#assyria

[pietruszko]

Lamassu and Apsasu family ^^

[earlgraytay]

Not a drill- the ancient Assyrians had indoor plumbing! Ish.

[soxiyy]

From Levantine_gay on insta

[city-of-ladies]

"Women in all periods of ancient Mesopotamian history played a significant role in the workforce, from midwives to weavers and a great many things in between. They were the backbone of the textile and milling industries, and in some cities also worked in farming, at irrigation systems, and in transportation and boat towing on canals. This doesn’t mean they received equal pay for their work. As oil-pressers in the city of Umma, female workers were paid rations in barley and oil equivalent to less than half of the rations of their male counterparts. The pay gap, it seems, has an incredibly long history.

Around the same time period as the naditum in Sippar, women of ancient Assyria further north were part of a far-reaching international trade network, centred on the trading quarter in the city of Kanesh (in Turkey). Donkeys in trade caravans carried tin and textiles for weeks at a time from Assur to Kanesh, a distance of 620 miles, where those goods would be sold or traded, and they returned to the Assyrian heartland with silver and gold. The same trade caravans also carried clay letters back and forth between business partners and family members, including husbands and wives who worked together. The exchanges between one woman named Lamassi and her husband, Pushu-ken (the same man who did time for dodging tax), show the perils of mixing professional and married life. In an exasperated letter, she asks why Pushu-ken constantly accuses her of sending sub-par textiles:

Who is this man who lives in your house and who is criticizing the textiles when they get to him? As for me, in order that from each caravan trip at least 10 shekels of silver accrue to your house, I try my best to make and send textiles to you!

She ends her letter here, without so much as a final sign-off. In another letter, she complains that she is struggling to make enough cloth for her family’s trade in Kanesh, for her children, and for other household personnel, on top of her daily responsibilities like making beer and fielding an annoying neighbour – the trials of a working mother 4,000 years ago.

Even in ancient Assyria, mothers were expected to work like they didn’t have children and raise children like they didn’t have work. Lamassi may have had seven children – five boys and at least one but possibly two girls. Not including her husband’s prison sentence, she would have raised them alone for years at a time. One of her letters contains a heartfelt plea for him to come home: ‘Be an honourable man, break your obligations, and come here!’ In the same letter, she also asks that he finally pay the export duty he owes so that the tax man will stop badgering her to fork up the silver for it.

Women like Lamassi often got paid for their textiles independently of their husbands – about 10 to 12 shekels a piece after tax. Considering that they were responsible for every stage of production – from sourcing wool and weaving the textiles to sometimes arranging their donkey DHL to Kanesh – this financial outcome is only fair. They even knew what prices their work should fetch in the markets of Kanesh, and sometimes even gave instructions to relatives on the ground not to sell particular pieces for anything less than the market value. A woman named Taram-Kubi, for example, complains that she was underpaid for previous products and instructs her brother not to sell the next lot of textiles she has sent him for anything less than a third of a mina per textile (about 20 shekels). Many of these women also learned enough cuneiform to be able to write their own letters to remote family members and business partners without relying on professional scribes. They acted as producers, traders, and scribes, in addition to running their households and raising their kids.

Aside from international trade, Assyrian women of the early second millennium BCE also carried out business transactions on their home turf, sometimes from the money they made through their work in the textile trade. They bought properties, invested in international enterprise, and even gave out interest-bearing loans. A woman named Bazaya entrusted a man named Adad-Rabi with selling an impressive list of goods she had accumulated, including refined copper, three black donkeys, and a large amount of wool and textiles. Her ability to purchase and resell such an extensive list of commodities shows serious business acumen. A woman named Waqqurtum, on the other hand, invested in a failed enterprise and begged her brother to help her recover the silver she invested, as she had ‘come out empty-handed’.

Women continued to take on important roles in business and enterprise well into the first millennium BCE, including contemporaries of Ennigaldi-Nanna. Archives of documents from private homes tell us that women from wealthy urban families could buy and sell land, give loans, rent their properties out, or enter into business partnerships with some level of autonomy. A woman named Ina-Esagil-ramat managed fields in her own name that her father gave her when she got married. In one convoluted case I had to reread several times to understand, a woman named Tabatu loaned money to two people, a man and his mother. Those two people then sold an enslaved person to Tabatu’s husband, but instead of paying them for the transaction, he gave the money to his wife. This was just the most efficient way of moving the money around – rather than Tabatu paying the people who owed her money, her husband paid off their loan to her. The money flowed through fewer hands this way. But it’s interesting that in such cases, women like Ina-Esagil-ramat and Tabatu were seen as separate financial entities to their husbands. Although many of these women carried these transactions out on behalf of husbands, fathers, brothers, or even sons, they still played an active enough role that their input got written down."

