𝒞𝒽𝓊𝒸𝓀 𝑅𝒶𝓂𝒾𝓇𝑒𝓏
seen from China
seen from China
seen from Canada
seen from Bahrain
seen from Yemen
seen from China

seen from United States

seen from Morocco
seen from China

seen from Türkiye

seen from Türkiye

seen from Türkiye

seen from Türkiye
seen from United States
seen from Brazil
seen from Yemen
seen from Türkiye

seen from United States
seen from China
seen from United States
𝒞𝒽𝓊𝒸𝓀 𝑅𝒶𝓂𝒾𝓇𝑒𝓏
Chuck Ramirez, Breakfast Tacos, from the series Seven Days, 2003, printed 2012, inkjet print, sheet and image: 48 x 60 in. (121.9 x 152.4 cm), Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment, 2013.14, © 2003, Estate of Charles Ramirez
Chuck Ramirez -- Candy Tray: Godiva 3, 2002
While working in commercial design for the H-E-B supermarket chain, Chuck Ramirez began making photographs of familiar, everyday objects-shrink- wrapped foods, jam-packed trash bags, hospital flower arrangements-which he captured in great detail against a white void and at life-size. Candy Tray: Godiva 3 is part of a series consisting of emptied chocolate boxes. Here, Ramirez transforms a chocolate tray from an object of mass consumption tied to feelings of love into a semi-abstract surface of dips and valleys left by the absent candy that may allude to loss. Borrowing from the tools of commercial advertising to highlight the luscious and shiny golden hues of a tray reminiscent of gilded coffered ceilings, Ramirez charges the object with a sense of mortality. As the candy tray faces the end of its lifespan as a utilitarian thing, the artist invites viewers to confront the tragility of time on this earth.
Michoacán☀️ by @Chuck_Seph
Chuck Ramirez