But I mean to honor the memory of that essay, to praise and not to bury it; to hail the rancor of its frank hatred of identity, and the fury of its applause during the scene of its undoing, the scene where, where, it is unfixed? No, no!: where it is demolished: how tinny, how thin, how programmatic queer theory's business-as-usual opposition to fixed identity can sound when it is set next to the voice of the take-no-prisoners prophet we hear in "Is the Rectum a Grave?"' how pale, how paint-by-number the sight of its unfixing can look next to the flames of the funeral pyre where Bersani stages its immolation. As with the enduring melancholia that Judith Butler has so finely explicated at the heart, as the heart of an identity—gay, lesbian, or queer—exemplary in its instability, a bracing sense of catastrophe, the feel of a hurricane nearby, underwrites Bersani's bestowing of flagship status to what he will call specifically gay identity as a social imposition whose undoing illuminates the vulnerability of all identity. Most important, I mean to honor Bersani's abidingly unpopular recognition that however much sex is put out in public, made the medium of some new and improved society, sex invokes an urge to get away from others as much as an urge to join with them. We can begin to remark the persistence of this urge in the very realm of public sex itself: anyone accustomed to the cultures of public sex in which Michael Warner and others place considerable hope knows full well the more or less articulated, more or less conscious, more or less courteous "involvement shields"—the averted or unanswering eye; the polite excuse; the turning of the back—thrown up in the face of the unpreferred object. But I do not mean to stop there: I am persuaded that the connection between sex and social withdrawal is as deep as Bersani says it is, as deep as that, but different, working through mediations whose particularities cannot be summarized as the perturbations of a single psychic catastrophe.
– Jeff Nunokawa, "Queer Theory: Postmortem" (2007)










