Artists from the past-
1887 melanotype showing Emile Bernard (second from the left), Vincent van Gogh (third from the left), André Antoine (standing at center), and Paul Gauguin (far right) in a group photo (via the Romantic Agony auctions)
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Artists from the past-
1887 melanotype showing Emile Bernard (second from the left), Vincent van Gogh (third from the left), André Antoine (standing at center), and Paul Gauguin (far right) in a group photo (via the Romantic Agony auctions)
The rediscovered face of Vincent Van Gogh, 1887 From left to right : Arnold Koning (with the cap), Émile Blanche, Vincent Van Goght, André Antoine (standing), Félix Jobbé-Duval and Paul Gauguin, 96 rue Blanche (Courtyard of the Salle de répétitions du Théâtre Libre), Paris, ca. December 1887 -attributed to Jules Antoine
The photo (Melanotype, direct reversed positive with sensitized collodion on waterproofed cardboard, 88x119 mm, stamped "Gautier Martin breveté", recto) was brought to Serge Plantureux (Expert, Studios Robespierre) for identification.
The process and result of the identification will be soon published: Serge Plantureux, Le Visage retrouvé de Vincent Van Gogh: Enquête sur un carton photographique dévoilant son visage d'adulte, in Nicéphore : Cahier de Photographies, no. 3 (en préparation) The issue can be read online at issuu.com
photos from L’Oeil de la Photographie
The furniture...was worn with use and solid. This became a guiding principle for his subsequent productions: to transport real-life surroundings onto the stage that would create a recognizable and accurately reproduced environment, as a literal embodiment for the deterministic effect of environment on character.
"A Sourcebook on Naturalist Theatre" (13)