seen from Russia
seen from United Kingdom
seen from Canada
seen from Belgium
seen from United States
seen from Türkiye
seen from United States
seen from Japan
seen from China
seen from United States
seen from Türkiye
seen from Venezuela
seen from China
seen from China
seen from United States
seen from Japan
seen from Germany
seen from Mexico
seen from United States
seen from United States
"He (Øystein) loved speaking to the rest of us about Pelle as if he were a strange and mysterious person. He would go on for hours about how extraordinary and exceptional Pelle was. That was part of the mythology he built around him. But the real Pelle, who I also saw a bit of, was clearly a troubled person." - Anders Odden, "Helvete: Historien om Norsk black metal" documentary 🦇
Translation by flowersinatomb on instagram
@the.old.mayhem on instagram and WordPress
“He [Øystein] loved to talk about the ideas behind things all the time, you know. He was very much a philosophical guy, so whenever he did something - even if it was just by chance - he would have, like, the best explanation on why he was doing things.”
Anders Odden in 2025
tag yourself: euronymous's diss letter to anders odden of slaught
eat
translated from Norwegian
"He came into my life at a time when I had just started listening to extreme and loud music. I sat at home in Råde and listened to local radio from Oslo. [...]
Frode Øien had a program where he invited the then unknown band Mayhem to visit because they had recorded a new demo tape. They were just incredibly mysterious and used pseudonyms and stuff, and I mean remember they took over the whole radio broadcast. To me, it sounded like Frode was set aside as host and the band took over for a couple of hours. It was absolutely magical. They played their own music, but not least they played lots of other things that were completely unknown, Hellhammer, Bathory, lots of early black metal and other extreme things. They obviously had great insight into what was going on and were by definition the only Norwegian band that existed in all these genres at once. They were the starting point for everything you could call extreme metal. It all starts with Mayhem."
Anders tells of how he became "insanely fascinated". [...] “The following week, a guy who was a competition winner appeared and said he was the brother of someone in the band. His name was Aarseth, and that led to me simply browsing the telephone directory, and I found only one Aarseth family in Ski. I took the chance and called and hit right on Øystein. That conversation must have lasted an hour or two. He met someone who was open to the same things as him, and then he was like a wandering library and very enthusiastic. His fervent commitment was something you felt right away, something he literally lived for. He gave my whole musical approach a kind of passion I had never experienced before.” To the young Anders, four years older Øystein Aarseth appeared as a kind of natural messenger of all the new things that were about to happen, and he swallowed everything he was told. He took in all the tips Øystein shared and received a lot of music that engulfed him, first from Øystein, then also from other bands.
"In the 80's it was not so common to have contact with people in other countries. If it were not unknown, getting to know people abroad was much more difficult than it is today. The only method was letter writing, and this whole underground scene was very much based on that. We wrote to each other and attached leaflets and fanzines and other things. You picked up the things you had on tape and changed the recording. Øystein introduced all this to me. I also went to practice with Mayhem. Back then I was 13 and a half years old, and got a first-hand impression of how the music sounded in your face in the rehearsal room. It made me completely obsessed that I should also start such a band. I had finally found my thing. This was very early in the development of black metal. We who came in right away make up a small but significant group of people. Among those I became acquainted with at that time are or were virtually all members of the most famous and prominent bands. Øystein had an incredibly central role as a source of inspiration and door opener for how to engage with music on the side of the industry, to be independent, in your own world."
Were there other aspects of him than the purely musical that inspired you? The energy, the courage, the talent? "What I took to myself very early was to sacrifice everything for this here. If you wanted to get somewhere with the music, you had to choose it over all other possible leisure activities and side tracks you could end up on, to only care about this music and abandon absolutely everything else. This was something he introduced as an opportunity. Many people did sports and had boyfriend projects and all sorts of things, social things that take a lot of time and resources, but here it was an alternative race to unfold in which I really took to. I had lived in a block and terraced house environment until I was ten years old and moved to a farm. I went from a life where people rang the doorbell all the time to being socially isolated. Now I got a platform that made it possible to break out."
