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The aromantic urge to confuse platonic feelings, romantic feelings, and aesthetic attraction. The aromantic urge to try romantic dating but not be into romance with the person and lose the romance facade. The aromantic urge to mistake my aesthetic attraction for people as something romantic but never feel real romance and never value it. The aromantic urge to go Killua mode and get jealous over my closest friends like how one gets jealous over a crush. The aromantic urge to confuse a squish for a crush or desire a QPR but confuse it for romance. The aromantic urge to only realize this when I'm 15 and make a Tumblr post in a short tangent about it.
henlo! I saw This Postโข from you, and was wanting to know if you could share said list? I got very curious about it!
That is kind of vague, isn't it?
The event's organizer scanned and uploaded the zine here, so anybody who wanted to could print it out and distribute it.
But in case you don't feel like swiveling your head a bunch, my list (in no particular order) was:
Muriel's Wedding (1994, dir. P.J. Hogan)
Castle Waiting Vols. 1 & 2 (2006 and 2010, by Linda Medley)
The Nameless City Trilogy (2016-2018, by Faith Erin Hicks)
Nation (2008, by Terry Pratchett)
Parable of the Sower (1993, by Octavia Butler)
This, of course, was just what I had room for, bounded by the definition mentioned above and the informal rule that I didn't want to include any children's media. As I said before, media aimed at or about children tends to fulfill this definition. But I tried to steer clear of it because there's not much subversive about writing children's media without romance. My aim was to highlight media where a conventional story would take the opportunity to shoehorn in a romance at some point, but these stories did not.
And in case anyone is curious, the story on the list that most explicitly rejects amatonormativity is Muriel's Wedding (although I doubt anyone involved in the movie would describe it that way), and my favourite story on the list is Castle Waiting.
Viv, maybe a separate pride representation from aspec-identities could be done.
Similarly to lgbtq+ (in all of the ways they,gey experience love/romance/sexual attraction).
Because it opens up to a lot more can of worms if we dive into all the ways aspecs are and how they represent themselves, feel or experience life.
For example, Octavia, Striker, Alastor, Mammon being not only just ace but aroace.. Would you manage that? Would you pull a romantic subplot or falling-in-love subplot that would make sense for aroaces??? When the topic of love/romance occurs for aro(ace)s???
On how the fandom likes Chloe and Lila better. And how they seem appealing to the audience. ๐ฌ 1ย ย ๐ 1ย ย โค๏ธ 4ย ยทย @joc3lynx in Marinette Critiq
๐ฌ 22ย ย ๐ 4ย ย โค๏ธ 10ย ยทย How many cold-distant, awful behavior or even rejection smb has to go through before they force you into telling "oy, eur