#benroberts

[charlies3sexysleuths]

Charlie's Angels pilot opening credits (1976)

[charlies3sexysleuths]

The History of Charlie's Angels Writers (1974-2026)

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King Charles III, an avid cinema enthusiast, has once again renewed his patronage of the British Film Institute (BFI), the leading body for film in the United Kingdom. This renewal marks a significant moment as the monarch resumes his royal duties following a positive response to his recent cancer treatment. The Importance of Royal Patronage Royal patronage is a vital asset for organizations like the BFI. It not only brings essential publicity but also provides a broader platform for their achievements to be recognized and celebrated. For the BFI, having King Charles as a patron means more visibility and support, […]

King Charles III, an avid cinema enthusiast, has once again renewed his patronage of the British Film Institute (BFI), the leading body for film in the United Kingdom. This renewal marks a significant moment as the monarch resumes his royal duties following a positive response to his recent cancer treatment. King Charles Renews The Importance of Royal Patronage Royal patronage is a vital asset for organizations like the BFI. It not only brings essential publicity but also provides a broader platform for their achievements to be recognized and celebrated. For the BFI, having King Charles as a patron means more visibility and support, enhancing their mission of promoting and preserving British film culture. A Long-Standing Relationship with the BFI King Charles's association with the BFI is not new. It dates back 25 years when, as the Prince of Wales, he inaugurated the BFI IMAX theater in Waterloo, London. This landmark theater has since become an iconic venue for film screenings and events, cementing its place in the cultural landscape of the UK. In 2018, the then-Prince Charles celebrated 40 years as the BFI’s Patron by visiting the BFI Southbank. During this visit, he interacted with BFI employees, Chief Executive Ben Roberts, BFI Film Academy alumni, and renowned British actors such as Ruth Wilson, Hayley Atwell, David Oyelowo, and BFI ambassador Tom Hiddleston. These interactions underscored his commitment to supporting British talent and the film industry. Preserving the Royal Collection The BFI, founded in 1933 and governed by the Royal Charter since 1983, is also responsible for preserving the Royal Collection within its national archive. This responsibility underscores the BFI's dedication to safeguarding the cultural heritage of the UK. During his 2018 visit, King Charles was shown Peter Sellers’ script from "The Pink Panther Strikes Again" (1976) with handwritten notes by the actor, and promotional material from "The Pink Panther," one of his favorite films. Such moments highlight the deep connection between the monarchy and the cinematic treasures preserved by the BFI. A Statement from the BFI Ben Roberts, the Chief Executive of the BFI, expressed his gratitude for King Charles's continued support: “We are honored to have the Royal Patronage of HM King Charles III and grateful for the support he has already given us as Patron as The Prince of Wales for 45 years, showing his commitment and passion for film along the way. We take our responsibility for caring for the Royal Collection in the BFI National Archive very seriously and are dedicated to ensuring it is preserved for generations to come.” The Impact of King Charles's Patronage King Charles’s patronage extends beyond mere formality. His active involvement brings a wealth of benefits to the BFI and the broader film community. His passion for cinema helps attract attention to important initiatives and projects, fostering a greater appreciation for British film both domestically and internationally. His recovery and return to royal duties also send a message of resilience and dedication, inspiring not only those within the film industry but also the public at large. The BFI's work in preserving the Royal Collection ensures that the rich history and cultural significance of British cinema remain accessible to future generations, a mission greatly supported by royal patronage.

[goldiers1]

