PEEP comic magazine
lots of sticker friends inside. cover by Alex Schubert

seen from Serbia
seen from Australia
seen from United States

seen from Slovakia

seen from Malaysia

seen from Malaysia

seen from Malaysia
seen from El Salvador
seen from United Kingdom

seen from Serbia

seen from Serbia
seen from Serbia
seen from United States
seen from Germany

seen from Malaysia

seen from Türkiye
seen from Malaysia
seen from Hong Kong SAR China
seen from China
seen from United States
PEEP comic magazine
lots of sticker friends inside. cover by Alex Schubert
"Purism has such hopeless connotations (from high modernism) that's everything against what makes comics exciting." --Ben Katchor
As somebody who believes in Pure Comics, this is a super compelling angle to me, almost repellant at the same time! Definitely worth unpacking.
Anyway, I'm just now catching up with this talk. Beyond fandom, beyond comics... I completely missed it somehow. Don't make the same mistake. Watch it now: NY Comics Symposium with Gary Groth & Ben Katchor in conversation.
Ben Katchor on the New York Comics & Picture-story Symposium.
What is the New York Comics & Picture-story Symposium?
It’s a weekly lecture series about comics, animation, illustration and other text-image work. Speakers include practitioners, publishers, and historians.
What inspired the creation of the New York Comics & Picture-story Symposium?
It started as a class that I organized for the Occupy University — a free university started during the Occupy Wall Street movement in 2011. For a few years, it became the lecture series of the Illustration program at Parsons The New School where I teach. Over the past year, it’s become an independent lecture series, funded, in part, by the Will & Ann Eisner Family Foundation.
As an artist yourself, how has the symposium affected how you view your own work? Is there anything surprising that you've learned?
The series has allowed to me to keep somewhat up-to-date on developments within the alternative comics scene and that gives me a sense of where my own work sits in the larger history of comics. I’m always surprised at how small the audience is for historians of text-image work. For me, the understanding and unearthing of early text-image work is fascinating — it offers an alternative history of art and literature.
One of the objectives of the symposium is to "examine new ideas for the distribution of print and electronic work that move beyond the existing models of publishing and advertising." What are some creative ways the symposium has found to do so?
Discussions of how to find an audience within traditional publishing and new, emerging models are part of most evenings. Many of the speakers are involved in alternative publishing models but, so far, no clear, self-sustaining, alternative model has developed. These issues are tied to the larger questions of government, or other, subsidies for the arts and education — and that’s moving backwards in the US.
How can people outside of NYC get involved?
During the pandemic, the talks have moved online and so they’re accessible to listeners around the world. Recordings of the past year’s lectures are on Youtube here.
Talks will continue online during the fall of 2021.
You can read more about the Comics Symposium here and join an email list for upcoming events here.
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If you enjoy this blog, and would like to contribute to labor and maintenance costs, there is a Patreon, and if you’d like to buy me a cup of coffee, there is a Ko-Fi account as well! I do this blog for free because accessible arts education is important to me, and your support helps a lot! You can also find more posts about art supplies on Case’s Instagram and Twitter! Thank you!
Ben Katchor, Untitled, Tobin Plaza, New York City, 2019
http://katchor.com/index.html
He was the first cartoonist to receive a MacArthur Fellowship, and deservedly so. New from Schocken and the genius of Ben Katchor, The Diary Restaurant. With pictures, sure, but fascinating history yet.
Chaque mot creuse un peu plus le fossé de notre incompréhension
1205. L’Odyssée d’une valise en carton, Ben Katchor (Ben Katchor, The Cardboard Valise) (Pantheon Books, 2011) (Ben Katchor, L’Odyssée d’une valise en carton) (Rackham, Le Signe noir, 2013)
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[ April 12, 2018; 4:30 pm; ] Join us for The Center for Cartoon Studies Will Eisner Spring Lecture with Ben Katchor. Ben Katchor’s picture-stories include Julius Knipl, Real-Estate Photographer, The Jew of New York, The Cardboard Valise, Hotel & Farm, and Shoehorn Technique. He has collaborated with Mark Mulcahy on a number of music-theater productions. He lives in New York City and [...]
Hello Upper Valley! BEN KATCHOR will be giving a talk. Free and open the public.
The latest edition of The Best American Comics is out and this year’s editor Ben Katchor and series editor Bill Kartalopoulos have selected a bunch of Koyama Press artists and titles! Patrick Kyle’s Don’t Come in Here is excerpted in the print edition, as is work by Michael DeForge. Cole Closser’s Black Rat, and comics by GG, Jesse Jacobs and Aidan Koch made the Notable List. Check out the list of wonderful work here!