Princes & Bards: Instability and Destruction
I want you all to picture me with an incredibly evil grin on my face right now. That is me. I am a supervillain and you are about to fall for my evil plans. I have been waiting for this.
The Princes & Bards, the most contentious classes in Homestuck; consistently lumped in with the nebulous 'bad guys' and given little thought beyond the absolute ugliest manifestations of their powers and personalities.
The Prince:Bard dichotomy embodies instability, destruction and deconstruction. They shatter their Aspect, break it down to its constituent parts, tear it into a million pieces; it is their scourge, and they terminate it however they see fit.
Similarly to the Knights & Pages symbolising deficiency, the Princes & Bards signify instability; their presence usually means their Aspect is in flux, and often it's due to their presence too in a roundabout way.
Canonical Prince players are Dirk Strider (Prince of Heart), Eridan Ampora (Prince of Hope) and Kurloz Makara (Prince of Rage).
Canonical Bard players are Gamzee Makara (Bard of Rage) and Cronus Ampora (Bard of Hope).
Point A - the narrative function of the Prince.
The word I'd use to describe the Princes is... obsessive. Obsessed, in particular, with eradicating their Aspect. They tend to hold a deep-seated dislike for their Aspect in their lives, and so they seek to purge it in whatever way they can - and yet it still haunts them in every way they can think. If anything, tearing it apart only means it haunts them more.
This destruction often leads to a superficial manifestation of their opposing Aspect; but not nearly to the degree that most people would suggest. It's there, but not the be-all-end-all.
Dirk, for all of his self-loathing and obsession with appearing methodical & disingenous, can't help letting his emotions get the better of him when the going gets tough - and he surrounds himself with echoes and splinters of his 'godawful personality' despite his efforts to destroy himself completely.
Dirk projects outwardly as cold & calculating, like a player of Mind may be.
Eridan is a hopeless romantic at his core, and yet hope & aspiration still form the basis of his character. He's a man constantly hung up on destiny, constantly thinking about his fantasies of genocide & eternal love from Feferi; trying to live up to the image of a tyrannical ancestor he barely knows. And yet, he's utterly without Hope at his core and seeks to eradicate it.
Eridan projects outwardly as a skeptic who believes in science over fantasy, as a Rage player may do.
Kurloz (speculation time!) is a man defined by his own negativity. Appearing calm, collected & rageless; he conceals a deep-seated devotion and a desire to eradicate Rage in the form of removing skepticism & rebellion from his session. He has a hand in puppeteering Meulin and injuring Mituna, all to remove their potential presence as a spanner in the works for his nebulously defined plans.
Kurloz projects outwardly as an exuberant preacher obsessed with spreading the belief in his gods, as a Hope player would do.
And oftentimes, this destruction spreads to their session mates.
The Alpha kids' romantic prospects and emotional stability erodes the more time they spend in the Medium 'til they all reach boiling point.
The Beta trolls lose all hope of rescue and turn to pulling teeth & murdering one another in a desperate attempt to turn their situation around.
The Alpha trolls are too caught up in their echo chamber of gossip & teenage delusion to understand the gravitas of what they're all dealing with, and it shows.
What the Prince needs to do should they aim to be successful is learn to live with their Aspect. Their frayed & fractured relationship with their Aspect can be healed, and once they've done that healing and moved away from obsessive and mindless destruction, they turn their head to the unhealthy manifestations of their Aspect in their session.
They destroy their Aspect where it needs to be destroyed, and destroy through it when necessary.
And this segues quite nicely into...
Point B - The practical function of the Prince.
The Prince's powers of destruction are nothing to be scoffed at.
Dirk Strider showed the ability to tear out a woman's soul.
Eridan Ampora channels Hope as a weapon of mass murder and destruction.
Kurloz Makara erodes the agency of his peers and robs them of the capacity to rebel through his mind control (I'M NOT CALLING IT THAT) and mental manipulation.
The Prince's power to destroy translates physically into immense physical capability, and in any way their Aspect can be manifested; the Prince can tear it down.
Their role becomes that almost of a really weird healer; because in a sense, what they're doing is mending their Aspect by breaking it where it can't be fixed, and allowing it to continue in a healthier fashion.
It's strange, but the Princes are a strange bunch.
Point C - the narrative function of the Bard.
This is where things get fun.
The Bards are best described as representing decay. Their Aspect passively rots away in their presence, they use it both as a tool to erode it and as something to be slowly degraded in itself. This destruction is often unconscious, and subsequently the Bard has little control over this destructive force; it's like a miasma, surrounding them.
Gamzee Makara erodes his own capacity to question, openly preferring the quiet uncertainty of blind faith; he tells Karkat he'd rather believe in miracles than know the science behind them. He's a boy that thinks pretty lies are better than ugly truths, and by drugging himself up with sopor slime he only compounds that lack of capacity to question. This, of course, then leads to him having his own capacity for skepticism repeatedly taken by the narrative agents that use him as a walking plot device later in the story.
Cronus Ampora is beyond hope, beyond all redemption, designed in every way to be disgusting and hated in every facet. He's an awful, awful man who embodies the worst entitlement and delusion imaginable, falsifying minority identities for attention and using his position of privelege to prey upon those he sees as beneath him; he doesn't believe a word of what he says, and yet he's terrified of being 'exposed' for what he is.
Gamzee is more complex in this regard since he has far more screen-time, and we get to see directly his transition from destroying Rage to destroying through Rage as he goes sober and starts believing himself a God. It's hard to definitively pin down anything about Gamzee since he's... a walking plot device with far too much baked-in bigotry, but there's something to be scraped out of him for sure if you're willing to wade through how really uncomfortable he gets.
Cronus is easier to analyse as a Bard of Hope despite his limited screentime; and there's some really interesting analysis to be found in him being crafted by the narrative to be awful.
Point D - the practical function of the Bard.
Here's where it gets interesting. The Bards erode and decay their Aspect in some very interesting narrative ways.
Gamzee uses Rage as a force for destruction by allowing other people's negativity & overwhelming rage to destroy them. He aggravates everyone he targets into striking him first, before hitting back with three times as much force; we see it with Equius, Nepeta & Terezi very clearly.
Cronus uses Hope as a force for destruction through lies and shit-stirring. He sabotages the image of anybody he wants to victimise, lies and spreads rumours until they're disbelieved and shunned; and he does this very openly to Mituna. It's disgusting, but it's interesting to look at. He's both destroying Hope in Mituna, and destroying Mituna through Hope.
...This got very Cronus-centric, didn't it? I guess he has the distinction of not being written in a way that hurts my brain to think about for too long.
I've been excited for this one for a while; I'm sorry that it was pretty late, but I at least managed to get it out on the right day.
Next week is gonna be another interesting one because it's another group that tend to be villainised quite a bit! Thieves & Rogues are up next.
Enjoy the impending Vriscourse. I'm going to go and nurse the Makara-induced headache I now have.