Are there any internship spots available in the wizard archive? My qualifications are an affinity for long/winding/labyrinthine corridors, using three dusters at the same time and conjuring decent cups of coffee
Ah! Wonderful! We actually just had a place for an intern, uhhh, open up unexpectedly!
Are you comfortable with working in hazardous environments for little to no pay, with limited PPW (personal protection wards) and no insurance?
I would love love looooove to watch Heart and Sword (Il cuore e la spada) 1998, a retelling of Tristan & Iseult. So if you or anyone knows where to watch or has a link I would be eternally grateful <3
So would I, anon! I've been unable to find it in its original language (with English subtitles), only dubbed over into different languages.
If anyone can help us locate Il Cuore e la Spada (1998), we'd really appreciate it!
Love Renmu!! He looks vaguely unsettling /pos I love that aura in ocs
Does he have a source character he's twisted from?
@cathismatic , let me just say that you are my first real Ask! 。・゜・(ノД`)・゜・。 I'm so happy! I am also happy that you like my OC Renmu! o(T□T)o It means so much to me.
To answer your question, no, Renmu doesn't have a direct person/source that he is twisted from. I will say, Renmu does have influence of snow white, in terms of the "hair dark as night and skin white as snow." I wanted him to have that same sense of beauty, yet he has more of an unsettling appearance as you said. An unsettling sense of beauty. I also allude him to Ravens. So, it's not an exact character there either.
Heyy, any tips for dressing OCs? I struggle a lot coming up with outfits that look unique while looking like it fits in with the rest of the characters and the world.
Hi, thanks so much for your ask! Boy oh boy do I have tips for you, so buckle up! I'll try to keep this as straightforward as possible, but if you get lost on the way, I'll give examples at the bottom of the post.
First of all, it's important to have a feel for the character's personal style. One of the first things I do for every new OC I create is usually to hop onto Pinterest and make an aesthetic board for them because it just helps with so many things. Sometimes, you'll just stumble across the main design detail of your OC on accident! For example, my OC Aurelia's signature claws just showed up when I searched "gold aesthetic", and I decided that this was the way to go.
But let's go back: How do I even know what to search for? Well, you might want to have a basic concept for your character. What are their inspirations? What is their background? Do they prefer clothes that are more practical or more stylish? Do they have any signature colors? How do they come off in the eyes of other people and does that match their fashion sense? How rich are they?
The last point may be helpful to get a basic idea but, in the end, it doesn't have to be the deciding factor. Let's take the Straw Hats, for example. At the start of the story, they're not exactly rich. Still, both Sanji and Nami are walking around with nice clothes. Nami steals her clothes or bargains with (or threatens) the vendor until they give her a huge discount. Sanji, meanwhile, probably had a good bit of money before he left Baratie since it was a fairly successful restaurant, and I'm willing to bet that he probably only has one or two good jackets, so he might look high-end, but he's actually not very rich at all.
What I'm trying to say is: Knowing how your OC acquires your clothes can be a huge help both for their character design and for fleshing out their story.
Otherwise, just throw anything about your OC you can think of into Pinterest's search bar, glue "outfit" or "aesthetic" to it, and you'll probably find some good inspo for your OC's clothing style.
Now that you have an idea of their fashion sense, time to make it fit in!
I'll be the first to admit, the early animanga art style doesn't really leave a lot open for detailed character design, but once you get further into the story, you can practically go completely wild.
The first thing I'd think about is: What's your OC's place in the world? Are they a Marine? Great! You can draw them in uniform! A noble? What culture is their kingdom inspired by? A pirate? What are their crewmates dressed like? After all, some crews practically have their own version of a uniform or at least a theme.
In the end, someone's clothes "fitting in" probably isn't as much of an issue as you think. Yes, the Straw Hats' outfits look pretty simple in the early animanga episodes, but... take one look at OPLA or even try imagining their outfits in real life and you'll figure out at that isn't necessarily the case. They're just simply drawn because it's a simple art style. One Piece is such a diverse world that almost anything goes. You can go surprisingly far into sci-fi or steampunk or historical, whatever you like, if you play around with it a little.
A thing that I like to do is to take inspiration from the characters that my OC is close to. The Straw Hats are especially great here because, for a lot of story arcs, their clothes collectively have a theme, but they still manage to be individual and unique. How?
The details. It's all in the details. Even if your OC is a Marine, you can make them unique through the details. Think about Coby! How is Coby unique? Pink hair and those signature glasses! Most of the Straw Hats have one design detail that carries on throughout pretty much all of their outfits, be it an accessory, a color scheme, a pattern... Luffy has his straw hat, obviously. Zoro has his swords, earrings and bandana. Nami has circles and stripes. Usopp loves himself some overalls and, in the animanga, his goggles. Sanji almost always wears a suit or at least a dress shirt and, if he doesn't, the outfit is most likely blue. Think about how this works for your OC. What's the one detail that carries on throughout all of their outfits? That's what makes them unique and recognizable.
