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Weiss forces Ilia into failing NNN before to many days pass, She knows how often she needs empty out her balls, and won't allow her to torture herself for some stupid challenge. Even with the risk getting knocked-up by her. (Futa Ilia, Assertive Weiss, Femdom of Weiss with Ilia)

(This one got away from me. I make no apologies)

#No Nut November #Ilia Amitola #Weiss Schnee #Cowgirl Sex #Semblance Use #Bound Hands

The world had not always been sand.

Once, oceans stretched endlessly, forests thick with emerald leaves swayed in breezes, and cities glowed in the night like constellations fallen to earth. But centuries ago, the climate toppled, rains stopped, and storms of dust replaced clouds. Now the world was a desert called Ikaros, and survival was a daily struggle.

Arin Solas, the young man running barefoot across the dunes, had known that struggle all his life—but nothing like this. He had only paused to rest, to cool himself beside a rusted solar still half-buried in sand. He didn’t expect an ambush. He certainly didn’t expect Draelen Korr, the raider war-chief feared across the wastes.

Arin’s wrists were bound with coarse rope, and the blistering sun beat mercilessly on his skin. Every grain of sand burned. Behind him, roaring like an animal, Draelen’s sandrunner vehicle tore across the dunes, its engine coughing dust and fury.

Draelen did not care about Arin. He cared about water—the rarest treasure of Ikaros.

Arin’s breath came fast and raw. His lungs burned. Yet he kept running—not only because he wanted to live, but because somewhere, hidden beyond the dunes, there was a settlement of people counting on him. A place where hope had not yet dried out.

And Arin was determined: He would not let Ikaros belong to men like Draelen.

Even bound, even afraid, he ran toward the horizon—toward the promise of something better than dust.

#desert chase #bound hands #post apocalypse #dusty landscape #tension #survival #heat #sand dunes #pursuit #dramatic scene #futuristic wasteland #endurance #struggle #escape #rugged vehicle #dystopian world #resilience #adventure #determination

Fleeting: Part 21 - Anger's Mercy

Author's note: Look at that! Despite the chaos of the week and having no sleep at the airport last night, I am still getting this out on time. I am unstoppable!

Masterlist - Part 20

Content: vampire whumpee, vampire whumper, anxiety, bound hands, cracked ribs, burns, begging

........................................................

Esial missed the night when it was daytime, and the day when it was nighttime. The violent swing in temperature was obnoxious and hateful. He was glad that he would be looking at another night soon. Though he was sure he would change his mind again a few hours in.

The camp of humans had spent all day running around, moving tools, making plans, and bringing supplies in from the couple of trucks that had stopped there. The real project hadn't begun yet, that was pretty clear. Esial wondered how long it would take for them all to be ready to start. And how much he would hate it. He decided to try and enjoy what he had now in case whatever came next was deeply unpleasant. It probably would be.

Let's see, now, what did he have? He had some water every few hours. Amon had commanded the humans to bring him water after that first night. That was good, even if it was brackish. His aches and pains had mostly subsided from the blood he'd had the night before, which was incredible. The rope tying him to the canopy was long enough to lay down which was absolutely fantastic, and he was going to get to eat again that night.

#whump #whump writing #vampire whumpee #vampire whumper #anxiety #bound hands #cracked ribs #burns #begging #FDTA #fleeting #esial #amon is upsetti #and he will continue to be a menace for a while #it was all fun and games #but not anymore because there's been a leak in security

BOUND HANDS-BOUND HANDS

#BOUND HANDS #DEATH METAL #HEAVY METAL;#METAL;#2023 EP #Youtube

Day 7 of the Suptober challenge!

The piece that goes with this prompt is again pretty simple, nothing much to say about it! I did experiment a little with the fact that the markers bleed when mixed and with a certain amount of pressure put on to them.

#suptoberart2019 #supernatural #tw bruises #tw blood #bound hands #rope bound

Is it possible to fight without hands? Like if one is handcuffed or their hand(s) are injured? If possible, how effective would it be?

You can fight with your legs,with your shoulders, with your head, and with your mouth (assuming you can get close enough).

The caveat to this, of course, when it comes to the legs is being able to adjust your balance to fight with your hands bound. Martial combat utilizes the whole body for any technique, and the arms are an important part of balancing yourself when you’re on one leg. So, when your hands are tied behind your back, this disrupts their ability to balance themselves.

The other caveat to the legs is they are more difficult than the average hand to hand technique to master. They also don’t work as well in tight spaces unless you’re using a martial art designed for them such as Krav Maga, the martial art developed and used by the Israeli Defense Force.

It should be said, the first responsibility of a prisoner is to escape. If your character is in a position where they’re injured or trying to get away from their captors, they don’t have the time to be sitting around trying to take every opponent as they come nor should they want to. Unless they have some character flaw with a crazed need to prove themselves while fighting at an extreme disadvantage, their first priority is going to be getting away or getting their hands free so they can up their chances of survival.

This can ultimately be any kind of sequence you want, the old Jackie Chan and Jet Li movies often have fun over the top fight scenes where their trying to fend off multiple enemies while their hands are bound. It involves a lot of ducking, dodging, running, trying to free their hands, inevitably finding a way between using their opponent’s attacks (like with a sword) to cut their bindings, or something else before they can finally turn around and fight freely.

Usually, these sorts of scenes involve the character making use of their environment. (As all good fight scenes should.) Giving you a chance to show their cleverness and ability to innovate on the fly. An unarmed character with their hands bound isn’t going to have a lot of options against an enemy with a weapon, but they can utilize their environment do the fighting for them.

This can be simple stuff like using objects such as tables to separate them from their opponent, tricking their enemy into burying a sword in a chair instead of them, then kicking away the chair and disarming them, etc.

A more grounded sequence usually involves a bull rush breakout, stealth, playing dead, or sometimes just throwing yourself off a cliff.

The basic answer is: fight for flight. You don’t want to stick around while fighting at a disadvantage against people who have use of all their limbs, and probably weapons. Especially if it’s more than one person.

Don’t get caught up in the idea that skill is defined by winning, it isn’t. You can get about as far with social engineering as you can with violence. A character who is capable of risk assessment, and able to make choices based off their ability and environment is the way of showing a character knows what they’re doing. Sometimes, the choice really is escape so they can live to fight another day. When your character has a greater goal in mind, they really can’t afford to lose too much of their valuable time dispatching Mook Number 3. When your character is debating whether or not they’re going to fight, always ask: what do they get out of it versus the risks involved?

There’s a great episode in Justice League: Unlimited where Batman is caught by the Luthor’s evil league and he uses it as an opportunity to get intel and socially engineer the situation so they turn against each other.

There are lots of ways to take scenes like this which may not be immediately apparent, but are always opportunities to emphasize a character’s particular skill set.

Not everyone needs to be ripping out their captors’ jugulars with their teeth.

-Michi

((I have bronchitis, so I apologize for everything being a little slow this week))

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#writing reference #writing advice #fight scene reference #escaping capture #fighitng with no hands #bound hands #captured #escapes