#aramaean

[aivoluptulicious]

Stunning native Aramaean woman in her mid 30s

[bagdemagus]

Stele representing a king and attendant Excavated at Zincirli (ancient Sam’al), Turkey ca. 830-750 BCE Basalt

Vorderasiatisches Museum, Berlin (S 6580)

(On display in the exhibition “Royaumes oubliés” at the Louvre, 2019)

[turabdinoyo]

My dad wrote this book in Syriac by hand in 1972, when he was just 13-14 years old, while studying at the Monastery of Mor Hananyo (Deyrulzafaran, Saffron Monastery) in Mardin.

It’s a copy of the prayer book for weekdays according to the Syriac Orthodox Church, called “shhimo”.

[soliloquyinthedark]

The Aramaean Temple of Baalshamin in Palmyra, Homs, Syria

The temple was built in 131 AD by the Palmyrenes, an Aramaean people who inhabited the ancient city of Palmyra. The temple was dedicated to Baalshamin, a Canaanite deity whose cult spread to Palmyra due to trade and migration. Baalshamin is a god of the skies, storms, thunder, and lightning. 

Unfortunately, the temple was recently destroyed and demolished by the terrorist group ISIL in 2015. However, there are plans to eventually reconstruct the temple in the future using photographs and the surviving remains.

[bagdemagus]

Orthostat of King Bar-Rakib (744-727 BCE) Excavated at Zincirli (ancient Sam’al), Turkey Vorderasiatisches Museum, Berlin VA 2817

From the Staatliche Museen zu Berlin website:

This orthostat from the Northern Hall of the city of Sam’al belongs to a group of relief-sculpted stone plaques that represent scenes of the life to come. The relief depicts the lord seated on a throne, with an official standing before him seeming to take instructions. A fly whisk-carrier behind the throne is visible only from the side.

Bar-Rakib holds in his left hand a symbol of rulership with a palmette top, and the right hand is slightly raised. The scribe carries under his left arm the bound writing-tablets and in his last hand a container in which scribal implements are kept. The beard and hairstyle of the king are indebted to the Assyrian fashion, by which he signals his vassal status to the Assyrian ruler. The headgear of the enthroned king, a smooth cap with raised side-flap and tassel, and the standing figure’s long garment portray the local dress. Because the smooth garment is only flatly carved, like the footwear, the zones of bare body and the headgear would be scarcely differentiated, were it not for the careful working of the heads and the details of the throne, footstool, and hems of garments. Archaeological finds confirm that these depict wooden pieces of furniture with metal decorative elements of copper or bronze.

The one-line Aramaic inscription is inscribed on the upper part of the picture. The text next to the ruler’s head proclaims: “I am Bar-Rakib, son of Panammuwa,” right next to the astral symbol reads: “My lord, Ba’al-Harran.” This “Lord of Harran” is identifiable with the moon god, depicted as a moon-disc and crescent, which are fitted with a small handle with grip and pommel.

[bagdemagus]

Gallery views from the exhibition “Royaumes oubliés: de l’empire hittite aux Araméens” at the Louvre, July 2019

[soliloquyinthedark]

Aramaean and Israelite Fashion from Antiquity - From the book “The Costumes of All Nations” (1882) by Albert Kretschmer and Dr. Carl Rohrbach

[turabdinoyo]

The Patriarch of the Syriac Orthodox Church, His Holiness Mor Ignatius Aphrem II, with two Syriac Orthodox bishops at the Monastery of Mor Aphrem in the Netherlands in 2016.