"Portrait of the wife" Y. Annenkov (1917)
"Портрет жены" Ю.Анненков (1917)
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"Portrait of the wife" Y. Annenkov (1917)
"Портрет жены" Ю.Анненков (1917)
"Robe" (détail) de Georges Annenkov en jersey de soie à plis inspirés par Grès, portée par Madeleine Sologne dans "L'Eternel Retour" de Jean Delannoy (1943) à l'exposition "CinéMode par Jean-Paul Gaultier" à la Cinémathèque Française, octobre 2021.
What is society, irrespective of its form? The product of man's interaction upon man. Is man free to choose this or that form of society? By no means. If you assume a given state of development of man's productive faculties, you will have a corresponding form of commerce and consumption. If you assume given stages of development in production, commerce or consumption, you will have a corresponding form of social constitution, a corresponding organisation, whether of the family, of the estates or of the classes—in a word, a corresponding civil society. If you assume this or that civil society, you will have this or that political system, which is but the official expression of civil society. This is something Mr Proudhon will never understand, for he imagines he's doing something great when he appeals from the state to civil society, i. e. to official society from the official epitome of society. Needless to say, man is not free to choose his productive forces—upon which his whole history is based—for every productive force is an acquired force, the product of previous activity. Thus the productive forces are the result of man's practical energy, but that energy is in turn circumscribed by the conditions in which man is placed by the productive forces already acquired, by the form of society which exists before him, which he does not create, which is the product of the preceding generation. The simple fact that every succeeding generation finds productive forces acquired by the preceding generation and which serve it as the raw material of further production, engenders a relatedness in the history of man, engenders a history of mankind, which is all the more a history of mankind as man's productive forces, and hence his social relations, have expanded. From this it can only be concluded that the social history of man is never anything else than the history of his individual development, whether he is conscious of this or not. His material relations form the basis of all his relations. These material relations are but the necessary forms in which his material and individual activity is realised.
Karl Marx to Pavel V. Annenkov
The productive forces are the result of man’s practical energy, but that energy is in turn circumscribed by the conditions in which man is placed by the productive forces already acquired, by the form of society which exists before him, which he does not create, which is the product of the preceding generation.
Marx, 1846 Letter to Annenkov (1846)
"Portrait of Elena Komissarzhevskaia-Balieff" ink, watercolour and gouache by Yuri Annenkov (1889-1974).
"Herzen believed in the noble instincts of the human heart. His analysis grew silent and reverent before the instinctive impulses of the moral organism as the sole, indubitable truth of existence."
Pavel Annenkov
Yuri Annenkov (Russian, 1889 - 1974) Portrait of Doctor Daniel Pasmanik, 1929
Oil on canvas, 73,5 x 50,5 cm
Yuri Annenkov (Russian, 1889 - 1974)
Portrait of an unknown in green in front of the Eiffel Tower, 1924
Watercolor on paper