#commented

[xxcloudyskiezxx]

☁️Taking a break from SV art for some Sanders Sides art. Been a big fan of this series for a while so I wanted to return to an old hyperfixation and draw something for it!

[yesterdays-xkcd]

Your IDE's color may vary.

Commented [Explained]

Transcript Under the Cut

[Cueball calls out to and Black Hat while they are some distance apart as seen from the side. Black Hat is holding an arm out towards Cueball making a gesture and speaking one word.] Cueball: Hey, can you do me a favor? Black Hat: Commented!

[The same setting seen from behind Black Hat with Cueball drawn much smaller in the background.] Cueball: Huh?

[Black Hat's hand is shown in close up. He is holding his first and second fingers parallel and at an angle towards the "small" Cueball to the left of the hand. The two fingers, as well as Cueball and his next line, are green.] Cueball: Wait, what does that gesture even mean?

[wiirocku]

Hebrews 11:4 (ESV) -   By faith Abel offered to God a more acceptable sacrifice than Cain, through which he was commended as righteous, God commending him by accepting his gifts. And through his faith, though he died, he still speaks

[ihasafandom]

...ah

There has been much said about the italicized oh. And for good reason! There is much that can be done in a story with it, and we as a society have codified much of it in very interesting ways. But I would like to draw attention to another interjection that can be just as important at signifying a pivotal change in the emotional readout of a piece, and in much the same way. Oh is often used for a quiet but intense, usually internal realization. Often about what the viewpoint character’s feelings are towards another. ...ah then, implies a different emotional shift, one where the character’s realization is about the external world and not their own feelings. It marks the point where they understand their or someone else’s true situation, where miscommunications and barriers break down. It is the moment in which their perspective shifts, and with it gives them a chance to alter their trajectory. It is not a noticing of an automatic shift of the heart, but an opportunity for a manual one. This is when our characters see the impact of their actions, correct a misapprehension about another’s motives, shift the tone of the story, realign their objectives. The ellipse’d ah is an important part of our literary framework, and it deserves recognition for its service.

[shawnmendeslatinamerica]

Shawn’s comment on Ruel’s IG post 01/12/20

[organizedddchaos]

2020 01 01

hindsight is always 20/20, maybe this is the year

[swifties-posts]

I was looking on Insta and SEEN THIS!! OMFG. LIKE OMG.