Between Two Rivers: Ancient Mesopotamia and the Birth of History, Moudhy Al-Rashid

[whencyclopedia]

The Nimrud Ivories: Their Discovery & History

The Nimrud Ivories are a vast collection of figures, panels, and plaques, carved from ivory, dated to the 9th to 7th centuries BCE, discovered in the ruins of the ancient city of Nimrud. Today, they are considered among the finest archaeological jewels of ancient Mesopotamia - and their history is fascinating.

In 1845, the archaeologist Austen Henry Layard began excavations at the ruins of the city of Nimrud in the region which is modern-day northern Iraq. Layard's expedition was part of a larger movement at the time to uncover ancient sites in Mesopotamia that would corroborate stories in the Bible, specifically in books of the Old Testament such as Genesis and Jonah. The archaeologists who excavated the sites throughout Mesopotamia in the mid-19th century were seeking physical evidence to support accounts of the Great Flood, the Tower of Babel, and cities such as Nineveh and Kalhu, among other biblical references. Their work, ironically, would have the complete opposite effect of what was intended: they discovered a civilization that existed long before the first biblical books were written, one which had, in fact, produced the first stories concerning a global flood and an ark, and which was far more advanced than had previously been thought.

These discoveries would revolutionize human understanding of world history, which, previously, had been heavily influenced by the Bible's version of events. Prior to these expeditions, little was known about Mesopotamian history outside of the Assyrians and Babylonians because they were the people best documented by ancient Greek historians and mentioned in the Bible. The great Mesopotamian cities of the past lay buried under the sands after the fall of the Assyrian Empire in 612 BCE, and their histories lay buried with them.

History of the City & Discovery of the Ivories

When Layard began his work at Nimrud, he did not even know which city he was excavating. He believed he had discovered Nineveh and, in fact, published his bestselling book on the excavation, Nineveh and its Remains, in 1849, still confident in that belief. His book was so popular, and the artifacts he uncovered so intriguing, that further expeditions to the region were quickly funded.

Further work in the region established that the ruins Layard had uncovered were not those of Nineveh but of another city, which was then referred to as Nimrud. The archaeologist William K. Loftus took over from Layard in 1854 and excavated Nimrud further, discovering, among other treasures, the magnificent works of art known today as the Nimrud Ivories (also known as the Loftus Ivories).

Nimrud was an important city in ancient Mesopotamia known as Kalhu (also Caleh, Calah), which became the capital of the Assyrian Empire under Ashurnasirpal II (reign 884-859 BCE), who moved the central government there from the traditional capital of Ashur. The city existed as an important trade center from at least the 1st millennium BCE. It was located directly on a prosperous route just north of Ashur and south of Nineveh. The Assyrian Empire was ruled from Kalhu from 879 to 706 BCE, when Sargon II (reign 722-705 BCE) moved the capital to his new city of Dur-Sharrukin (Khorsabad).

Following the death of Sargon II, his son Sennacherib (reign 705-681 BCE) abandoned Dur-Sharrukin and moved the capital to Nineveh. Kalhu continued to be an important city to the Assyrians, however, and the palaces and residences were richly adorned and ornamented with gold, silver, precious gems, and the intricate works of art that have come to be known as the Nimrud Ivories.

Read More

⇒ The Nimrud Ivories: Their Discovery & History

[baebeylik]

Furniture element carved in the round with the head of a roaring lion. Assyrian. (Iraq). 9th to 8th Century BCE.

The Metropolitan Museum of Art.

[along-the-silkroad]

A rare piece of Neo-Assyrian frontal sculpture of over 5 meters high, depicting a heroic figure holding a lion in chokehold, often identified with the legendary king Gilgamesh of Uruk, from the Palace of Sargon II at Khorsabad (Dur Sharrukin), late 8th century BCE. Louvre

[phownizzz]

Ištar sketch; I love and adore her so much.

Hope yall appreciate this personal interpretation of her :3