"Chablé," San Antonio Chable, Chochola, Yucatan, Mexico
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"Chablé," San Antonio Chable, Chochola, Yucatan, Mexico
Ixi’im Restaurant in Chicholá, #mexico by Jorge Bolio Arquitectura, Lavalle + Peniche Arquitectos, Mauricio Gallegos Arquitectos & Central de Proyectos SCP. Photography: Eduardo Calvo Santisbón #chochola #restaurant #архитектура www.amazingarchitecture.com ✔ A collection of the best contemporary architecture to inspire you. #design #architecture #amazingarchitecture #architect #arquitectura #luxury #realestate #life #cute #architettura #interiordesign #photooftheday #love #travel #construction #furniture #instagood #fashion #beautiful #archilovers #home #house #amazing #picoftheday #architecturephotography #معماری (Chocholá, Yucatan, Mexico) https://www.instagram.com/p/CNEZ4u5l4h8/?igshid=1hpmeohj2n45t
Vessel with Incised Hieroglyphs and Motifs
ARTIST CULTURE Maya
LOCALE Chocholá
PERIOD Late Classic period, 600–909
DATE c.700–800
POSSIBLY MADE IN Campeche state, México
Provenience unknown, possibly looted
SLAM
Chocholà, Merida 🌴⛪️
Ixi'im Restaurant, Chocholá, Mexico,
Central de Proyectos SCP, Jorge Bolio Arquitectura, Mauricio Gallegos Arquitectos and Lavalle / Peniche Arquitectos.
The restaurant has been built inside of a 19th century engine house of a farm that was in disrepair,
Photography by Eduardo Calvo Santisbón.
I ❤️ Mexico 🇲🇽 This was the last days of our trip. I have so many #feels 😭. That tiramisu was not #vegan and I paid for it dearly that night🤢 (but it was good!). Made the most of our road trip back to #Cancun and stopped at a #cenote in #Chochola. Flew home the next day…or, did I leave my home? 🤔🇲🇽 (at Campeche)
Bowl with carved underworld scene and five hieroglyphs, grey ceramic, Mayan
Chochola style (600-900 CE)
Yucatan, Mexico
The deeply carved figural scene, the bold diagonal column of glyphs, and the lack of color distinguish this vessel as an example of the Chochola style pottery. The carved scene on this bowl depicts an anthropomorphic woodpecker presenting gifts to an aged, lordly owl whose lengthy tail feathers blossom out in all directions and divides the scene in half. On bowls of this type, the decorative elements and the hieroglyphs themselves define the colors of the figures. The woodpecker is marked with the hieroglyph “red” and similarly, the owl wears the “white” glyph atop its head, suggesting snowy white feathers.
Peaceful Chochola, Merida, Yucatan 2016