#composicion tipografica

[oye-anye]

36 12 DAYS OF TYPE — Personal Typographic Exploration

Year — 2022 Client — Personal Project Category — Typography / Experimental Lettering Tools — Procreate, Adobe Photoshop, Adobe Illustrator

Description — Personal typographic exploration created as part of the 36 Days of Type challenge. The project focused on experimenting with different letterforms and visual styles.

The series includes letters A–L, developed as a creative exercise to explore composition, structure, and expressive typography.

— Anye Quintero Visual Work Archive

[oye-anye]

ART CREATIVE SUPERTHEME — streaming visual package

Year — 2023 Company — StreamElements Category — Illustration / Streaming Graphics Medium — Storyboard Illustration & Stream Package Design Tools — Procreate, Adobe Photoshop

Description — Visual concept developed for an Art Creative SuperTheme, a complete streaming package designed to be offered as part of the platform’s creator tools.

In the streaming ecosystem, a SuperTheme is a coordinated set of visual assets—such as overlays, alerts, panels, and interface graphics—that allows streamers to build a cohesive visual identity for their channel.

This concept was created specifically for creators who stream their artistic process, a popular category on Twitch. The visuals were inspired by sketchbooks, loose lines, and the spontaneous energy of creative workspaces. The exploration was developed as a storyboard-style proposal to guide potential animation, with GIF previews illustrating how the theme could behave in motion.

— Anye Quintero Visual Work Archive

[oye-anye]

NOS ACOSTUMBRAMOS AL HORROR — Lettering Composition

Year — 2021 Client — Personal Project Category — Lettering / Visual Commentary Medium — Hand Lettering & Digital Composition Tools — Hand Lettering, Adobe Photoshop

Description — Personal lettering piece created during the social unrest that took place in Colombia during the 2021 Colombian National Strike.

At the time, social media feeds were constantly flooded with images and reports of violence, including excessive use of force against protesters and multiple cases of brutality. The overwhelming amount of disturbing content created a troubling sensation: the feeling that people were slowly becoming desensitized to the horror they were witnessing every day.

The phrase “Nos acostumbramos al horror” (“We got used to the horror”) was written in expressive lettering designed to resemble blood, visually reinforcing the weight of the message. The piece was initially created by hand and later digitized and refined in Photoshop.

This work reflects on how repetition and constant exposure to violence can normalize what should never become ordinary.

— Anye Quintero Visual Work Archive

[oye-anye]

HOLOGRAPHIC LETTERING SERIES — Hand Lettering Collection

Year — 2018 Client — Personal Project Category — Lettering / Typographic Experiment Medium — Hand Lettering on Holographic Adhesive

Description — Personal lettering project consisting of a small series of hand-drawn typographic pieces featuring different phrases and characters, including “It's All Up to You,” “Out of This World,” “Happy Hour,” and an experimental lettering study of the letter A.

Each composition was created through manual calligraphy and later applied onto holographic adhesive surfaces. The finished pieces were presented as a collection of small framed works, exploring the relationship between typography, light reflection, and material experimentation.

The project combines lettering practice with object-based presentation, transforming typographic sketches into small visual artifacts.

— Anye Quintero Visual Work Archive

[oye-anye]

SATÁN — Lettering Logo Exploration

Year — 2021 Client — Satán Category — Lettering / Logo Design Medium — Calligraphy, Hand Lettering & Digital Vector Design Tools — Hand Sketching, Adobe Illustrator, Adobe Photoshop

Description — Logo exploration developed for the designer known under the pseudonym Satán. The project focused on creating custom lettering proposals that could function as a distinctive visual identity.

The process began with hand-drawn calligraphy and lettering sketches, exploring different compositions, structures, and expressive styles. These initial sketches were later digitized and vectorized in Illustrator to refine the forms and improve scalability.

Finally, textures and visual treatments were applied in Photoshop to experiment with different aesthetic directions and atmospheres for the mark.

This project highlights the development process behind custom lettering identities, from analog sketching to digital refinement.

— Anye Quintero Visual Work Archive