#collagebook

[maximastrange]

First page in my new Ugly Book journal.

[mrkoppa]

31 March 2024, 21:45 | Basement Collage Lab

The tedium of itsy bitsy grommets and jump rings to build the prototype for Hail, Holy Queen.

[erregalvez]

Impacto verbal 🔠⚡️Verbal impact

[modokix]

What do you want to know about the artist? the work? idea? appearance? No, no, it's a creative space! The best book for that is on sale! https://suttapress.com/ How about one book for each family or a gift?

*The Cutting Chaos https://suttapress.com/collections/front/products/the-cutting-chaos

*The Cutting Chaos - YOU'RE CHAOS package https://suttapress.com/collections/front/products/kopio-the-cutting-chaos

The Cutting Chaos is a 244 paged, hardcover art book that showcases studios and different creative places of 28 collage artists around the globe. Edit and art direction Niko Vartiainen (https://www.nikovartiainen.com/).

Featured artists: Graham Hutchinson (England), Itchi (France), Arianne Cristiel (Canary Islands), Simone Löhndorf (Sweden), Morgan Jesse Lappin (USA), Ilke Türkoral (Netherlands), Pieces Collage (India), Wlad Pieroni (Brazil), Nolavola (Spain), Clashing Squirrel (France), Juliette Pestel (Netherlands), Ermanno Cavaliere (Italy), Miranda Millward (England), Kellette Elliott (USA), YoungDanielCant (USA), Tsun-Zaku (Japan), Wolves Of Suburbia (England), Lee McKenna (Australia), Svena Steinbrecher (Germany), Chad Yenney (USA), Riikka Fransila (Finland), Kike Congrains (Peru), Rhed Fawell (Scotland), John Andrew Dixon (USA), Phil Carney (England), Millie Bartlett (Australia), Andrei Cojocaru (France), Maria Elisa Quiaro (Germany).

Thank you, Niko Vartiainen( v^-ﾟ)♪ I pay respect to your amaging work(￣ー￣)ｂ!

[peculiarbat]

Venus's Shadow Self - Just created tonight while spending some much needed time collaging & hanging with friends ☺️🌼🖌️ but I've had these pieces set to the side for about 1.5 months to be glued together, very pleased with how it turned out . Available soon on my depop shop & at the upcoming @local.love.night.market on 12/1 at The Factory Luxe #collageprocess #mixedmedia #mixedmediaartist #collageartist #crafts #crafting #workbook #artjournal #artjournalpage #artjournaling #smallworkonpaper #paperarts #collagebook #collagejournal #etsy #etsysellersofinstagram #collageart #collageartwork #collagecollective #collageartistoninstagram #analogcollage #collagework #collagemaker #collagearts #instacollagr #collage #collagesociety #gluemyart #seattlecollagecollective (at The Factory Luxe) https://www.instagram.com/p/CWm12oYLkzD/?utm_medium=tumblr

[poshvennie]

Cults: We’re Talking Cover Up 🎨

One of a kind art book inspired by cult survival. One collage book and one zine. The collage book comes with a mesh closure. Resin coated for page preservation and handling. The collage book reveals layers of psychology, childhood memories and more. It comes with a certificate of authenticity, embossed and signed by Vennie Kocsis. Once you own it, it’s yours. The zine is a freebie. 🎨

Collage art is my outlet. Through it I tell the stories of survival. “Cults: We’re Talking Cover Up” is a one of a kind handmade book. Each page is coated with diamond glaze to protect then when it is being handled. It comes with an embossed, certificate of authenticity. Click the link to see more.

[danneyve]

