Look at our beautiful boy!

#dc comics#dc#batman#bruce wayne#dc fanart#dick grayson#tim drake#batfamily#batfam



seen from United Kingdom

seen from United States
seen from Colombia

seen from United States
seen from South Korea
seen from India

seen from Malaysia

seen from United States

seen from Ireland
seen from Türkiye
seen from United States
seen from United States
seen from Portugal
seen from United States
seen from China
seen from United States

seen from United Kingdom
seen from United States

seen from Israel

seen from United States
Look at our beautiful boy!
the apothecary diaries does such a great job of portraying how traumatizing it can be to be a victim of pedophilia and grooming, instead of romanticizing it like a lot of anime series do. it is disturbing, it makes audience uncomfortable and disgusted — which is how we must feel about pedophilia. you're not supposed to feel comfortable because it's 'normalized' or 'just fiction'; you're supposed to feel disgusted.
the creator didn't make anshi 'fall in love' with the previous emperor or develop a stockholm syndrome — instead, she took her revenge in the same way he hurt her and other girls, which he deserved. her anger, hatred and disgust towards him are rightly justified and realistic for a victim of pedophilia.
the older palace lady (who might or might not be a ghost) told the girls abt her story as a victim of the previous emperor at the ghost story gathering:
whether or not she was a ghost, she wanted her story to be heard, of how much the victims suffered at the hands of the previous emperor. they were imprisoned for the rest of their lives in the same place that ruined their lives. telling her story might be the only way for her to find peace within herself.
an abuser may die but the trauma he leaves on his victims will last forever. it does not go away.
it's even presented as a horror story because there's nothing more terrifying than SA.
(i may have missed a few points but im keeping this brief. thank you for reading my essay!)
It’s heartbreaking to know that when Anshi looks back on her first encounter with the late emperor—the man who sexually abused her for years—she can only describe her 10-year old self as ambitious.
In the light novel, Anshi is far less aware of why she was sent to the rear palace, and it’s clear in the books that she did not intend to grab the emperor’s attention.
But in the manga—now the anime—she says she knew, that she understood what she was getting into, and that she reached out to him deliberately.
This is very likely a lie she told herself to cope with the trauma of the abuse she endured, abuse that dictated the course of the rest of her life, for better or for worse.
Because, even if Anshi knew, on paper, what her father intended by sending her to the rear palace, what 10-year old would understand, truly, the implications of winning the emperor’s favor? What prepubescent child fully understands sexual grooming or abuse for what it is, understands how it will hurt them?
Anshi falls for the oldest lie children of sexual abuse tell themselves: that they brought this upon themselves, that they were somehow responsible for what happened.
Telling herself that she put herself in his path out of ambition gives her the illusion of agency. It allows her to ignore the glaring, obvious signs that she could not have refused him if she’d wanted to. It is also a manifestation of her own self-loathing, the all too common misplaced guilt that rape survivors feel in the wake of their assault.
This particular coping mechanism is what drove her to assault the late emperor right back when she was in her late 20’s.
That helplessness, that rage, that unresolved trauma, led to her repeating the cycle of abuse, led her to forcing herself onto him as an adult to reclaim that agency she knows she never had.
And this assault brought about her second pregnancy—the birth of the moon prince, the current emperor’s younger brother.
And even though Anshi knows Jinshi is Ah-Duo’s son, not hers, Anshi was still the woman who raised him. She feels this guilt and revulsion every time she looks at Jinshi, especially since he resembles the late emperor so strongly.
And even though Anshi loves Jinshi deeply, she is constantly haunted by the self-loathing she associates with him. She calls his very existence immoral, a living embodiment of her sins. And it’s so heart-wrenching, so tragic that she blames herself for everything, that she believes all of this happened due to her own, selfish sense of ambition.
Empress Dowager, Anshi
LN SPOILERS
Imagine being Jinshi. You grow up thinking Yang is your father. Then, after meeting a creepy old man you find out he’s your actual dad and the man who you thought was your father is actually your brother.
Then you hear people gossiping about how that man can’t be your father because he only sleeps with children and your mother had you when she was an adult so you can’t be his son.
Then a victim of the Former Emperor confirms that he was actually your dad because you look just like him.
Now imagine how Jinshi’s going to react when he discovers that his brother, the man he initially thought was his father, is in fact his father and that his mother isn’t his mother either, it’s Ah duo, his “brother’s” first consort.
I’ve seen some people joke that he must be stupid to not realise Ah duo is his mother, but imagine being in his place. He already has enough daddy issues, he doesn’t need to start questioning his mom.
So it's now clear that Suirei and Jinshi are blood-related, as both are grandchildren of the former emperor (even though, legally, Jinshi is the son of the former emperor and anshi, but biologically, he is their grandson) Only two girls became pregnant with the former emperor, Taihou (Shenmei's lady-in-waiting) who gave birth to a daughter, and Anshi, who gave birth to the current emperor. Taihou’s daughter was banished from the palace, but years later, the former emperor ordered Shishou to marry his daughter, and Suirei (whose real name is Shisui) was born.
That’s the two-generation humiliation Shenmei was talking about.