#anna tlou

[spleenmuncher]

Ellie not only lost her ability to play the guitar at the end of the second game, which disconnected her from Joel, her father. But she also lost her knife in Santa Barbara, the last thing connecting her to her mother.

[fruitmilkshake]

They look so alike....

[xx-w0rlds-0k4y3st-f4g-xx]

An Archive of Our Own, a project of the Organization for Transformative Works

WOOOO ITS DONE!!!

[the-august-one]

by artist Jake Kontou

[paigegonerogue]

My Top 5 Shots of Every Episode of TLOU

Episode 9

TW: Gore

Number #5

What can I say? I just think this one is gorgeous. It represents why The Last of Us HBO’s cinematography works so damn well. It’s subtle, atmospheric, and gritty, while still being absolutely gorgeous. I love the dingy yellows, and the rim-lighting on Marlene. Just a fantastically put together shot.

Number #4

This shot is absolutely brutal in the best way. In the show, the camera doesn’t show the bodies of dead people, opting to go the route of showing the main characters when someone dies. It’s this really effective way to make the violence more impactful and character-driven. During the hospital massacre, however, they very purposefully don’t do that. They show the bodies. They show the people falling. It’s this really affective subtle twisting of the knife that gives this sequence this really unique and incredible tone of shock, and it absolutely wouldn’t have worked without the buildup of amazing, character driven violence until then. Small (“small” tangent aside, the shot itself absolutely rocks! The high-angle of the body squished against the stairs. Joel scavenging the dead man for parts. It’s so brutal and clinical, another thing the hospital sequence does incredibly. It’s an extremely affective, amazing shot.

Number #3

This show’s ultra wide shots just go so hard, but this one even more than most. The dreary sky, the ultra wide on Anna showcasing the field and the city in the background… it’s so atmospheric and just absolutely fantastic. Bravo.

Number #2

What can I even say about this shot? The lighting. The contrast. Ashley’s incredible acting. It’s just incredible.

Before I reveal my #1, here are some honorable mentions…

It’s the symbolism here more than the shot that makes this absolutely excellent. But Joel taking Ellie out of the light just hits so hard I couldn’t not include this somewhere.

Another absolutely gorgeous side-view shot, it’s just so good!! The reason this one isn’t number five is because there was already another amazing side view on here…

I debated this and the other Anna shot for number two, and while the other one came out on top, this one is just so gorgeous and emotional I couldn’t not include it.

This one’s just really pretty lol

Number #1

I don’t even know how to express how good this shot is. It works on so many levels, and in so many ways. It’s dark and emotional and it has incredible contrast (all things that describe episode 9 as a whole) Ellie over Joel’s shoulder, in the dark, with the gorgeous rim-lighting and the deep blues… it’s just incredible. INCREDIBLE.

That’s all for now, folks! I’ll do this again when s2 comes out!

[bumblepony]

Wip Wednesday Saturday

I'm a little late (more than a little, but we're all gonna shush), but here is another snip from one of my Tommy and Maria stories. @tommymariaweek25

Thanks to @sixhours for tagging me several days ago, I finally got around to it.

[jerzwriter]

EXACTLY. Why? Because a parent would never allow their child to be sacrificed this way.

Marlene broke her promise to her friend. Joel now loves Ellie as his own (period). That’s why he acted as he did. He made the right choice and, while an argument could be made against it, I will die on this hill.

[uslostinthememories]

Even though Mom’s missing, summer will come and fall will come again and winter will come, like this. And I’ll be living in a world without Mom.

Please Look After Mom - Kyung-Sook Shin.