Scarlet Witch in Wolverine and The X-Men, requested by anon
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Scarlet Witch in Wolverine and The X-Men, requested by anon
pls reblog if you use/save
The Fuhrer and the Tramp #1
The Führer and the Tramp #1 Source Point Press/Comics Experience 2019 Written, Coloured & Lettered by Sean McArdle Written by Jon Judy Illustrated by Dexter Wee The critically acclaimed, Eisner-nominated comic comes to print for the first time! Charlie Chaplin - comic, filmmaker, and raconteur - didn't become the world's biggest star by courting controversy, but when he comes face-to-face with the horrors of Hitler, he feels compelled to get off the sidelines and get involved. And then Charlie is approached by FDR himself with a special assignment. His mission, if he chooses to accept it: create a propaganda film to drum up public support for joining the war in Europe! I really like the idea behind this. There is always something inherently interesting when you take something that happened and use that to create something else through pure imagination and chutzpah. Sometimes when something is removed as is WWII, by time of course, and from those who experienced first hand it can be easy to forget the hatred of a people such as the Jews. Sure we're seeing a resurgence thanks the current White House in America but as they say history is bound to repeat itself. So with a bit of levity, action and intrigue Sean manages to bring us the beginning of a tale that will be so much to many different people all of whom will get their own unique experience from it while sharing a much needed fun, silly and dramatic entertainment. I am a huge fan of the way that this is being told. The story & plot development we see through how the sequence of events unfold and how the reader learns information is presented beautifully. The opening is spectacular and it is a snapshot of what we're going to see here, at least I am hoping that this is what we're going to see. It has that feel to it that I get from watching his films. Right away we see what the vibe of this is going to be and it is glorious. The character development is spectacular and the way that we get a sense of who they are off screen is more than I could have hoped for. The pacing is superb and the way it takes us through pages revealing the twists and turns along the way and works with everything else to create this fantastic ebb & flow. I like the interiors here. The linework is phenomenal and how we see the varying weights being utilised to showcase the attention to detail is really something wondrous. The way that the characters are brought to life and how much they actually look like their real life counterparts but in a comic book style is extraordinary to see. I think this needs more backgrounds and more so when there isn't a visual aid for a gag or whatnot but to see the other viewers in the theatre would've been nice to add more atmosphere for what we see happening. The utilisation of the page layouts and how we see the angles and perspective in the panels show this marvellous eye for storytelling. I am loving how we see the faces and facial expressions and how like in a his silent films they tell a story on their own. The colour work is really nice as well. I love the flesh tones that we see and how they can create musculature is sensational. The various hues and tones we see from within the colours to create the shading, highlights and shadow work is rendered beautifully. Though I am super sad that we didn't see his tallywacker because that would've been amazing. There are some spectacular moments in this issue alone and if this what the rest of the series will continue this trend then we are in for one hell of a ride. This is the kind of storytelling that is first seen at a table at a convention and then word spreads, it wins awards and gets picked up for mainstream distribution and ya know what it deserves all the accolades. This is so incredibly well written with layers of story and unsaid potential as well as some superbly rendered visuals that further the experience and storytelling on it's own. You've got the time now so this HAS to find it's way into your reading.
Signed up for Greg Pak’s comics master class on @ComicExperience! Can’t wait to learn some new tips and tricks. 🗯️ #MakingComics #WritingCommunity #AmWriting #ComicBooks #GregPak #CreatorOwnedComics
https://comicsexperience.com/store/courses/master-seminar-with-greg-pak-the-pak-process/
Out this week: Honcho #1 (CEX, $7.99):
This is the first of two giant-sized issues by Jeff McComsey and Jeff McClelland about a post-World War III America that’s been fractured — and the hero who seeks to reunite through baseball.
See what else is arriving in comic shops this week.
Out this week: Mother Russia One-Shot (Comics Experience, $3.99)
Jeff McComsey’s Mother Russia, a zombie tale set during World War II, returns this week from a new publisher with a stand-alone tale.
See what else is arriving in comic shops this week.
Comics Experience, the company founded by comics editor and writer Andy Schmidt that provides classes on creating comics, has announced they’ve launched Comics Experience Publishing. The new line of creator-owned comics will launch in July with Stud and the Bloodblade by Perry Crowe and Jed Dougherty.
Read more
Wayne’s Comics Podcast #479: Interview with Andy Schmidt
Wayne’s Comics Podcast #479: Interview with Andy Schmidt
Andy Schmidt, the president and publisher at Comics Experience, is back in Episode 479! He updates us on how his excellent company is doing, but he also fills us in on Crime Syndicate, his new six-issue miniseries from DC that focuses on Earth-3, “where it’s good to be bad!” If you haven’t already picked up the premiere issue, be sure to get to your LCS to find your copy and to let them know you…
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