#bashful creatures

[killherfreakout]

HIPPO CAMPUS Opportunistic — Buffalo, NY. June 2016

[interesting-blog-name]

“Indie Rock” MEGAREVIEW (Hippo Campus - Bashful Creatures/Bad Suns - Language & Perspective/COIN - How Will You Know If You Never Try)

“Indie rock” is a term I never understood. It obviously should be used to describe rock by independent bands, but what counts as independent anymore? Bands like Arcade Fire and Modest Mouse are categorized as “indie”, much like Mac DeMarco, and they have reached a point in their careers of worldwide fame, but they’re still considered “indie”, not because they record their music at home with a $15 mic, but because of their sound. It’s hard to describe, but it’s a light brand of rock that has undistorted guitars, pop structures, and something of a Summer vibe to them. I really don’t know how to technically describe indie rock as a genre, but I have yet to listen to an indie rock album, so I got three short albums from bands that my some of my friends listen to, all under the “indie” umbrella (according to Wikipedia), to see if I actually like the style.

 Hippo Campus – Bashful Creatures

It’s a solid EP. Not much more to say.

I really don’t know what to comment on in this, because I feel like the biggest problem with the “indie” “genre” is that the bands all sound the same, and for a 6-track EP, how much variety can you really ask for? Also considering this is their debut EP. The instrumentation is fine, especially the guitars, which I think really embody the whole summertime feel of the genre, and standout in almost all tracks here, and the singer’s voice is memorable enough, and doesn’t leave anything to be desired at any point. He’s also super hot The songwriting is that youthful, lovey dovey shit you’d hear in a teen romance movie (“Art school girl with ignorant bliss. Peace, weed, cocaine, and mushrooms and shit”) but it’s tolerable (except in Souls, that song’s chorus is a little too generic for me, I think; even though I like how the song starts kind of toned down and suddenly blows up). The closest the EP gets to having even the slightest bit of edge is on the title track, an anthem about not caring about what others think and being yourself, and Suicide Saturday, the biggest song in here, which talks about social suicide and college parties and all that. Unfortunately, they’re also the most forgettable songs.

Sophie So has a really catchy hook, and showcases Jake’s higher pitched vocals very well, it is easily my favorite song. On Little Grace, the biggest change-up is the dub rhythm that sneaks up in the middle of the song, but it doesn’t stand out, and the chorus is the most annoying in the EP. Opportunistic has a fast cadence to it that sets it apart a little bit, plus the guitar fingering is notable, but the track isn’t anything superb or whatever.

It is executed well, doesn’t bring anything new, but I’d listen to it in the car.

 FAVORITE TRACK: Sophie So

LEAST FAVORITE TRACK: Bashful Creatures

 Like a 6/10

“You came back, you wanted to see through my two-colored eyes. You left me at home with a handful of downtrodden sighs.”

 Bad Suns – Language & Perspective

I had known Cardiac Arrest for almost three years now, an upbeat song I’d enjoyed a little, so I chose Bad Suns for the second album, and I was disappointed.

After the first three tracks, I had the feeling Language & Perspective had nothing interesting to offer, and I was mostly right. Nearly all songs here could be described as something like “indie-pop”, but with a huge emphasis on the “pop” aspect. The tracks are all so goddamn formulaic and predictable, songs like Take My Love and Run, Learn to Trust and We Move Like the Ocean sound like they literally copy-paste themselves halfway into them until they end, and Sleep Paralysis swaps what could be an actual verse with like 20 seconds of onomatopoeia. The song topics are generic and bland as well, most of them being about “[coming] to you on my hands and knees” and dreaming about an ex late at night and stuff like that, or general teenage anxiety and overthinking, and that would be tolerable if the band at least said it with some kind of variation, but they don’t, it’s just surface-level love and regret songs back to back.

