Top 5 pre-2000 manga/anime, for the ask meme?
Thanks for the ask! I’ve read almost no manga, so this is gonna be all anime. Instead of just making a list, I thought I’d go into more detail on what I like about these shows that makes them my top 5. I actually keep going back and forth about which I like more between my #1 and #2 picks, so you can probably consider them a tie for #1.
Great Teacher Onizuka is easily one of the funniest things I’ve seen, whether animation, live-action, Japanese, or non-Japanese. Onizuka’s faces and the noises he makes are absolutely priceless. Uchiyamada’s (the Vice Principal) faces can be equally priceless. The English dub isn’t *good* (and they have a handful of VAs doing multiple roles), but that just adds to its charm for me in this case (I haven’t seen the Japanese dub). I like how Onizuka helps his students through their problems by teaching them how to become good people, not just good students, even though he’s not necessarily a good role model himself. I like how he views them as people, not students. I like how the show keeps its characters around, and doesn’t sideline them after they’ve had their feature episode(s), so we can see how they interact differently with each other as they grow and change.
FWIW, Urumi Kanzaki and Onizuka are tied for my favorite character from the show.
Belladonna of Sadness (Kanashimi no Belladonna in Japanese) is an absolute visual treat. Its visuals can be incredibly surreal and metaphorical/symbolic, which I tend to find inherently interesting aesthetically. They can also be pretty psychedelic/mind-trippy at points. The movie was released in 1973, and had never had a U.S. theatrical release until last summer (apparently it had a limited screening here in 2009), when it was restored and shown in 4K. Unfortunately, no theaters in my area showed it, which is a huge shame, as I think it would’ve been incredible to see on the big screen.
I like how the movie handles misconceptions of sexuality as inherently bad: The setting of the story is feudal, so its world’s ideas about sexuality, especially for women, are incredibly limiting. The main character, Jeanne, has internalized that mindset, so she views her sexual awakening as being brought on by the devil. There’s a lot that I’m leaving out, but eventually she makes a pact with the devil, and expects to be thrown into a world of fire and darkness and evil, etc. etc. as a result, but she wakes up and it’s springtime, and it’s lush and green and vibrant. I love that way of conveying Jeanne’s misconceptions about (her own) sexuality and her realizations that her previous mindset was wrong.
Jeanne’s journey and growth and change over the course of the story is something I really enjoyed watching and found very gratifying, both emotionally and thematically/ideologically.
I feel like there’s a lot more I could say about the stuff I mentioned above, including about the movie’s source, and how that informs the movie. I’ll probably write a post about it at some point.
I should also mention that this movie is INCREDIBLY sexually explicit. It had a red band trailer, and is rated Rx on MAL (that’s the rating they give to hentai). I’ve heard it also inspired Kunihiko Ikuhara, one of my favorite anime directors, to work in anime, though I don’t think that’s something he’s confirmed.
Mega Man is the first anime I ever saw, well before I even knew what anime was. I remember getting up super early before Sunday school literally every week when I was a kid (I wanna say it was like 5 a.m.), just so I could make 110% sure I was awake when Mega Man started. Like, it was usually about an hour early, because I distinctly remember watching episodes of two other shows before Mega Man came on.
I don’t think it holds up well in terms of “objective” quality, but at the same time, I also don’t think there’s really anything bad about it. It’s a very average, typical, episodic kids’ show. The animation and (especially) art quality can vary wildly from one episode to the next. The one-liners can be pretty bad, though I have a massive tolerance for (read: love of) bad puns, so that doesn’t really bother me. XP
It’s simple fun soaked in nostalgia, but I also love some of the really silly/doofy absurdities here and there. For example, in one episode, a vampire robot created by Dr. Wily hypnotizes a human character into believing she’s a vampire robot. And she actually turns into a vampire robot somehow, even shooting lightning from her fangs. XD In that same episode, Dr. Wily creates a werewolf robot that actually transforms based on moonlight. In another episode, a robot dinosaur lays an egg, which hatches. And in yet another episode, there are lion men who shoot eye beams that turn humans into lion people.
This isn’t the case anymore, but when I was a kid, my favorite episode was the one where Mega Man X, Vile, and Spark Mandrill from the Mega Man X video game make an appearance. As a kid, the Mega Man X games (at that point it was just the first three on Super Nintendo) were my favorite, so I thought that the episode with Mega Man X was the best thing ever. :’D I still want a full-fledged Mega Man X cartoon/anime, preferably based on the earlier games (up through X4 at the latest).