But details can also help tie your OC into the greater world. Remember that you are an artist making character design and you're free to throw in as many easter eggs as you want. They can really add to an outfit. Adopt an accessory from a character that your OC is close to! Make the pattern of their clothes a nod to someone or something or someplace else! That's what brings your OC to life because it's what people do. We steal each other's clothes, we buy matching outfits, we unintentionally and subconsciously pick up on or play off of other people's sense of style... It's a natural process, maybe even a sign of love, and it's one of my favourite things to see in art or character design.
To maybe put this all into perspective, let me walk you through how I came up with the outfits for two of my OCs, from two different backgrounds and parts of the world.
OC no. 1 is my beloved Akaito Coraline. Cora is a tailor of considerable fame throughout the East Blue and ends up joining the Straw Hats because she's childhood friends with Sanji. Finally, she ends up dating both Sanji and Zoro.
Practically the first design detail I had about her was a nod to her family, because her family and their tailoring tradition is a very important part of Cora's character. So, it was decided that she would have a sewing needle pierced through her ear. Her profession as a tailor also made it pretty self-explanatory to me that she would prefer clothes that are, well, tailored, and she most likely makes all of her clothes herself. So, she could wear fitted blouses and other fairly intricate or expensive stuff without actually being rich or being able to go shopping often because she can sew those clothes herself - which is also a lot cheaper. It also occurred to me that Cora would have a love of fashion and would probably put fashion over functionality in her outfits. Because of her backstory, I also knew that she would keep her back covered. Lastly, as a pirate, she would have to have some kind of weapon, and I decided on a rapier, because it's elegant, feminine, fashionable, and long and pointed like a sewing needle.
In the end, I threw all of those things together, picked reference images from Pinterest, slapped them into my drawing program, and, through trial and error, came up with this:
Base by Hevis-Swan on DeviantArt by the way - use and credit bases, kids, it really helps!
We've got the sewing needle through the ear and one of Zoro's earrings to link her to him. We've got a form-fitted blouse and vest where I made sure to actually draw the different panels so you could have an idea of the sewing process. The black things on her sleeves are sleeve garters, which are meant to hold your sleeves up while you work, and I figured Cora might wear them as one of the few things she wears for practicality's sake - but they're also made of lace because she loves her fashion. The idea to have her wear pants was more of an afterthought because I absolutely wanted the holster for her scissors, but the pants are based off a pair that I own myself! The belt is based off of historically accurate belts used to hold rapiers in the 16th and 17th century. Those boot covers are extremely impractical to button up, showing Cora's "fashion over function" principle. Finally, she wears heels because she's short and likes the extra height, and the anklet is a gift from Sanji, hence the blue and silver.
On a different note, we have OC no. 2: Dracule Aurelia, the wife of Dracule Mihawk. If you've ever seen Mihawk, you know that he's one fancy man, and the same applies for Aurelia. She is rich, filthy rich, and she's an incredibly powerful pirate. Her vibe is that of a mafia boss, a femme fatale, of power and deadliness through beauty. Her epithet is "Black Widow" because all of her lovers keep dying one way or another. Either by her hand or through other mysterious circumstances.
With those things in mind, I was already pretty sure of how I wanted to draw Aurelia and what clothes she should wear. "Aurelia" roughly means "the golden one" and, combined with her incredible wealth, that already guaranteed that she'd be wearing a lot of gold. Secondly, I knew her clothes had to be sexy. There's no other way to put it; she had to be turning heads. She also needed to be able to kick people in the nose. And lastly, I wanted it to be easy to see that her and Mihawk were married, so I took a lot of inspiration from him.
Bases by Fluffy-foxgirl and Alex-Hime on DeviantArt
This outfit is essentially one big easter egg hunt. The flower symbol is found on Mihawk's sleeve, the long coat is inspired by Mihawk and the collar is both a reference to him and Aurelia's father (whom I will not name here for spoiler reasons), she wears crosses just like Mihawk, the feathers on her headpiece are a nod to the feathers on Mihawk's hat, the petal-like sleeves are a nod to the island she's from... But the outfit is still 100% her! The way everything is very revealing, the gold chains, the claws, the high slit, the dagger with the spider in its pommel...
So yeah! I hope this helped at least a little. Hope you're having a wonderful day! ^^
hello 😊 i just came across your blog (saw your analysis of Terzo, and i thought it was so cool omg) and i really like your artwork and vibes in general. i just wanted to know if this blog is okay for minors. it's a little hard to find fandom spaces that's ok with minors lol.
(sorry for my english, it's not my first language. sending love 🖤)
Hi! So sorry, I am bad at asks sometimes...it should be okay, I don't post NSFW content ^_^
This was taken from the now-defunct 'Ask the Archivist' column of the old @archiecomics website (in 2007)! Said archivist is believed to have been Mr. Paul Castiglia (TBC).
I quite like what Mr. Archivist had to say in the last paragraph about Betty being the best mate for Jughead and about Jughead and Betty being a great match!
Big thanks to @/Dollihaze on Instagram for this amazing find! And paging @bughead-in-the-comics 😉
A christmas tree mimic is so cute! Can they eat cookies?
They can eat pretty much anything. Whether they should eat cookies is a separate matter. Ours had a rather sweet tooth, and if we gave it cookies it seemed less inclined to take a nibble out of our patrons, so we felt it was appropriate in our case, but each mimic has its own dietary needs which should be accounted for