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A vector art of an anteater.
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A interesting photo series which shows US UH-60A "Blackhawk" helicopters of different US units, which supported Operations of the Honduran Army during the Joint US-Honduran exercise "Ahuas Tara II" in early 1984. Central America became during the Reagan years to one of the major hotspot regions of the Cold War, with Nicaragua shattered by a Communist influenced revolution in 1979 and El Salvador which sank into a bloody civil war between gouverment forces and Communist rebels from the late 1970s on. It were these two nations which became to major problems for the Reagan administration. A "second Cuba" should be prevented by all means. While El Salvador saw massive support from US side, probably comparable to the US support for South Vietnam during the late 1960s and especially early 1970s, Nicaragua became the stage for a brutally fought and sinister "dirty war", organized, financed and supported by the CIA. From 1980 on the CIA launched a massive program, which supported dozens of groups in the region which fought actively against the Communist Sandinista regime in Nicaragua. Groups, which contained mostly members of the former notorious National Guard under Nicaraguan dictator Somoza, a formation responsible for countless war crimes and other atrocities. These groups went into history with their umbrella term, "Contras".
The CIAs war in Nicaragua is a topic on its own, with a massive network of sinister and "dark" channels which reached from drug trafficking to illegal arms dealings and the cooperation with the organized crime in the region. But what is mostly forgotten with this "dirty war", is the fact that regular US Armed Forces were also present in the region. Large numbers of US Army, Air Force and Navy assets were deployed to or off coast of Honduras, which became to a kind of forwarded base for the US in the region. With Honduras as the most important Ally in the region for the US. This led to a major presence of US Forces in Honduras from the early 1980s on, plus a large number of Joint US and Honduran military exercises within the country.
Such exercises were a major show of force, a strong signal to the gouverment in Nicaragua that any attempt to invade or attack Honduras would lead to a massive retaliation from US side. Beside Costa Rica in the South, it was Honduras which was used by the CIAs "Contra" forces as a major "base" and "safe haven" for its Operations into Nicaragua.
"Ahuas Tara II" was one of these large military exercises which were more as a regular training for Honduran and US forces. Up to this point it was the largest US led military exercise in Honduras and consisted over 5000 US soldiers, a carrier Strike Group, the US Battleship USS "New Jersey" (BB-62) and several additional US Navy, USMC and Air Force assets. Part of the exercise was also a simulated Amphibious landing at the East Coast of Honduras by USMC forces. In the South of the country US Special Forces supported Honduran forces in COIN (Counterinsurgency) training. The whole exercise had one major goal, to prepare the Armed Forces of both nations for a possible invasion of the South of Honduras by Nicaraguan forces.
It was just one of many bloody battlefields fought in the backyards of the superpowers during the 1980s.
69th post.
How to Read a Maya Glyph
For over three centuries, the ancient Maya flourished in Mesoamerica. They built giant stone pyramids surrounded by dense jungle, used a calendrical system that made many believe that 2012 would be the end of the world, and created a writing system that is as beautiful as it is complex. Its decipherment is ongoing, even today. In fact, it is so aesthetically rich and difficult to master, one needed to be an accomplished artist in order to write it properly. Fittingly, ancient Maya scribes and artists were all known by the same title: t'zib.
Deciphering Ancient Maya: Syllables & Concepts
The Maya writing system is logosyllabic, meaning its symbols can represent sounds in the form of syllables (like “ma” or “tot”), or they might represent whole concepts (like “river” or “house”). This made the language very difficult to decode, and in fact, scholars initially thought the entire writing system was phonetic due to the unfounded assumptions of a missionary named Diego de Landa. Originally from Spain, de Landa's first language was naturally Spanish. Therefore, when he attempted to decipher the Maya language, he broke it down into individual sounds (vowels and consonants) rather than syllables, the product of which is an inaccurate record of the Maya written and spoken language and a misleading guide for scholars. It wasn't until 1952 CE that it was suggested that the language might be syllabic rather than phonetic. This was a major breakthrough in the decipherment of the ancient Maya written language.
The distinction between a phonetic and a syllabic language is small but essential. A phonetic language uses individual sounds to build spoken words. English, German, and modern Romance languages like French, Italian, and Spanish are phonetic languages, to name a few. When written, each symbol (letter) represents a single sound (a vowel or consonant) like “o” or “b”. Syllabic languages, however, are made up of consonant-vowel (CV) or consonant-vowel-consonant (CVC) combinations, like “ta” or “bot.” Japanese, for example, uses the CV model for the majority of two of its alphabets: katakana and hiragana.
The Maya glyphs are further complicated by their use of conflation, wherein two or more glyphs are combined, and some elements of the glyphs are eliminated or simplified, diminishing their individual complexity in order to create a legible, aesthetically pleasing glyph that fits within the space provided, whether that be on a small decorated cup, or a giant stone stela.
Continue reading...
Offerings to the Gods.
The complex interplay of life and death, sacrifice, and cosmic cycles in Mayan thought. The victim represents the human connection to the divine, while the deity’s action reinforces the idea of sacrifice as a necessary part of maintaining the balance of the universe. The Jaguar deity symbolizes not just physical death but also the transition to a different realm, in alignment with the Mayan worldview of the underworld and the cycles of life.
This representation highlights the Mayan religious beliefs, focusing on the sacred rituals that were integral to their culture, reflecting both the sacrifice for fertility and prosperity and the spiritual connection between the divine and human realms.
Mayan Deity:
The central figure is a reptilian deity with Jaguar features, possibly representing a god associated with death, sacrifice, or underworld aspects, which fits within the Mayan tradition of gods like Ah Puch (god of death) or similar figures linked to the darker forces of their mythology.
The deity is shown with sharp teeth and a tongue extended, symbolizing its predatory and consuming nature. It is likely engaged in a ritualistic act, possibly devouring the heart of the victim or performing a symbolic gesture.
Sacrifice:
A human victim is shown lying on the ground, in a submissive position, symbolizing the sacrifice commonly performed in ancient Mayan culture. The offering is typical of Mayan religious practices where sacrifices were made to please gods and ensure fertility, harvests, and the balance of the world.
The victim appears to be passive, emphasizing the concept of submission to divine will or the cyclical nature of life and death in Mayan cosmology.
Jaguar Symbolism:
The Jaguar is associated with night, death, and the underworld in Mayan culture. The deity’s position on a jaguar-like figure further emphasizes its dominion over the underworld and darkness, reinforcing the theme of destruction and transformation.
Glyphs and Patterns:
The image includes intricate Mayan glyphs and geometric patterns surrounding the figures. These patterns, often representing gods, elements, and significant cosmic events, signifying the sacred nature of the act.
The sun and moon glyphs near the top provide a sense of cosmic balance, with the sun representing the day, life, and vitality, while the moon symbolizes cycles, death, and the passage of time.
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Tikal Mayan Ruins ( Guatemala )
Wild Skatelabera-man caught in Mexico City.
Shot with Fuji X100V