#book contract

[lannegarrett]

Exciting news!

My YA Fantasy Trilogy has been contracted!

Book one, Siphons and Souls will be released in Spring 2025.

[bookishdiplodocus]

Hey, I saw your post about publishers asking for rewrites, and I have some questions. My biggest fear is an editor saying “You have 1 week to rewrite your entire 60k word novel and I won’t tell you what changes I want to see.” How rational is this fear? And if I sign a contract and then fail to rewrite 60k words in a week, will I legally be able to publish the book ever?

For those who missed it, this is about my post What if your publisher asks for a complete rewrite?

Oh, you don’t need to worry about that.

As an editor, I will always tell my authors what changes I want them to make, simply because that’s the best way to ensure that the author makes said changes, instead of having to figure it out for themselves. I’m not being kind here (although I AM a kind person ^-^), I’m just being efficient.

I will always ask: “Is it possible for you to do the rewrites we discussed before [date]?” Like, some of my authors are teachers as their main job. I know better than to ask them to do rewrites during exam period. I’m not saying I don’t have to push my authors sometimes. But one week to rewrite the entire novel, that’s very unrealistic, and neither of us, nor the book, will benefit from a demand like that. And I know my authors, I know who I can trust to do quick and good rewrites and who needs more time.

For BIG rewrites, I sometimes plead with my publisher to give authors more time: “The book needs a few more weeks’ work, let’s push the publication date to the early summer instead of the spring.”

But if the whole reason the book is published has a deadline, my publisher won’t give the author more time. For example, think of school books, they have to be there at the start of the school year, or a book that is a spin-off of a tv-series should be in the stores by the time the tv-series is broadcast, because it won’t sell afterward. If the book doesn’t have a deadline like that, I can give the author more time.

About the contract: If you’ve never been published with that publisher before, they will probably not give you a contract before those rewrites, because they want to see if you’ve got it. The risk is still too big for the publisher. With a contract, the publisher makes a commitment to you, and if the book is not there yet, they will probably not want to stick their necks out.

If you do have a contract, check your contract. It will say how long the publisher has dibs on your manuscript. Sometimes it will say it has first choice, meaning you can only offer it to another publisher after your publisher formally refused your manuscript. Sometimes it states a period of time, for instance if your publisher hasn’t done anything with it for three years, you can offer it to others. This wildly varies, so please read your contract thoroughly before signing it. I’ve seen some horror stories about publishers owning 100% of your rights for eternity.

tl;dr: In reality, if there are major rewrites to be done on your novel, you probably won’t have a contract and a deadline yet, so you can put your fears to bed.

[writerystuff]

You found a publisher--congratulations! Now negotiate the best possible contract for your book.

[zenashapter]

How to ride The Great Silence that every #authorlife endures! From inspiration to analysis, true paths to hedgehogs!

The Great Silence of #AuthorLife!

[steadytidalwavewhispers]

Book Contract

It’s official, just signed and returned my very first publishing contract for a novel I began writing in 1985! Very excited as you might imagine. Due out October 25.

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[shwetawrites]

Story of my three book contract

Earlier this year, I signed on a piece of paper with a trembling hand and suddenly, I was an author with a series contract with Harper Collins India. My transformation left me with nothing but a sense of giddiness and sweaty palms. As the elation vanished, I realised that I had only written one of the three books promised to the sweet gals at HC so I went back to work, keeping the contract carefully plasticated somewhere in a forgotten drawer.

Which is why I completely forgot to tell you all, my readers, friends and those who’ve rooted for me (or would like to now) about how it happened. So here’s the tall tale.

For my first book, The Ghost Hunters of Kurseong, finding a publisher had been quite a breeze from what I had been expecting (1. Get rejections from all major publishers 2. Put it up online as an ebook and then figure). When the wonderful editor at Hachette India showed interest on a direct submission to their website (without an agent, something that they do for one or two titles a year. Pitch to them, peeps!), I looked at the email, reread it, rubbed my eyes and did a jiggle. From the first interest to the contract was a long marathon of three months full of butterflies in the stomach. But the contract happened and I thought, wow, this was quite okay. Not as bad as the horror stories of 100 rejection emails and all that.