Were you and Øystein friends or is there another way to describe their relationship? "I was a fanboy in the beginning. He got really mad when I copied everything he did. Then he was clear that this is not the way to do it. He was very careful about it. I was very young, and I was looking for band members myself in Fredrikstad and Østfold. When I started Cadaver, there was more mutual respect and a more collegial friendship. Things slipped a bit for him in '92 -'93. In the summer of '93, a few months before he died, he was very much looking for old friends. It was clear that he had been going through a period with a lot of focus on other things, but now he was looking up old friends to play the new Mayhem things that he had been working on for so long. I was with him several times during this time and felt that we had a friendship that was more mature. I had my band, had released an album and been on tour, and now Øystein was finally facing a breakthrough with the album he had talked about releasing for six or seven years. That he was killed became even more sad because of it. He knew he had made something very significant and very good, but never saw it come out."
[...]
"I was in a way close to the events", Anders says. "I also knew Pelle and was several times in the house where they lived in Kråkstad. When such things happen, you are shocked and think about what you could have done differently. But that Øystein did as he did was probably most related to his penchant for myth-making and image-building. He took it too far of course, but his way of thinking about things was that everything could be used for what it is worth in a PR context. I think it would have been perfectly fine if not everything that happened, it would not have made any difference. I remember hearing about him doing it, but not thinking much about it. He probably had an idea that this was so extreme that he had to do something about it. That might say something about how he liked to see things from above. He did not consider himself a direct part of it and did not see that there was anything wrong with it. I think he saw it in a kind of bird's eye view, but it's very difficult to say."
Where do you think Øystein would have been today if he had not been killed? "It's an exciting thing. We who knew him wonder if he had not grown tired of having to move closer to the regular music industry. In a way, he was a bit about to do it himself with his label, and also realized he could not run distribution on his own. I was part of his distribution. It worked so that he sent ten copies of a record to everyone he knew and trusted. All sold nine and sent money to him, and were allowed to keep one themselves. Those records are probably worth 10,000 kroner today. He signed several bands at the end, and the same day he died, Enslaved signed a contract with him. He had other things going on too, so I'm not sure where he ended up." "However, there was a lot going on around him that could have had an unfortunate effect", Anders believes. If he had not been killed by Varg Vikernes, or "The Count", it would probably have been rolled up that he was nearby when Holmenkollen chapel burned. "I do not know if he had been able to sit in jail. He was probably tougher in words than in reality. But what is mainly wrong with the myth of black metal and Øystein was that he created something with knowledge and will to succeed, as it was afterwards. It was rather the opposite. His ideas were to have this as a non-commercial business. You should deserve to hear this music. Being a listener in itself required a number of criteria. If it was up to him, as he told it, the whole scene would be a kind of lodge, and if you were first inside you would hear what others did not hear. But it was going to go away anyway, because it got too big." "Then he did not experience the internet, but it would have been something for him. Because he had so many extreme political ideas, the internet as it has been very much appealed to him. For example, he would be amazed at how widespread conspiracy theories have become. He was interested in extreme political directions, in Pol Pot and communism. I think he too had ended up in a more experimental musical direction. He was an extremist in everything he did and did it full on, and he probably still wanted to hunt for more and more extreme expressions."
[...] What is the best thing Øystein did? " "Freezing Moon". What I find very musically exciting is that it contains so few notes. The atonal and asymmetrical in the arrangement gives an introduction to something completely different than rock. It's the atmospheric, and the movements as we call it, and the riffs that are there. Øystein was concerned with throwing everything away and starting all over again, and it was such a song. It will always be a pillar in the Mayhem catalog and in the development of black metal."
read the full interview (in Norwegian) here
Cadaver
1991
Sepulchral'zine #1
Many years ago, in a galaxy known as Norway, a young Øystein Aarseth, AKA Euronymous of Mayhem wrote a Nasty Little Letter. But WHY was the Black Metal ghoul...
This is totally how it happened. Look out! Beware! And watch.
