Christmas 2025, a selfportrait
Photographer: Christian El Hélou

seen from United States

seen from United States

seen from United States
seen from United States
seen from China

seen from United States
seen from Netherlands
seen from United States
seen from Poland

seen from Australia
seen from Ukraine
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seen from Israel
seen from United States
seen from United States
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seen from Malaysia
seen from Türkiye

seen from Hong Kong SAR China
seen from United States
Christmas 2025, a selfportrait
Photographer: Christian El Hélou
Les Orifices De Monnot ( XXI ), 2022 - 2023
Photographer: Christian El Hélou
photographer: Christian El Hélou
Undiesworld, 2025 (a selfportrait project)
The Man in Mantilla (2025) is instigated by a paradox within the Catholic faith: the boastfulness of the virtue of humility among Catholic men. Though highly praised, this virtue has often served as a means of regulating women’s visibility and behavior.
Humility is traditionally portrayed through the simple symbol of the mantilla on a devoted woman’s head. Despite its feminine appearance, it bears the mark of male authority. Historically, men have determined who should be seen, covered, and obedient. This remains true to this day in some parts of the world, Lebanon among them.
By placing the mantilla on a man—whether symbolically or digitally—the work reverses this order and exposes the logic behind it. What appears as feminine piety is revealed as a structure of male power. The traditional male viewer is often either offended or estranged by this portrayal.
This symbolic image is iconoclastic in its very nature. Is the world today a perfect portrayal of venom being consumed by its own perpetrator?
Photographer: Christian El Hélou
Les Orifices De Monnot ( VIII ), 2022 - 2023
Photographer: Christian El Hélou
Á la Barberini Faun (Self-portrait), 2026, Polaroid Go
Photographer: Christian El Hélou
Grab it, 2025, Polaroid SX 70
Photographer: Christian El Hélou
Rose Bonbon I , 2026
SX 70 film with Polaroid Flip
Photographer: Christian El Hélou