Thus if Gothic in literature is broader than genre, deeper than plot, and wider than a single tradition, we should not be surprised to see that it transgresses other cultural boundaries. Thus my claim that Freud writes in Gothic: the true heir of Walpole and Radcliffe is not an imitator such as Stephen King or Victoria Holt (who reproduce early Gothic plots and ambiance with only superficial changes). Freud's descriptions of "human nature," his portrait of the mind's secret "structures" and dynamics, conform to the patriarchal version of "reality"—the Symbolic—even as he questions it (sometimes unconsciously).
anne williams, art of darkness: a poetics of gothic




