An exception to the bland songwriting in the album is the song Salt, where lead singer Christo sings from the perspective of his transgender friend. I’m not trans, so I can’t relate nor understand if the lyrics are accurate, but the thing is he isn’t either. From the Genius annotations, it seems the friend was pleased though, and said the feelings expressed in the song were things she actually felt, but was never able to describe, so I guess that’s cool of him to dedicate a whole song to her experience. Still, unfortunately the track isn’t such a standout instrumentally or vocally, but one thing I liked was how the hook finishes at the end of the song, when “these memories are nothing to me, just salt” becomes “salt to the wound”, so yeah that was cool.

Language & Perspective is at its best when the hooks are catchy and you just don’t give a fuck. Songs like Cardiac Arrest, We Move Like the Ocean and Pretend are super easy to sing along to, and sound perfect for when you’re in a car driving against the sun (I know I said the exact same thing for the last album leave me alone), especially because of Bowman’s impressive singing, but without that thin veil of sugary pop, what does this album have that stands out? Matthew James, Take My Love and Run, Transpose (which sounds like it could be on a really corny Nike commercial) and Learn to Love just aren’t as memorable and fun, and so they end up coming off as generic, bland and at times annoying, just because they don’t hold up to the melodic fun little hooks on the other songs.

I can’t hate on Dancing on Quicksand and Rearview however, as even though the first’s lyrics aren’t standouts, I can’t help but love how groovy the song is, and the latter, while the melodies aren’t the most memorable here, the lyrics, to me, sound like they have a little more life and personality to them, even if they remain somewhat vague. I have to admit Sleep Paralysis is a mixed highlight for me, despite the lyrics being especially repetitive, just because of how grand the ending sounds and how the eerier chord progression brings at least something new to the album.

Also, really quick before I wrap it up, why the fuck is 20 Years not in the album? It’s in an EP they released the same year which features Cardiac Arrest, Transpose and Salt and it would easily be my favorite track if it was in the tracklist, maybe because it’s just really relatable to me how your teen years pass without you noticing, but it’s also so mellow and would bring such a refreshing little moment in the record.

My difficulties with this album is that I do like and see myself in the future bumping a lot of these songs individually, if I shut down a few parts of my brain and disregard half the lyrics, but when they’re all crumbled together into a project, their single qualities fade and their flaws unite to form a pretty unsatisfying listen; nearly all songs feel static, formulaic, and don’t progress or amount to much – which is pretty noticeable if you realize all songs span from 3:03 to 3:53 minutes - and the instrumentation brings almost nothing to the overall experience, it’s pretty much a backdrop for Bowman to sing his heart over, without much personality of its own. So while it’s not awful, it’s not good either.

 FAVORITE TRACKS: Dancing on Quicksand, Rearview

LEAST FAVORITE TRACKS: Learn to Trust, Take My Love and Run

 4.7/10

“You let your hair down, your face is made up, you know this town so well”

 COIN – How Will You Know If You Never Try

COIN is the least familiar band of the three here, as I’ve only heard Growing Pains from them and I don’t remember anything from the track, but as a quick intro, the band is from Nashville, Tennessee and consisted of 4 members: Chase Lawrence on vocals and synthesizer, Ryan Winnen on drums, Joe Memmel on guitar and backing vocals, and Zach Dyke on bass until he left two years ago.

After listening to the first three tracks of the album, my expectations were pretty high, but after finishing, I feel like this album is reminiscent of a poorly-heated microwave meal: the first three tracks are decreasingly good, the middle of the album is raw, and the last three go back to being increasingly good, with the only exception being the bright spot that is track 7, Heart Eyes, a romantic, entrancing little jam that I can’t help but love.

