Took this photo then immediately tripped over a parking barrier. Who says it's safer on land? #BreakingWave #BreakingLeg (at Austinmer, New South Wales, Australia)
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Took this photo then immediately tripped over a parking barrier. Who says it's safer on land? #BreakingWave #BreakingLeg (at Austinmer, New South Wales, Australia)
Moon 1
The three have returned and brought others with them. They've settled into the sandy place between the rocks, where there are crevices in the stone for them to shelter. All of them—all seven of them—are so very young. The two youngest of them are daring nonetheless, having chosen to make their den just above my resting place. The others are far more wary, and I cannot blame them for keeping the sand between us.
Moon 0
These waves have worn down the shore for so long. They ebb and recede, leaving the stone and sand. This crashing has lulled me to rest for so long. I have been here for so, so long.
There are newcomers here. They whisper amongst themselves, casting glances over their shoulders. As they come closer, I can see that they are all so very new. They walk with caution in the darkness of the new moon.
Shisui doesn’t believe in ghosts; not in a traditional sense, anyway.
Shisui doesn’t believe in ghosts; not in a traditional sense, anyway. He doesn’t believe in the kind of ghosts that haunt the lonely mansions where they once resided, unknowing or uncaring of the eyes that might gaze upon them, or in ones that wander aimlessly through dark corridors in the dead of night. He doesn’t believe that ghosts throw trinkets from shelves, shattering glass and porcelain and peace in their rage. They don’t sit on people’s chests as they sleep, choking the life and the air out of their lungs, don’t carve desperate claw marks down chests and backs and arms to make their presence known.
Ghosts don’t do these things, Shisui thinks, because they don’t need to. They have better ways to keep people up at night.
He’s only a child when he witnesses this for the first time, when his mother finally succumbs to the cancer in her bones and his father doesn’t eat for three days. It’s not the spirit of his mother that creaks the stairs in the late nights that follow, but the haunted form of his father, making the trek to the couch because he can’t bring himself to sleep in his (her) room anymore. Shisui doesn’t see flashes of specters in the corner of his vision, but he sees his mother’s ghost nonetheless in the dark shadows under Kagami’s eyes. He hears her in the heavy silence that begins to substitute for dinner conversation; he feels her in the air that tries to suffocate him when he steps in the house after school.
Shisui bears witness to all of this at eight years of age, but he doesn’t really understand it until he’s seventeen, when his brother meets his own untimely demise in a car crash. It’s then, standing in a cold hospital room, staring at a lifeless form that had once been his brother, that he really begins to understand:
Ghosts in their most wretched form haunt minds, not houses.
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