All his life, Walter had worked hard to become a world reference in his art. It had taken a lot of sacrifice, but he had never doubted his chances of success.
It was not until he was about to tackle the 3rd movement of Schumann's Cello Concerto in front of 2000 spectators in the Vienna Musikverein with his 300 year old instrument and the Macarena on his mind for the last 3 days that Walter realised that despite all his talent and hard work, he too had his limits















