Mana Sama Gackt and Kozi
seen from France
seen from United States
seen from United States
seen from Jordan
seen from Greece

seen from Canada
seen from China
seen from Yemen

seen from India

seen from Canada
seen from United Kingdom

seen from Greece

seen from Türkiye

seen from Canada

seen from United Kingdom

seen from Greece

seen from United Kingdom
seen from China
seen from United States

seen from India
Mana Sama Gackt and Kozi
I have said that a photograph bears witness to a human choice being exercised. This choice is not between photographing X and Y; but between photographing at X moment or at Y moment. The objects recorded in any photograph (from the most effective to the most commonplace) carry approximately the same weight, the same conviction. What varies is the intensity with which we are made aware of the poles of absence and presence. Between these two poles photography finds its proper meaning. (The most popular use of the photograph is as a memento of the absent.)
John Berger, “Understanding a Photograph” (1968), collected in Understanding a Photograph (2013)
“The artist is always beginning. Any work of art which is not a beginning, an invention, a discovery is of little worth.” ― Ezra Pound
Painting: "Moonlight on the Sea" by Albert Pinkham Ryder
Created by Jean-François Ansion
Chances and artistic creation by Fayga Ostrower
Summer dresses at winter because why not