My favorite bad robot used to be Elec Man, because I thought he looked really cool, and also Vile and Spark Mandrill when they had their one-off appearance. More recently (yes, I do still re-watch this show from time to time), I’ve come to really like Proto Man. In general I enjoy his attitude, and I find it amusing that he compliments Mega Man from time to time. I’ve also come to like Roll quite a bit.
Of the really long-running (70 to 80+ episodes) shounen stuff I’ve seen, Yu Yu Hakusho is easily my favorite. I love the English dub (I’ve never seen it in Japanese), as well as the English-dubbed versions of the OPs and EDs (man, I miss when companies did that). I really like how much character work and moments there are in the relationships between characters. For a show that has the oft-used theme of friendship that so many shounen shows have, I like how Yu Yu Hakusho handles it, where it’s not just characters supporting each other, but it actually feels a bit more…real? Like, I can easily see these characters hanging out or interacting in very normal circumstances. It’s not just, “Yeah, you can do it! Keep going!”
These are the relationships that have stuck out to me the most:
Yuusuke and Keiko (mainly in the 4th season)
Yuusuke and Younger Toguro
Genkai and Younger Toguro
There are just so many good moments, too. Some of my favorites are Genkai’s “final” words to Yuusuke in season 2 about having to fight with time to find your place in the world; the stuff between Genkai and Younger Toguro (especially in Spirit World) and their backstory; the stuff between Yuusuke and Keiko before he leaves for Demon World in season 4; Sensui’s final moments; the stuff between Yuusuke and Raizen.
I love how the characters all have such distinct voices and perspectives. Like, Genkai’s views of Toguro, what he did, and why he did it are different than Toguro’s views of those things, and both characters’ views of their own past and present are surprisingly nuanced and complex, given the rather limited screentime those things get. And I love how they both, in their own way, sort of become surrogate parents to Yuusuke. And then, at the end of the series, he also has Raizen, and I love the dynamic the two of them have.
I think maybe the best I can explain what I like so much about Yu Yu Hakusho is that it has the fun stuff that a lot of shounen shows have, the fighting and the superpowers and overall energetic tone, but it also has a lot of meat under the surface, and that meat is woven throughout practically all of the character work in the series, which I think is part of what makes the character interactions and friendship themes in the show seem more real and true to life, somehow, than many of the other shounen shows I’ve seen (I think the English dub helps with this a lot, too).
For a long time, Kurama was one of my absolute favorite anime characters because he embodies what I think is sort of the pinnacle of humanity: he has great intelligence, wisdom, and logical abilities, but he also has tremendous warmth, empathy, and caring. And he sort of uses them to augment one another, like a synthesis/harmonization of these two general aspects that we all have.
(Sorry there’s no video here. I couldn’t find an AMV I liked, I can’t think of a particular clip that would be fitting, and I wasn’t too fond of the movie’s trailer, either.)
It’s been a long time since I last watched Princess Mononoke, so this entry is shorter and less detailed and/or in-depth than some of the others.
Generally speaking, I like how the man vs. nature theme is handled. It wasn’t simply man = bad, nature = good. Both sides are given depth and nuance. Further, I like how the nature side is depicted as such, where the animal gods behave more…beastly? animal-like?, if that makes sense.Like, I’m thinking of the way that Moro talked to Ashitaka the night after he’s saved by the Forest Spirit. Nature isn’t humanized, but it’s still presented in a way that you can empathize and sympathize with it.
I like how the movie doesn’t sugar coat anything, as well as how the ending doesn’t tie everything up nice and neat with a bow. The way it ended felt very realistic, which I thought was very much in keeping with the movie’s overall approach.
-Revolutionary Girl Utena
-The Vision of Escaflowne
These aren’t actually “honorable mentions,”but I couldn’t think of a succinct way to put it. Rather, the first three of the abovetitles are shows that I feel like, based on my first viewing, if I understoodthem better, could very likely have made it into the list. I think this isespecially true for Revolutionary Girl Utena, based on my first viewing, as well as things I’vecome to understand in retrospect about both the show and itswriter/director/original creator, Ikuhara. As for The Vision of Escaflowne, I’m currently watching it, though I’m only seven episodes in.
Again, thanks for the ask! I had a lot of fun writing this! :)
