#chrome chalcedony

[dozydawn]

[amon-harach]

💠Laica💠

I could get lost in the beautiful opaque depths of chrome chalcedony! Mtorolite is a show stopper of a stone associated with forgiveness. This medium-sized beauty has gorgeous dark green hues pairing with a light green matrix and deep amethyst bead accent. Chrome chalcedony is associated with forgiveness, the heart, communication, peace, and rest. Accented with weave details and swirls. Wrapped in copper, oxidized & polished.

Available now!

Amon Harach

[fox-su]

Part one

These are the corrupted gems I was talking about. Obviously there is more but I dont know what gems to do (You can request one is you want to :D). Anyways here are their names.

Helgoland flint

Rose quartz

Mtorolite

[magicalcollectionin]

Natural Chrome Chalcedony Pear Shape Smooth Cabochons | Chalcedony Stone | Chrome Chalcedony cabochons | Chrome Chalcedony Gemstone www.etsy.com/in-en/shop/MagicalCollectionIN

[perimarine]

Chrome Chalcedony

Jasper/Holly Blue Agate

[didoofcarthage]

Cameo gem with Minerva set into a hollow ring

Roman, 1st cent. A.D.

chrome chalcedony and gold

Getty Museum

[archaicwonder]

Exceedingly Rare Sumerian Green Chalcedony Cylinder Seal of King Kurigalzu II, Kassite, 14th Century BC

A chrome chalcedony cylinder seal with seated profile figure and Sumerian cuneiform inscription in eight columns; depicting a seated bearded divine figure facing left, holding a trident, three right-facing locusts above; the eight lines of scholarly Sumerian cuneiform text with a prayer to Ninurta for the prosperity of Kurigalzu's reign. The seal fitted with an antique gold pin passed through the original longitudinal perforation and a loop to enable it to be worn as a pendant. Translation (by Professor Lambert) for each column:

(1) dkur-da-ru gada gìr / 'Ninurta, powerful lord' (2) saĝ kal šà-aš-DU / 'special chief, foremost' (3) ururu mah an-ta-ğál / 'the lofty city (?) being in heaven' (4) ur-saĝ dili-ni rib-ba / 'champion on his own standing out' (5) [diğir] ní-su-ši ri-a / 'the god moving with a halo of terror' (6) ku-ri-gal-zu / '(on) Kurigalzu' (7) nun nì tuku-tuku-zu / 'the prince who reveres you' (8) bala šà dùg-ga ğar-bi / 'place a reign of sweet heart'.

The extremely rare green variety of chalcedony was only known to the ancients and the Romans, until circa 3rd century AD, when it disappears from history. It is only known from small worked pieces such as beads and intaglios. The source has been recently discovered as being from northern Turkey (Anatolia). The color derives from the presence of chromium.

Kurigalzu II (circa 1332-1308 BC on the short chronology) was the 22nd king of the Babylonian Kassite dynasty, placed on the throne by the Assyrian king, Aššur-Uballit, who may have been a family member. He shares the same name as another king who apparently reigned earlier in the same century. Towards the end of his reign, Kurigalzu II turned against his Assyrian allies and defeated them in battle at Sugagu on the River Tigris. Kurigalzu's name is linked to a zaqiqu or 'incubation omen', in which a Kassite king (identified with him) tries to find out why his wife cannot bear a child.

The transliteration of the text by Professor Lambert (1970), differs in detail from that of Limet (1971), but generally agrees as to the content of the text. Lambert identifies the text as 'Sumerian of the Kassite period seals, that is, a totally artificial language expressing Babylonian syntax and phraseology in a Sumerian often rich in recondite words and sign-values' and offers a reconstructed Akkadian version of the text as well as an English translation.

'Kuradaru' is a name of the deity Ninurta which occurs only in this text and in two other citations. The text is construed as a “prayer for the Kassite king Kurigalzu, the second and last of the name, who ruled in the 14th century BC.” The seal “obviously belonged to a servant of the king, but his name is not given.”

The god shown seated in a long flounced robe raises his hand “in a religious gesture ... a Kassite-period rendering of a very common figure on seals from the Old Akkadian to the latter part of the Old Babylonian period.” The three locusts above him may have been intended to identify the god, but if so the information is lost to us. The trident in the god's hand is less well executed than the rest of the design, leading Lambert to speculate that it may be a later addition.

[perimarine]

Great, now I’m obsessed

Chrome Chalcedony