Then Anantya Tantrist happened. My first novel for adults with a tantric heroine who is such a badass that my cheeks flame up sometimes when I am writing her story. Her world is brutal and so is her attitude. But I was more confident with her. Hachette India had already said yes to one of my books, so selling the second should be better? Yes?

NO.

I realised that with a kick in the butt. She and her world were (and still are) a series character in my head. I already wanted to write book 2 of her story and then book 3 and then you know how it goes. But already, rejections were piling up like bad advice from astrologers. They are still piling up by the way, only they come from other countries now. There were so many reasons that The Cult of Chaos, the book one in Anantya Tantrist’s series, got rejected. Most of them were polite and polished and told me nothing. I had already given the book to an editor at HC (Let’s call her ED) who I knew would loved SFF titles (having already stalked her online). She was sweet and Anantya liked her too. I was quite keen on her. But there was no yes till now.

Meanwhile, I fished out a list of agents and sent my book to them, panic building up in me. It had been months. I had moved on to launching my other books, but it had been months! WritersSide was the fastest to respond back and take my book on. They did that in a day (I am still surprised about that one). WS helped me by communicating with HC again and sending it to a lot of other publishers who didn’t have any general submission email ids. But I was most keen on ED, because Anantya kept on telling me that she liked her and if you know Anantya, you will realise, she seldom likes people. Since Anantya wasn’t letting me be, I accosted ED at Bangalore Lit Fest last year and told her what Anantya was insisting I tell her. That she’s the editor for Anantya‘s story. Kudos to ED, she took it with a straight face, even though it was quite sunny. I guess she’s used to writers of all crazy kinds. HC had some doubts about the violence in the books, which we figured, discussed and finally, that trembling moment came for me when I signed the three-book contract. It took eight months from when I finished The Cult of Chaos. The book will be released in November 2014.

What this has taught me

- You need to find the right editor for the book. ED was right for the book, even though she had initial doubts. She loved the idea of Anantya and her world. If the editor connects with the book, she will fight the battle for your book from the beginning (getting you a contract) to the end (speaking about it at panels with sparkles in her eyes). So right editor, peeps, very very important. And that begins with focusing on people and not on the publisher. ED, thanks btw!

- I always wanted to write more than one books about Anantya, but when I started to find a publisher for her, I didn’t think of pitching the first book as a series. I know, kinda dumb, but I don’t think future too much. There WS helped me refocus. They insisted on me writing briefs of possible stories for Books 2 and 3 (which I surprisingly managed on a holiday). That way, I am sure that I get three of Anantya’s titles published even if Book 1 fails to make a mark (which I hope doesn’t happen). But it gives me insurance of some kind about the three books. Even though I had to take lesser advances for book 2 and 3 (because the publisher’s risk increases). WS also helped me streamline the contract and make is bare minimum so that I retain most of my rights and can sell them somewhere else.

- All of this: the pitching, the marketing, workshops, conferences, panels, the selling, the media, internet, social media, all of it distracts you from the one thing you started with: Love of writing. It’s important to switch off after you’ve got a contract or after the book is out. Switch off and keep writing (goes under notes to self). Again and again.

Book 1 of Anantya Tantrist series releases in November 2014. Meanwhile, visit Anantya Tantrist’s blog or follow her on Facebook or Twitter or Google+

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[teriel]

How Immanion Press works with authors

How Immanion Press works with authors

In my previous articleI alluded to the fact that we never assume that our authors’ will want to publish their next book with us. The reason we don’t make this assumption is because we take a unique approach to working with our authors. That approach is based on a for us, by us model. Immanion Press is run by authors, and as such we know what authors go through with most other publishers, which…

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[kellandrews]

DEADWOOD, MG contemporary fantasy from Kell Andrews, has a new contract with Spencer Hill Press!

Big contract news over on Kellandrews.com! So happy to finally announce it!