Talking about Chris Columbus made me think about what was probably the most prophetic part of JK Rowling's bad wizard books at the time
If you go back to coverage from the time (which I did verifying the info in the Chris Columbus post, discovering this) you see that she wanted a capital-d Director for it. A visionary auteur worthy of her wizard book for children. She wanted Terry Gilliam; the studio said no. She wanted Guillermo del Toro; he said no. She wanted Steven Spielberg; he said yes, then dropped out due to "creative differences" (he wanted to do it as an animated film, and chose to make A.I. instead). Then with the third movie, they landed one: Y tu mamá también director Alfonso Cuarón. At last, she would get to see what it was like for a visionary creative to tackle her work, as she wanted all along
And when it came out, there was one problem. The reviews were really, really good...and all of them were praising Alfonso Cuarón. They were saying that he had added so much to the wizarding world of JK Rowling (TM). Some were even implying he handled the material better than she did, and a few were saying that outright, because it was true
Suddenly, the prospect of her work being handled by a Visionary Aueteur was less appealing. Cuarón couldn't give less of a shit, he went off to make Children of Men, so strange how basically everyone involved in the bad wizard movies used the money from it as a springboard to kickstart a successful career doing shit they actually care about it except its writer. So two movies later, we meet David Yates, whose filmography looks like this
He does have works other than this - all of it on TV. Miniseries/TV movies and TV episodes. Though his only TV work since Harry Potter was one TV pilot.
Someone who had spent years talking about her hopes that Spielberg or Gilliam or del Toro or M. Night Shyamalan would add their Visionary Touch to her books was now happy having some random TV director handle everything forever. A random TV director who hardly does anything except Harry Potter. Whose career depends on her and her series. Anyway I'm sure she just really liked his miniseries about human trafficking a lot
It reminds me of when the director & writer of the first 50 Shades movie did a lot of editing to remove the unnecessary guff that was only in the book bc it was in the original fanfic - like pointless side characters who were only around bc they were a Twilight character in the original - & make it work better as a film, and then E.L. James fired everyone and had her husband write the sequels so they wouldn't ruin her baby. JK Rowling really wanted the prestige of her movie being made by a Steven Spielberg but didn't realize that a director like that would alter the material for film even when adapting a good book. She just wanted a famous person to enthusiastically co-sign that her book was very good and perfect and required not one change before becoming a classic of cinema. Meanwhile Alice Walker, Michael Crichton, Philip K. Dick and H.G. Wells are all better writers than JK Rowling, and none of them were granted that level of deference
Anyway who could have foreseen that the writer who made sure her film series was made as bland as possible after having one director actually dare to change and adapt her work would one day get so mad at her movie's cast no longer speaking with her she tries to remake the whole series to "replace" them













