the art of making instruments for indicating time; clockmaking
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I assume real clock-making is rather time-consuming 😉 Making a clock-making-inspired mandala sure was!
...It took more time than I care to admit to come up with that joke. At least the art turned out nice? 😅
Bad puns aside: Click the "Keep Reading" and we'll talk more about my thoughts/process for this piece ✨
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I'm a little bit conflicted with this one, Sparklers. (But hey, at least I should be getting this one posted a little bit earlier! 🤷♀️ )
I am happy with how it came out, and I was pretty excited to see what I could do with the ideas of gears and metal that immediately sprang to mind for this word, however...The act of making said metal and gears ended up being a lot more trouble than I anticipated. 😅 Those emotions are so equally matched it's hard to separate them.
The biggest hurdle was the fact that in order to look "right," I had to be more careful about getting curves looking circular-ish and uniform with each other. For full circles, that's generally not so bad. For semi-circles and arcs, it tends to be a big pain. 🙃
It also didn't help that I chose to make the outer ring of gear teeth a size that was really "too small" for Procreate's symmetry tool to help me out as much as I needed it too. So I also had to be more careful with those as I worked me way across what area the symmetry tool wouldn't fill in for me.
The background was a bit more challenge than I expected, too. If anyone remembers how I mentioned yesterday I had decided some spot color "within" the mandala lines is okay but I still want to keep things loose: This one definitely pushed the boundaries on that. I tried leaving things more abstract, but I kept going back and re-defining certain color areas because it felt wrong otherwise.
I think that's a conflict between the general clockmaking concept and the abstract nature of how I'm approaching these prompts; Clockmaking, or at least the physical components needed to do it, is so very rigid and precise. Although, on the other hand, there's a kind of irony in that, isn't there? Since the way we humans measure time is something we made up—it's pretty arbitrary as far as nature is concerned.
...I seem to be wandering away from talking about the art and into higher concepts I am really not an expert in. 😅 Let me try to get this derailed train of thought back on track...
My point was that it felt like I needed more color, placed more carefully, to help with the definition between the different gear and cog pieces. This was not helped by how a lot of the images I kept seeing when I looked up clock/watch insides did usually have pieces that stood out because they were differently colored metal.
Two related asides:
1. I apologize to anyone that does work with watch/clock components and may be getting a headache from my lack of proper vocabulary to describe said parts...Or the general lack of sense the "clock parts" I tried to draw here make compared to the actually insides of a time-telling machine. Many, many artistic liberties were taken!
2. I do actually kind of recommend looking up watch/clock insides sometime when you get a chance if you're not familiar with what that looks like; I found a lot of the pictures oddly soothing for reasons I don't fully understand. But even so—A lot of them are pretty even though I don't think they're trying to be. The screws on this one make me think of tiny gemstones!
[I did consider adding some spots of color to background to mimic that jewel-like feel I just mentioned, but ultimately I didn't want to over-complicate the color palette.]
Anyway, going back to the lines/mandala portion for a moment: I knew going in that the fact I'm taking up the center for the word definitions would make a time/clock-themed one more difficult. After all, one of the primary things you think of with those concepts are the clock hands in the center of a clock face. Usually, even if you don't read analogue clocks that often that's still true!
For that reason, while I normally make the mandalas from the inside-out (aside from adjustments/tweaks that happen later), this time I started more on the outer edge. The clock hands hanging out there were still one of the very last things, but the gear teeth and general round "clock border" were the first and I more or less worked my way inward.
And at a certain point I realized so far I really just had a "gears" or industrial-themed mandala that showed no hints of being tied to clocks specifically. 😅
You can see from that, I ended up opting to put roman numerals in the 4 primary "clock" positions—12, 3, 6, 9. If I'd had room, I might have gone for the full set of 12, but by that time (ha-ha) I'd spent way too long making those four "gear spoke" semi-circle things that hang over right where most of the other numerals would go and I was not of a mind to either re-do or erase them. 😵💫 I then spent way too long trying to figure out how to "compensate" and fill the "clock face" just a little bit more because the big 4 numerals weren't quite enough for me. It's not very exciting but I landed on just some small lines—Tick marks, you might say. 😃
You may also notice that, true to something else I said yesterday, this is now the first example of one of the Obscutober mandalas in black rather than white. I did start out with it in white, but as I was moving into work on the background I thought the white was coming off a little too "soft" or too much like the mandala was glowing. Black felt like a better fit for the illusion of depth and the more "rigid" feel overall.
Although while I was in the process of changing the lines from white to black, I was very tempted to leave it in a half-state where some of the uppers layers were in black and the lower ones were still white. That got vetoed for consistency's sake, but it did cause me to go back and play with some of the contrast in the background a little more to kind of echo the idea.
I was also very tempted to try dark brown or sepia lines for this one, but, say it with me: I decided not to to keep things simple and consistent.
The final product doesn't necessarily look that much like what I originally had in mind...But to be fair, my original vision was pretty fuzzy. At least unlike yesterday, there isn't too much I feel like I'd change or do all that differently if I had to do it over.
I do hope I can say at least that much about tomorrow's piece—Tomorrow is shaping up to be a busy day in my offline life, so I'm a little bit concerned about how I'm going to fit Obscutober in...But that's a key point of the challenge, right? 😅
There's definitely a joke in here somewhere about "use your time wisely," but I can't quite put it together, so you Sparklers will have to think on it and let me know if you can figure one out. 😉
Until tomorrow, Sparklers... 🤗
