Chess sets from the collection of Jon Crumiller
exhibited at the World Chess Hall of Fame from May 3, 2013 - September 15, 2013 with captions by the collector.
Lyon Bone Set, Late 18th or early 19th Century
France Bone King: 3 1/4 in. Photo © Michael DeFilippo Chess sets like this one, with bone trimmings and finials, are known as the Lyon style. In this case, the light pieces are made of bone and the dark pieces made of wood with bone accents; in other Lyon style sets, stained wood is used as the base material for both sides.
Irish Killarney Set and Board, c. 1875
Ireland Wood 20 x 20 in. Photos © Bruce M. White, 2013 This chess set and board were crafted in Killarney, located in southwest Ireland, for the burgeoning tourist trade, which began in the mid-1700s when local nobility developed the area as an Irish answer to England’s Lake District. To this day, tourism remains by far the city’s largest industry. The set is an example of “Killarneyware,” a term given to furniture and other artwork from the region that shares the same distinctive style. The shamrock designs around the edge of the board, as well as the use of arbutus and yew wood for the board and pieces, are typical of the area.
Turkish-Style Carved Ivory Set, c. 1900
Possibly Turkey Ivory King: 5 1/4 in. Photo © Bailey Dolenc The kings, queens, and bishops in this Turkish-style chess set are depicted through botanical forms atop elongated pedestals, rather than figural portrayals. Beaded decoration adorns the round bases of the kings and queens. The knights are horses’ heads with raised manes, while the rooks are pierced turrets, or small towers. The kings, queens, bishops, and pawns in this set resemble their corresponding pieces in tulip-style chess sets.
Italian Good-versus-Evil Ivory Set and Chessboard Replica, 18th Century
Italy Pieces: Ivory, King: 5 1/4 in. Replica Board: Wood, horn, faux ivory Board: 21 1/4 x 21 1/4 in. Photo © Bruce M. White, 2013 Satyrs led by Mephistopheles in red face off against a pious group of figures, led by a saintly king and queen in this set, which embodies the theme of good versus evil. The good pawns are putti holding symbols of the virtues of love and charity, while the evil pawns are imps that represent sins like greed. The evil bishops hold open copies of Dante Alighieri’s epic allegorical poem The Inferno, which tells of the Roman poet Virgil’s journey through the different circles of hell. They are opposed to the staid good bishops, who carry the Bible. The evil knights ride goats, animals associated with sin, rather than horses, like the knights on the side of good. The evil queen poses seductively, an embodiment of lust in stark contrast with her virtuous counterpart. This set sits atop a replica of the original board.
Old English Wooden Set, Mid-18th Century
England Wood King: 3 1/4 in. Box: 8 3/4 x 5 1/2 x 3 1/4 in. Photo © Michael DeFilippo The Old English style set reached the height of its popularity in the eighteenth century. This set, made of wood, is less upscale than the other Old English set in the exhibition, which is made of ivory. This set is displayed with a box that is not original to the set. The former owner of the box carved his or her initials and the year 1748 into the box’s surface.
Edel Style German Wooden Set, Mid-19th Century
Germany Wood King: 4 1/4 in. Photo © Michael DeFilippo Floral motifs abound in this set, which has tiered decorations of open buds on its pieces. It is made in the style of Michael Edel, a designer and creator of chess sets who lived in Munich, Germany, in the nineteenth century. The rooks, which resemble the bell towers of churches, are characteristic of his work. Sets like these were turned and carved in multiple parts, then assembled by a craftsman.
Selenus Bone and Horn Set, Mid-19th Century
Germany Bone and horn King: 4 in. Photo © Michael DeFilippo Urn motifs abound in this set, appearing on the bases of each of the pieces, as well as on the top of the bishop and inside the tower on the rook. The tiers of decoration on the kings and queens resemble open flowers or crowns. Selenus style sets resemble a set in an illustration by Jacob van de Hayden in Das Schach oder Konig-Spiel, a well-known book about chess written in 1616 by Gustavus Selenus.
French 18th Century Wooden Set, 1765-1775
France Boxwood King: 3 1/2 in Photo © Michael DeFilippo The contrasting poses of the bust-length figures add a sense of motion to this French boxwood chess set. The kings, queens, bishops and knights are supported by baluster stems decorated with petals on their bases. The rooks are represented by lighthouses, while the pawns are budded flowers atop balusters. The kings wear laurel wreaths, symbols of victory and power.
Italian Marble and Basalt Bust Chess Set, c. 1875-1900
Italy Marble, Basalt and granite with bronze mounts King: 3 1/4 in. Photo © Bruce M. White, 2013 Beautifully carved busts of basalt and yellow marble sit atop fluted columns in this chess set, which was probably created during the late nineteenth century. The gold side likely represents the Sasanian Persian Empire, while the dark side, carved from an igneous rock called basalt, possibly represents the Byzantine or Greek Christian (Eastern Roman) Empire. The busts are attached to the pedestals by embedded bronze pins, the tops of which are the gilt bronze mounts on each of the chessmen. The Persian side features mounts with crescents and stars, symbols of Zoroastrianism in Persia/Iran, while the opposing side’s king has a cross atop an orb, a symbol of Christianity, on his mount. Italian Marble and Basalt Bust Chess Set, c. 1875-1900
Italian or Spanish set, Late 17th-early-18th Century
Wood Italy King: 3 1/4 in. Photo © Bruce M. White, 2013 Several Italian books of the late seventeenth and early eighteenth centuries featured chessmen similar to these in style, though they may have also originated in Spain. The pieces are paired with a folding chess board-box from the same era. An almost-identical device is depicted in Still Life with Chessboard, a 1630 painting by French artist Lubin Baugin.













