faith in Lecter, and the case getting to him, Lecter leaves the room to get Graham's coat. Behind the doctor’s back, however, Graham scans the souvenirs on the shelf and looks through a copy of Larousse Gastronomique, noticing that an entry of Ris de Veau was notated as "sweetbreads". As it dawns on him that Lecter is the Chesapeake Realizing Graham is close to discovering he is the killer, Lecter stabs him, but Graham fights back, stabbing and shooting Lecter before they both fall unconscious. Lecter is institutionalized in a psychiatric hospital, and Graham, traumatized, retires to Florida with his wife, Molly, and young son, Josh.

In Hannibal, third book of the serie, Clarice Starling visits the Columbia College of Criminal Justice Library, where they maintained a Hannibal Lecter Room, an exposition dedicated to Hannibal Lecter. It is said that "one wall of the room was devoted to Dr Lecter in Italy, with a large photograph posted of Rinaldo Pazzi hanging with his bowels out from the window at Palazzo Vecchio. The opposite wall was concerned with crimes in the United States and was dominated by a police photograph of the bow hunter Dr Lecter had killed years ago. The body was hanging on a peg board and bore all the wounds of the medieval Wound Man illustrations."

And more over, in chapter 58, Clarice Starling says that Dr Lecter's sixth victim was a bow hunter and that "he left him hanging from a peg board wall with all sorts of wounds in him. He left him looking like a medieval medical illustration called Wound Man."

Clarice remaks that it was "what got him caught last time".

Wound Man from Feldtbüch der Wundartzney [Fieldbook of Surgery], ca. 1530. Pag. 14.

Von Gersdorff, a military surgeon for some forty years, was experienced in the care and treatment of battlefield injuries. The Feldtbüch der Wundartzney was written for military surgeons and contains information on amputation, gunshot wounds, and early anesthesia. In addition to the swords, knives, and arrows, this “wound man” also displays injuries from cannonballs.

Scene from Hannibal, Season 1, Episode 6, Entrée

In a flashback, it's revealed that Miriam Lass, Jack Crowford's best young trainee (recalls Clarice Starling), once went to Hannibal during her investigation to inquire about the Ripper. Hannibal may have a connection to a recent victim. When Hannibal offers to check his notes on the second floor of his office, Miriam peruses his desk and notices a sketch that perfectly resembles the victim's wounds in the most recent crime. Realizing Hannibal's the Ripper, Miriam panics as Hannibal grabs her and strangles her.

In Season 2, Episode 7, "Yakimono", Miriam Lass has been found alive, minus the arm the Chesapeake Ripper left for Jack months ago.

Jack still needs Miriam's help identifying the Chesapeake Ripper, but her captivity has left her traumatized, with barely any memory beyond an image of flashing lights and a mysterious man whose face is always in shadows. Jack can't figure out why she was spared. "I wasn't spared," she says. "He was saving me for last."

Jack brings Miriam Lass to Hannibal's office, ostensibly to get her therapy for her recovery. Maybe, though, he's hoping to jog her memory about whether she was ever in Hannibal's office.

Hannibal has left out a drawing he did of something called the Wound Man, an old medical illustration of a man with weapons jutting from his body. It's the same illustration Miriam had seen on the same table two years before.

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[brutalkiti]

2020

[theninjadark]

Eng: Hello everyone, finishing the polls both on twitter and instagram, the tutorial that won the most votes was the anatomy and dynamic poses. This tutorial is a bit long, so I plan to do it in two parts, if you want to see the second part as soon as possible, don't forget to give me a like and a reblog that is much appreciated. Let's thank @BalakAndrew for commenting the suggestion of this tutorial on my twitter profile.

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Esp: ¡Hola a todos!, terminando las encuestas tanto en twitter como en instagram, el tutorial que gano la mayoría de votos fue el de anatomía y poses dinámicas. Este tutorial es algo extenso, así que pienso hacerlo en dos partes, si desean ver la segunda parte lo mas pronto posible, no se olviden de darle un me gusta y un reblog que se agradece mucho. Démosle las gracias a @BalakAndrew por comentar la sugerencia de este tutorial en mi perfil de twitter.

Eng: For this tutorial I am basing myself on the method used by Andrew Loomis in his book "Figure drawing at its full value" as it is the easiest and the one I use with some modifications.

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Esp: Para este tutorial me estoy basando en el método que usa Andrew Loomis en su libro "El dibujo de figura en todo su valor" ya que es el más fácil y el que yo uso con algunas modificaciones.

Eng: According to Loomis the way to make a well-proportioned body is to use the head measurement as a reference to make the body. There are 4 models that Loomis takes to make the proportions:

The normal model used by many schools which is 7 and a half heads high and 2 heads wide.