My big grip with HWYKIYNT is that, for 11 tracks, COIN doesn’t let go of the ear-destroying instrumental breakdowns (it’s not like it’s heavy metal or anything, but the mixing makes it sound like the guitars blow up at some points), tuned up guitars and formulaic song structures, and that leads to many tracks becoming rather forgettable amongst the others. There are, of course, exceptions, but they’re few and I’d say not well-located within the album: Don’t Cry, 2020 is the big standout in the album for me, and I fell in love with it first listen (the context of today being 2020 also helps, I guess), Boyfriend’s defining synth-line and bubblegum qualities make for a lot of enjoyment, especially paired with the light-hearted passive-aggressiveness and rejection on the lyrics, and Talk Too Much, their biggest song, has some cute little lyrics, and an ultra-pop hook that centers the whole song around it and is impossible not so sing along to; but immediately after, the album starts to slow down its hype with I Don’t Wanna Dance, which has an appealing vocal performance by Chase, and starts promisingly with the synths, but is too simple to go anywhere.

Hannah is probably the most forgettable song here, and brings absolutely nothing to the album, and Are We Alone?’s lyrics are cute and focused but really simplistic; in this song specifically, I think the breakdown the band employs right after the hook is really unnecessary, and the song would do better without it. After that is Heart Eyes, which I’ve mentioned before as one of my favorites, mostly because it tones it down a bit, something that really needed to happen at some point this deep into the record.

The song Lately II contains the hidden track Nothing Matters and deals with Chase losing his newborn nephew, a sequel to Lately off the band’s debut album. On the outside, it sounds like just another cheerful song, but the lyrics taken into context I’m sure are very meaningful to Chase and his family; besides that I enjoy the heavier drums in this track and the loose vocal melodies right after the chorus, plus the closing instrumentals are also a nice addition, but I don’t really understand the need to include a hidden track into it; I understand the themes are intertwined, but it could have very well been a separate track, and the way it is slightly harms the song when isolated from the album into, for example, a playlist or a one-time listen, but whatever.

I don’t have much to say about Feeling, it’s your average hype indie-rock track, something you’d maybe hear in a FIFA video game soundtrack, but to its credit, it doesn’t go overboard in itself, the vocals and guitar performances feel very grounded and safe, in a good way. And to finish this off, Miranda Beach brings some solid guitars to the table, they feel very textured and pierce through every other sound; the song is definitely one of the most infectious and ear-catching on here. Closing it all up, Malibu 1992 is the slow jam the album was in need of for 11 tracks. Very stripped back and patient compared to the rest of the song, which makes it stand out naturally, but that doesn’t mean the song is superb or anything, it’s just a refreshing taste.

Throughout a lot of the tracks here I was waiting for something more, a slightly different approach to a song, more introspective lyrics, but it never really came in a way that stood out, and because of that, the start of the album ends up more solid than the rest of it, in my opinion. It isn’t a bad album, but it isn’t amazing either. I feel it’s very derivative, the lyrics are not a standout, and while some songs may be bops, I don’t feel it is strong as a whole project.

 FAVORITE TRACKS: Don’t Cry, 2020; Miranda Beach; Talk Too Much; Heart Eyes

LEAST FAVORITE TRACK: Hannah

 I’m feeling a strong 5 to a light 6 on this one. 

“You’re so concerned about your future, yeah, but tomorrow’s just another day.”

[foggy-demon]

me ranting about every song on the bashful creatures ep

bashful creatures ep

sophie so- the intro just gets me so fucking excited for the song!!! the way the drums slide into the prechorus is just so. good. the GOT GOT GOT yoUuUU so PHIE SOO is just SO GOOOOD. the way the guitar pulls back before exploding into "all gone, are you" after the bridge is just,,

little grace- this song is just so,,,, happy sounding and the overall vibe is just amazing 😫 the harmony in verse 2 ! ! the ooohs after "talk to me talk to me talk to me talk"! theres nothing bad abt this song whatsoever

souls- SUCH an underrated song. Jake's vocals are so good in this one. his voice on the line "you played it well like an old time jive" just kills me. THE WAY JAKE FLIPS INTO HIS FALSETTO SO BEAUTIFULLY IN THE BRIDGE. the guitar after the last chorus. so. good

suicide saturday- okay but I love the meaning of this song so much. and the whole song is a huge bop. I love the oohs before "oh dont you wait now" and I love the line "she was tight as hell". (this song was amazing live)

opportunistic- okay this song and every song on bashful creatures has such good, catchy guitar parts and I love it. it sounds like jake is singing gibberish and that actually makes the song more fun. and more impressive when you know the lyrics.

