Still shots of music light images played on a Clavilux
Invented by Thomas Wilfred

seen from Switzerland
seen from United States

seen from United States
seen from United States
seen from Canada
seen from United States

seen from United States

seen from Russia
seen from Singapore
seen from Sweden
seen from T1
seen from United States
seen from United States

seen from United States

seen from United States
seen from Türkiye

seen from United States
seen from China

seen from United States
seen from United States
Still shots of music light images played on a Clavilux
Invented by Thomas Wilfred
Thomas Wilfred. Early Clavilux Jr, Nocturne Opus 148, Lumia Suite Opus 158, Vertical Sequence Opus 136, Lumia Opus 140. 1930-1956.
[video] thomas wilfred - master of light
(via https://www.youtube.com/watch?v=icGdtUQy5qQ)
Borealis - Audio Visual Composition
This was a piece made for my final year Audio Visual Composition module.
The idea was thought up after a fascination with Thomas Wilfred’s Clavilux performances. These feature twisting cloud like formations of different colours, all controlled real time by Wilfred himself.
In order to recreate this, i turned to Cycling 74′s Max Jitter. Using the jit.gen object as a basis i was able to create hundreds of thousands of particles, all moving independently from each other round a single point. This created the Clavilux style formations i wanted.
Then using a midi device, i controlled the particles real time along with the track that i had composed earlier in the year.
Clavilux 2000 - Interactive instrument for generative music visualization
a very simple idea executed very effectively. also a very skilled pianist.
Watch the Clavilux, an ethereal light organ from 100 years ago
Long before trippy visualizers and computer animation, before liquid light shows or laser parties, Thomas Wilfred was building organs for visuals.
He called the art they produced Lumia, and the instrument Clavilux – a keyboard for light.
That first instrument was built all the way back in 1919. But unlike a lot of the spectacles of the era, this one is still hypnotic today, even after all the advances of cinema and computing.
Drawing on a tradition that included displays of fire and fireworks, and the ability to place sound “at the command of a skilled player at a piano,” Wilfred found a way to produce a visual instrument, apparently after first toying as a child with prisms.
The actual mechanism is strikingly sophisticated. The Clavilux beams light through lenses and tinted screens to reshape abstract patterns of colored light.
Depending on the variant, the organ included three manuals. Each key can then be set to one of 100 positions – a digital system not unlike MIDI, in fact (with 128). In place of just a note head, the keys would have chords with numbers, with lines on a staff as on a piano.