Faces of Babalon - Mishlen Linden (editor)
The Faces of Babalon is a collection of essays written by a small group of cis women that have connected with the deity in a meaningful way. The essays are brief, not more than 30 pages and self-described as a chapbook, and bracketed by channelled messages from D. Koons.
The authors are a mixed bag. Assuming I have found the right people: Linda Falorio was an artist that created The Shadow Tarot as well as a psychotherapist (according to an obituary), Soror Chen does not exist online as far as I could find, Mishlen Linden is a fine artist that mixes spirituality with sculpture and has contributed to other books on Babalon, Nema’s name is to vague to find any results, and the main result for Raven Greywalker is an essay on Thelemic sadomasochistic magic rituals (which is fitting with her essay).
The essays are dense with information and all of them are heavily based in a mix of sex magic, the various aspects of Babalon as a figure and as a deity, and with a liberal helping of appropriation of chakras, east Asian concepts, and Kabbalah. In my opinion, the first is the best.
I have read this book twice now, once as a PDF and once as a print copy that I now own. The writing that focuses exclusively on Babalon is intensely interesting and explorative in a way I’ve not seen in other books (yet). It probes unmarked territory in ways of conceptualising the goddess and includes gender expansive and trans readings of Her, as well as being a collection of essays written without the influence or need to cater to cisgender men. One essay plunges into Babalon as a sex worker - something often alluded to in other writings but shied away from confirming or exploring deeper.
A few essays are intensely critical of Crowley & his attempts at constructing Babalon as a goddess that is both liberated but submissive to men, a welcome read considering some writings on Her.
I do not recommend this book at all for beginners to metaphysical or religious practice, since the appropriation is mixed in with non-appropriative writings on Babalon and may be hard to parse in parts (in other parts, it’s incredibly blatant and obvious), however I do recommend it for those experienced in picking appropriation out from a text and interested in different and unique views on Babalon.
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