bashful creatures- ughhhh such a fucking bop. theres nothing more fun than scream-singing "OH BASHFUL CREATURESSS I DONT GIVE A FUCK" also according to genius lyrics Whistler is the one singing with jake at the chorus and that??? just makes me happy. also the fucking jungle ass sounds I dont even fucking know but I like it

ALSO "dont try to fight it anymore" being screamed at me at the end makes me feel like I'm joining a cult lead by hippo campus

[sttiitches]

[zach-suttons-glasses]

bashful creatures

i don’t give a fuck

[ao3feed-larry]

Bashful Creatures

by hellohell

Louis works for someone he knows everything but nothing about, that was never really a problem until he meets Harry at his friends party. It'd be a lot easier to fall in love if there wasn't so much conflict.

OR

Harry is a spy and Louis is a personal assistant to a major criminal. He knows neither of these things when he meets Harry at a Halloween party.

Words: 2348, Chapters: 1/?, Language: English

Fandoms: One Direction (Band)

Rating: Not Rated

Warnings: Creator Chose Not To Use Archive Warnings, No Archive Warnings Apply

Categories: M/M

Characters: Harry Styles, Louis Tomlinson, Liam Payne, Niall Horan, OC - Character

Relationships: Harry Styles/Louis Tomlinson, Zayn Malik/Liam Payne

Additional Tags: spy AU, Spy Harry, Personal Assistant Louis Tomlinson, Crimes & Criminals, but no one that you'll actually care about, Eventual Smut, Bottom Louis, Top Harry, No one important commits any crimes, well not intentionally at least, okay thats all folks

via AO3 works tagged 'Harry Styles/Louis Tomlinson' https://ift.tt/2RWc84O

[chesthumblackgun]

What my favorite Hippo Campus songs remind me of.

wow way to beat a dead horse. These are so specific I’m sorry.

Buttercup - Being unapologetically angry, screaming with friends, fall time car rides, Post breakup feelings, being happy for the first time in awhile, getting bad people out of your life, reminiscing 

Suicide Saturday - First times, summertime, being sad but in an okay way, those friends that are a pain but you still love them, dancing until you’re sore, the smell after it rains, waking up at noon 

Bambi - Being nervous around new people, late nights at a park, your best friends, making mistakes, figuring out who you are, cold showers after a long night, sunflowers

Vines - Waking up first at a sleepover, that cool friends basement, super late nights, summer vacation, laughing so hard that you cry, yelling about everything, bonfires

Boyish - Long phone calls, springtime, siblings who try their best, post-crying headaches, being tired, friends who are always there for you, running in a field, fresh fruit

Why Even Try - Being sad, people who were once in your life but aren’t anymore, new years, how you feel after a fight, waking up early, the smell of spring

South - Nighttime walks home, new people coming into your life, feeling numb, long car rides, first day of summer break, not knowing what to do with yourself, laying in the grass

Violet - That friend who is always trying to start something, being reckless, swimming at night, when its disgustingly hot outside, bottles of soda, water balloons

Doubt - waking up from a nap, general confusion on how you feel about people,  blushing in front of people, talking to people even though you don’t want to, the way your heart beats when you’re nervous

Golden - Crushes, daydreams, people with the prettiest eyes you've ever seen, people who change you for the better, Smiling so much your mouth hurts, feeling of relief 

Western Kids - The coolest people you know, people who are out of your league, taking videos of your friends, going to parties, getting peoples phone numbers, being confident 

Bubbles - Trying your best, remembering the best about bad people, being angry, general feelings of confusion and sadness, being too soft, accepting things that are hard, snowstorms

Bashful Creatures - Those people who are almost sickly sweet, being the most confident one in a group, people who are too nice for you, the last week of school before summer break, kisses

[poggyscavern]

making some fun things for my fave band!