Gabriela Ruiz
Born in 1991 in San Fernando Valley, CA; lives in Los Angeles, CA
Homo Machina (Human Machine, a.k.a. Gay Machine), 2026 Fiberglass, foam, plaster, resin, aqua resin, plexiglass, mirror, plastic, LED street lamps, motor, monitors, speakers, and surveillance camera
Collection of the artist; courtesy the artist Support for this artwork is provided by Forum of Fountainhead Arts
In Homo Machina (Human Machine, a.k.a. Gay Machine), Gabriela Ruiz combines sculpture with video and surveillance footage, constructing a life-size digital console that functions as a self-portrait. The work reflects on the ways technological systems shape visibility, labor, and control, particularly for brown bodies. Drawing on early Windows-era digital aesthetics, Ruiz rejects the sterile minimal look of contemporary technology in favor of bold color, excess, camp, and spectacle.








