How to Read a Maya Glyph
For over three centuries, the ancient Maya flourished in Mesoamerica. They built giant stone pyramids surrounded by dense jungle, used a calendrical system that made many believe that 2012 would be the end of the world, and created a writing system that is as beautiful as it is complex. Its decipherment is ongoing, even today. In fact, it is so aesthetically rich and difficult to master, one needed to be an accomplished artist in order to write it properly. Fittingly, ancient Maya scribes and artists were all known by the same title: t'zib.
Deciphering Ancient Maya: Syllables & Concepts
The Maya writing system is logosyllabic, meaning its symbols can represent sounds in the form of syllables (like “ma” or “tot”), or they might represent whole concepts (like “river” or “house”). This made the language very difficult to decode, and in fact, scholars initially thought the entire writing system was phonetic due to the unfounded assumptions of a missionary named Diego de Landa. Originally from Spain, de Landa's first language was naturally Spanish. Therefore, when he attempted to decipher the Maya language, he broke it down into individual sounds (vowels and consonants) rather than syllables, the product of which is an inaccurate record of the Maya written and spoken language and a misleading guide for scholars. It wasn't until 1952 CE that it was suggested that the language might be syllabic rather than phonetic. This was a major breakthrough in the decipherment of the ancient Maya written language.
The distinction between a phonetic and a syllabic language is small but essential. A phonetic language uses individual sounds to build spoken words. English, German, and modern Romance languages like French, Italian, and Spanish are phonetic languages, to name a few. When written, each symbol (letter) represents a single sound (a vowel or consonant) like “o” or “b”. Syllabic languages, however, are made up of consonant-vowel (CV) or consonant-vowel-consonant (CVC) combinations, like “ta” or “bot.” Japanese, for example, uses the CV model for the majority of two of its alphabets: katakana and hiragana.
The Maya glyphs are further complicated by their use of conflation, wherein two or more glyphs are combined, and some elements of the glyphs are eliminated or simplified, diminishing their individual complexity in order to create a legible, aesthetically pleasing glyph that fits within the space provided, whether that be on a small decorated cup, or a giant stone stela.
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