Cover for Madame Choi and the Monsters, a 2024 graphic novel by Patrick Spät (writer) and Sheree Domingo (artist). It chronicles the life of actress Choi Eun-hee, who was kidnapped by North Korea in 1978 and forced to make movies there with her ex-husband Shin Sang-ok (also abducted). They fell back in love and ultimately escaped their captors in 1986 while overseas in Vienna.
Of course, I'm posting about it here because of Pulgasari, far and away the most famous film Shin directed in North Korea. Spät posits (citing historians I'm unfamiliar with) that a North Korean agent stole a print of Bulgasari (1962), the first South Korean giant monster movie, on behalf of Kim Jong Il, motivating him to greenlight a remake. Later, we're treated to a cameo from Kenpachiro Satsuma, Pulgasari's suit actor, who's under the impression everything's above board. Spät and Domingo also retell the Korean myth both films are based on in ways that parallel Choi's life (with an atomic bomb metaphor added for good measure). That's a tale well told, even if Choi, who didn't appear in Pulgasari, has a somewhat tenuous connection to the kaiju. Also, Domingo has an adorable take on the iron-eater.








