Gasping for breath after straddle CPR from her husband

#ryland grace#phm#rocky the eridian#project hail mary spoilers


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Gasping for breath after straddle CPR from her husband
Sometimes the loudest fights hide the deepest heartbreak 💔
I made this illustration for an amazing AO3 author inspired by their story, and I really loved bringing this emotional scene to life. The tension, expressions, and silent moment in the background made this piece especially fun to draw
The world had dried up decades ago. The oceans were memory, the forests were legend, and the cities were nothing but brittle piles of sand-eaten concrete. What remained were scavengers, drifters, and those desperate enough to take whatever the desert didn’t claim first.
Rian Solan, a 22-year-old wanderer, had thought he could cross the Pale Dunes alone. He was wrong. Supplies gone, water rationed to the last drop, he had stumbled right into the territory of the Dustjackers, a roaming raider band who valued spectacle as much as survival.
The one driving the armored rover was Varro Klegg, a mask-wearing scavenger with a cracked sense of humor. He didn’t want slaves—he wanted stories, entertainment, tales to break up the endless days of sun and sand. And Rian, unlucky enough to travel alone, became the subject of his new “lesson.”
Varro didn’t hurt him. He didn’t need to. The desert itself was punishment enough.
Rian’s wrists were bound, but loosely—symbolic restraint more than prison. Varro was testing him. Watching. Laughing. Seeing if this unprepared traveler would break or adapt.
“The room was quiet… but the tension was loud enough to ruin them both.”
THE BATTLE FOR THE KINGDOM BEGINS! Luka faces a terrifying obstacle — Noé Estrella, the Drowned Prince. Noé commands monstrous strength and can control the horrors of the sea — the Leviathans! Can Luka stand against Noé’s overwhelming power?! - FROM my story The House of Stardust!
Achilles Lamenting the Death of Patroclus
Artist: Gavin Hamilton (Scottish, 1723-1798)
Date: 1760-1763
Medium: Oil on canvas
Collection: National Galleries of Scotland, Edinburgh, Scotland
Description
Achilles refuses the comfort of his Greek comrades as he grieves over the dead body of his close friend and possible lover, Patroclus, who was killed by the Trojans. The enormous size of Hamilton's painting conveys a sense of his ambition to depict episodes from Homer's Iliad in an overpowering, epic mode. His heroic compositions were designed to convey the dramatic and emotional range of the epic poem, based on Alexander Pope's English translation.