How Pandemic Support Helped UK Film & TV Industry Boom

  - Restart scheme supported more than 100,000 jobs for cast and crew on more than 1,000 productions including Gentleman Jack, His Dark Materials and Living - Financial benefits generated by the scheme were 115 times greater than the cost of delivery - Programme provided insurance to productions delayed or interrupted due to Covid   GLOBAL TV hits nominated for BAFTAs and Oscar Academy Awards survived and thrived through the pandemic thanks to the Government’s film and TV support package, which also boosted the country’s economy by £2.25 billion. Oscar-nominated film Living, Bafta nominees Brian & Charles, Blue Jean and Good Luck To You, Leo Grande, as well as major productions including Gentleman Jack, Peaky Blinders and His Dark Materials, were all supported by the scheme. Smaller productions including Help and Steph’s Packed Lunch also got help. The findings are published today in an independent report assessing the success of the Film and TV Production Restart Scheme, which was launched in July 2020 and has supported more than 1,200 productions. The scheme was introduced when the country’s world-class screen industries were struggling to get Covid-related insurance cover from commercial insurers. It protected production companies in the event of new restrictions or outbreaks on set among cast and crew which could force a shutdown. Productions using the scheme created 63,500 crew positions, plus a further 37,100 cast roles, meaning a total of up to 100,600 production industry workers were given a lifeline by the scheme during an extremely challenging economic period. The report also shows the scheme created 48,500 full-time jobs both directly in the sector and indirectly through supply chains. The report, carried out by Nordicity & Saffery Champness LLP, found total benefits generated by the scheme were 115 times greater than the cost of delivery. The scheme contributed £2.25 billion to the economy thanks to the jobs created and positive impact on the sectors’ supply chains and wider economy, with costs to the Government expected to be just £19.6 million. This is lower than anticipated thanks to effective work by film and TV companies to manage the risks of Covid during production. A survey of producers showed that, on average, 73 per cent of registered productions would not have been able to spend the amount of money they did if the scheme did not exist, meaning it helped to ensure the continued growth of the sectors.  

Official portrait of Lucy Frazer, UK Culture Secretary. Photo by Chris McAndrew. Wikimedia.   Culture Secretary Lucy Frazer said: ” Our screen industries are an economic powerhouse and we should be proud that the UK is firmly established as one of the best places in the world to create blockbuster content. ” When the pandemic threatened that success we stepped in to protect jobs, keep cameras rolling and ensure our producers could keep making the exceptional content that the UK is famous for. ” The Film and TV Restart Scheme protected productions that supported jobs, contributed to our economy and entertained audiences across the world.”   Ben Roberts, BFI Chief Executive said: “Setting up the Film and Television Production Restart Scheme showed overnment and industry working together at their best and at speed, enabling cameras to roll and businesses, cast and crew to get back to work. Making this happen at a crucial time after production had ground to a halt will always be appreciated by the sector. It has played a major part in the industry’s recovery out of the pandemic in doing to enabled the industry to get more than a thousand productions made, contributed billions in production spend and revenues to economy and maintained global confidence in our world-leading production industry.”   Thanks to the scheme, productions could continue creating new content for audiences around the world while curbs remained on their social lives. It also enabled our world-class film and TV industries to continue to drive economic growth and create new jobs. The scheme supported a large number of productions outside of London, with a total of 58 per cent of film and TV productions registered by the scheme based outside the capital. Now that restrictions have ended, the film and TV sectors have been able to reach new heights thanks to the strong government backing they received during the pandemic. Last year saw a record £6.27 billion of production spend in the UK and the sectors are continuing to grow the economy and create jobs across the entire country.   Sources: THX News, Department for Culture, Media and Sport & The Rt Hon Lucy Frazer KC MP. Read the full article

[thatsmovietalk]

Charlie's Angels (2019) Directed, Produced and Screenplay by #ElizabethBanks Based on #CharliesAngels by #IvanGoff #BenRoberts Starring #KristenStewart #NaomiScott #EllaBalinska #ElizabethBanks #DjimonHounsou #SamClaflin #NoahCentineo #NatFaxon #PatrickStewart #Hollywood #hollywood #picture #film #movie #cinema #films #theater #movies #movieposter #movieworld #movielovers #movienews #screen https://www.instagram.com/p/CSX2zfsJJl6/?utm_medium=tumblr

[shamefulclutter]

HAPPY 40th Anniversary to #CharliesAngels whose pilot movie of the week premiered on March 21, 1976! I am beyond honored to share my age with what is probably my all time favorite show & the one that gave me my love & admiration for the late, great & iconic #FarrahFawcett - who along with #KateJackson & #ShelleyHack are my top 3 favorite #Angels! #aaronspelling #ivangoff #benroberts #abctv