The ideal body of 8 heads high and 2 and a half heads wide used by many artists.

The adapted one of 8 and a half heads high and 3 wide.

The heroic 9 heads high and 3 and a half heads wide.

When to use each one depends on the personal taste of each one. In this case we will use the model of the ideal body of 8 heads.

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Esp: De acuerdo con Loomis forma de hacer un cuerpo bien proporcionado es usando la medida de de la cabeza como referencia para hacer el cuerpo. Existen 4 modelos que Loomis toma para realizar las proporciones:

El modelo normal que usan muchas escuelas que son de 7 cabezas y media de alto y 2 de ancho.

El cuerpo ideal de 8 cabezas de alto y 2 y media de ancho que usan muchos artistas.

La adaptada de 8 cabezas y media de alto y 3 de ancho.

La heroica de 9 cabezas de alto y 3 y media de ancho.

El cuando usar cada uno depende del gusto personal de cada quien. En este caso usaremos el modelo del cuerpo ideal de 8 cabezas.

Eng: In this model the heads are counted from bottom to top and each head delimits a part of the body.

8= Head

7= Shoulders, neck and chest.

6= Upper abdomen, arm, and elbows at navel level.

5= Lower abdomen, hips and forearms.

4= Between leg, hands and beginning of thighs.

3=End of thighs and knees

2=calves

1=ankles and feet.

This model is useful for adult men of average build and height, to make younger characters there are some additional recommendations

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Esp: En este modelo las cabezas se cuentan de abajo arriba y cada cabeza delimita una parte del cuerpo.

8= Cabeza

7= Hombros, cuello y pecho.

6= Abdomen superior, brazo, y codos a la altura del ombligo

5=Abdomen bajo, caderas y ante brazos.

4= Entre pierna, manos e inicio de los muslos

3=Final de los muslos y rodillas

2=pantorrillas

1=tobillos y pies.

Este modelo es útil para hombres adultos de una complexión y estatura promedio, para hacer personajes más jóvenes hay unas recomendaciones adicionales.

Eng: Now some recommendations for age.

Children 1 year old 4 heads high

Children 3 years old 5 heads high

Children 5 years old 6 heads high

Children 10 years old 7 heads high

Adolescents 15 years old 7 to 7 and a half heads tall.

If you wonder how a 10 year old child has the same number of heads, but they are not the same height, the explanation is that their heads are not the same height.

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Esp: Ahora unas recomendaciones por la edad.

Niños de 1 año 4 cabezas de altura

Niños de 3 años 5 cabezas de altura

Niños de 5 años 6 cabezas de altura

Niños de 10 años 7 cabezas de altura

Adolescentes de 15 años 7 a 7 cabezas y media de altura.

Si se preguntan como un niño de 10 años tienen el mismo numero de cabezas, pero no miden lo mismo la explicación esta en que su cabeza no mide lo mismo.

Esp: A person's head grows in a certain way from infancy to adulthood. An adult's head measures approximately 9 inches, by dividing the head into nine parts you can get the height of the head by age:

1 year= 6

2 years= 6.5

5 years= 7

10 years=7.5

15 years=9

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Esp: La cabeza de una persona crece de cierta forma desde que es un niños hasta que es adulto. La cabeza de un adulto aproximadamente mide 9 pulgadas, al dividir la cabeza en nueve partes se puede sacar la altura de la cabeza por la edad:

1 año= 6

2 años= 6.5

5 años= 7

10 años=7.5

15 años=9

Esp: In this tutorial we only saw male anatomy because in the next part we will see the female anatomy in depth. The same rules that we saw for men are similar for women, to differentiate one body from another is by the width of the shoulders and hips.

Women have wider hips or equal to the shoulders and their shoulders are less wide than men's making an hourglass shape.

Men are the opposite. Broad shoulders and slim hips.

Note: There can be variations, every body is different.

I hope you find this tutorial useful, thank you very much for watching.

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Esp: En este tutorial solo vimos anatomía masculina ya que en la siguiente parte veremos la anatomía femenina a profundidad. Las mismas reglas que vimos para el hombre son similares para la mujer, para diferenciar un cuerpo de otro es por el ancho de los hombros y las caderas.

Las mujeres tienen las caderas más anchas o iguales que los hombros y sus hombros son menos anchos que el de los hombres haciendo un forma de reloj de arena.

Los hombres son lo contrario. Hombros anchos y cadera delgada.

Ojo: Puede haber variaciones, cada cuerpo es diferente.

Espero que te sirva este tutorial, muchas gracias por ver.