𝙳𝚒𝚊𝚛𝚒𝚘 𝚍𝚎 𝚝𝚛𝚊́𝚗𝚜𝚒𝚝𝚘 ⠀ 𝙸𝚍𝚎𝚗𝚝𝚒𝚍𝚊𝚍𝚎𝚜. 𝚂𝚒𝚐𝚘 𝚌𝚘𝚕𝚎𝚌𝚌𝚒𝚘𝚗𝚊𝚗𝚍𝚘 𝚍𝚘𝚌𝚞𝚖𝚎𝚗𝚝𝚘𝚜 𝚍𝚎 𝚒𝚍𝚎𝚗𝚝𝚒𝚍𝚊𝚍, 𝚗𝚞́𝚖𝚎𝚛𝚘𝚜 𝚖𝚎𝚣𝚌𝚕𝚊𝚍𝚘𝚜 𝚎𝚗 𝚖𝚒 𝚖𝚎𝚖𝚘𝚛𝚒𝚊 (𝚚𝚞𝚎 𝚊 𝚖𝚎𝚗𝚞𝚍𝚘 𝚌𝚘𝚗𝚏𝚞𝚗𝚍𝚘). ⠀ 𝙿𝙳: ¿𝚀𝚞𝚒𝚎́𝚗𝚎𝚜 𝚜𝚎 𝚛𝚎𝚌𝚘𝚗𝚘𝚌𝚒𝚎𝚛𝚘𝚗 𝚎𝚗 𝚎𝚕 𝚌𝚊𝚛𝚗𝚎𝚝 𝚎𝚜𝚝𝚞𝚍𝚒𝚊𝚗𝚝𝚒𝚕 𝚍𝚎𝚕 𝙼𝚎𝚝𝚛𝚘 𝚍𝚎 𝙲𝚊𝚛𝚊𝚌𝚊𝚜?😸 ⠀ ༄ #cutandpaste #collageart #collageoftheday #Artwork #analogcollage #handmadecollage #collageartjournal #collagejournal #traveljournal #collagebook #mixmediajournal #journaling #diariodeartista #identidad https://www.instagram.com/p/CPI3Y-VhAKL/?utm_medium=tumblr

[kolajmag]

There's a new issue of Kolaj Magazine!

From the island of Cuba to the tip of South America, to Norway and Denmark then back across the Atlantic to North America, Kolaj #30 is a journey through the hearts and minds of the collage community. These artists are responding to social upheaval, questioning the function of the photographic image, repurposing old billboards, encouraging children to engage with art, making new festivals, telling stories about their communities, reflecting on personal histories, imagining cities, and intervening on the urban landscape. Our goal with every issue is that Kolaj Magazine is essential reading for anyone interested in the role of contemporary collage in art, culture, and society. We not only hope you enjoy the articles and images in Kolaj #30, we hope it takes you somewhere you never knew existed.

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A collage from Ricardo Miguel Hernández‘s series “When Memory Turns to Dust” is on the cover of Kolaj #30. An article about the Cuban artist’s work investigates his interventions on photographs. “The metaphysical distance between the reality of these photographic archives and the re-presentation and re-creation to which Hernández submits them is mediated by that psychological dimension of particular identity that the maker permeates them with,” writes Yenny Hernández Valdés. “He composes that puzzle from the torn, the stained, and even the glue residue, giving life to a swarm of ‘other’ memories that, as a final result, acquire a narrative and aesthetic plus as the viewer confronts them and interferes in the visual and discursive deconstruction of works already resemantized.”

We profile a new collage festival in Viborg, Denmark. And we look at collage in “Louisiana Contemporary” at the Ogden Museum of Southern Art in light of the history of Annual Exhibitions.

The social uprising in Chile has lead to the creation of a new platform dedicated to the research, mediation and dissemination of Chilean collage. We tell their story.

In a personal essay, Joan Harrison reflects on her friendship with the great 20th century mail artist and collagist Ray Johnson.

In the issue’s editorial, Ric Kasini Kadour considers the National Gallery of Art’s acquisition of a collage by Native American artist Jaune Quick-To-See Smith and what it means that they call it a “painting”.

Collagists Heather Annis and Melanie Mowinski share how they met and the story of their ongoing exchange in “Tale of Two Collagists”.

Clive Knights offers us a work of fiction that meditates on art’s relationship to power. This is out of character for us, but in these turbulent times, Knights’ story reminds us that fiction can speak to a greater truth.

In the third installment of our year-long series, Going Big, we look at how Norway’s Miss.Printed takes her art to the street and how locative collage is a strategy she uses to go big, increase the scale of their work, and engage with the larger art world.

In our round-up of News & Notes, we report on a new online platform that uses the online exhibition format to share and promote the work of fellow collage artists. Danielle Krysa aka The Jealous Curator has written a children’s book aimed at delivering artistic encouragement to kids. The City of Seattle, Washington has been using its “1%-for-Art” funds from city construction budgets to collect art. We report on the collage they are collecting. An update from Kolaj Institute reports on what’s coming this fall.

Kolaj Magazine relies on our subscribers. Their support of this magazine keeps us going and makes it possible for us to investigate and document collage and to promote a deeper, more complex understanding of the medium and its role in art history and contemporary art.

Kolaj #30 is sent automatically to members of the Silver Scissors & Golden Glue Societies and those who join before October 15th, 2020. These special subscribers support the work of Kolaj Institute while receiving an item from Kolaj each month. LEARN MORE

Don't miss out! Get it in your mailbox!

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