#co production

[jiomami]

Jio MAMI Celebrating the Best Short Film Success with Asian Filmmakers

Join the exhilarating celebration of short film success at Jio MAMI, where the spotlight shines on Asian filmmakers. As one of the most prestigious film festivals in Asia, Jio MAMI brings together a myriad of talented individuals who push the boundaries of storytelling through the captivating medium of short films.

At Jio MAMI, the vibrant energy of collaboration and co-production takes center stage. It is a platform that fosters a sense of community among the Best Asian filmmakers, providing them with the opportunity to showcase their creativity and innovation. With a diverse range of cinematic voices, these talented artists captivate audiences with their unique perspectives and powerful narratives, leaving an indelible mark on the world of filmmaking.

As the festival celebrates the best of short films, it also serves as a launching pad for emerging talents, giving them the recognition they deserve. Jio MAMI provides a nurturing environment for these filmmakers to connect with industry professionals, fostering growth and opening doors to new opportunities. With an emphasis on promoting Asian cinema, Jio MAMI brings forth a rich tapestry of stories that captivate, inspire, and entertain, leaving a lasting impact on both filmmakers and audiences alike.

Asian Talents to Be Rewarded At Film Festival Event Organized By Jio MAMI

Get ready to witness the celebration of Asian talent as the highly anticipated Film Festival Event, organized by Jio MAMI, kicks off on the 27th of October. This extraordinary event brings together the best and brightest minds in Asian cinema, rewarding their exceptional contributions and showcasing the richness of their craft.

From compelling storytelling to groundbreaking cinematography, the Film Festival 2023 promises a captivating experience for film enthusiasts and industry professionals alike. It’s a platform where Asian talent shines, pushing the boundaries of creativity and leaving a lasting impact on the global film landscape.

Co-Production Jio MAMI Film Festival: Celebrating the Magic of Collaborative Cinema

Get ready to be spellbound by the Co-Production Jio MAMI Film Festival, where the enchanting world of collaborative cinema takes center stage. This prestigious event celebrates the magic that happens when creative minds come together to create extraordinary films.

At the Co-Production Jio MAMI Film Festival, filmmakers from around the world gather to showcase their collaborative projects, highlighting the power of teamwork and the fusion of diverse talents. From gripping narratives to breathtaking visuals, these films captivate audiences and transport them into a world of imagination and wonder.

This unique festival not only showcases the beauty of collaborative cinema but also provides a platform for networking and forging new partnerships. It’s an opportunity for filmmakers to connect with industry professionals, exchange ideas, and explore new avenues for future collaborations. The Co-Production Jio MAMI Film Festival truly celebrates the spirit of collaboration and the boundless possibilities that arise when creative minds unite.

Experience the mesmerizing world of collaborative cinema at the Co-Production Jio MAMI Film Festival. Immerse yourself in the magic of films that are a product of collective creativity, and witness the transformative power of collaboration in the world of cinema. This festival is a celebration of the beauty and impact that can be achieved when talents from different backgrounds and cultures join forces to create something truly extraordinary.

[salmankhanholics]

★ Salman Khan and Ramesh Taurani are all set for their first co-production Race 3 !

[time4southwark]

As you all know , Time 4 Southwark s still having drop in sessions at the Grow Elephant Garden every fortnight on Wednesdays.

[salmankhanholics]

★ It Will Be A Co-Production !

July 23, 2016

Both the Dabangg instalments were super successful, the first directed by Abhinav Kashyap and the second by Arbaaz Khan. Obviously, both featured Salman Khan and Sonakshi Sinha in the lead. Now it seems Arbaaz Khan has locked the script for the third installment and it will start rolling in the middle of next year.

Dabangg was the film with which Arbaaz Khan turned producer, with Arbaaz Khan Productions. But the third instalment will be co-produced by both brothers, under their home productions Arbaaz Khan Productions and Salman Khan Films.

PS: With Raj Kumar Santoshi’s film being put on hold as he has been asked to exit there are chances that Dabangg 3 will start rolling right after Tubelight.

BOI

[cinethoughts-blog]

The King’s Speech (UK-Australia, 2011) Dir Tom Hooper.

For those not in the know, this film is about King George VI of Britain, his ascension to the throne and the speech therapist who helps him get there. The film itself was pretty superb and I’m sure my girlfriend will continue to rave about Colin Firth’s wonderful acting for quite some time. Just a note, the acting was actually fantastic and the pleasure that I got from seeing Firth constantly stumble over his words was kind of strange.

In another strange coincidence, yesterday I was reading a chapter of Yvette Biro’s book on turbulence and flow in film in which she writes something about how in some narratives (such as epics and historical films) when the audience already know what happens in the end, the 'how’ becomes far more important than the 'what.’ It was the 'how’ of THE KING’S SPEECH that really intrigued me. In the film there are a couple of standout scenes but seeing as I’m trying to keep it brief I’ll just write a few words about one of the more interesting 'how’ moments…

The scene consists of Albert (or Bertie as we affectionately know him) giving a speech to parliament after his brother David steps down from the throne. Our protagonist, Bertie, looks at the crowd in front of him which is followed by a quick edit to a different shot of the same crowd. In the second shot the camera is placed quite low which makes the men of parliament seem rather imposing and quite frightening. We do not hear this speech, only a few moments of Bertie stumbling over his words. Before he even begins to speak we’re forced out of the scene by a cut to another setting, this time it is Bertie’s house. The camera this time is placed very high, in the ceiling or something, so the image we see is like we’re looking down from the heavens above. The juxtaposition between those two shots and the fact that most of the other shots in the film are quite conventional is really quite interesting and is something I’ll definitely have to think about.

[lmh-therapy]

Bounty Hunters (2016)