James Wines / S.I.T.E., from "Bizarre Architecture" (1979) ⊞ BEST Products showrooms

seen from Germany
seen from United States
seen from United States

seen from United States
seen from China

seen from Netherlands

seen from United States
seen from China
seen from United States
seen from United States

seen from United States

seen from United States

seen from United States

seen from Malaysia

seen from United States
seen from United States
seen from Russia
seen from United States
seen from United States
seen from United States
James Wines / S.I.T.E., from "Bizarre Architecture" (1979) ⊞ BEST Products showrooms
Skyscraper “Waterfall” in Skógar, Iceland
45-story skyscraper «Waterfall». From the idea of a skyscraper to the finished image, the work took only 3 days. Ignoring common sense and typical solutions, I tried to find an interesting form of skyscraper. I decided on three towers leaning on each other and forming a common top. The shape of the skyscraper allows to put it in rather unusual situations. The building can be used at a sharp drop in height location – in the lower part of the skyscraper is based on two towers, and the top rests on one (as on the visualization). In addition to this unusual configuration, a skyscraper can have three equal towers for location on a flat surface. Even so, the skyscraper could be placed over landmark objects, parks or crossroads.
The text and concept design by Kuzenkov Kirill
Interdependency generates specificity for an urban landscape and fosters relationships in the revalorised continuüm. Expression is found in the materialisation of light as a metaphorical guide throughout an architectural project.
~Fragment of a series of visualisations on a pavillion reflecting on relationships though time. Looking back, looking forward, peace in wartimes. Mental space is enlightened. Part of a student project by Ar. Kimberly Wouters for UAntwerpen 2020.
The Gift, Vilius Vizgaudis's reimagining of Paris, Texas as a 'capital of sustainable living.'
Interviewed for Dezeen, Vizgaudis describes how:
The Gift rethinks the American city, Paris, through the values of the climate agreement and the romantic lens of French Parisian symbolism of freedom, monuments of equality and art of diversity... The purpose of the project is to promote neighbourly love, local climate resilience and international cooperation, with the aim of enticing reciprocation from the US by rejoining the Paris climate agreement.
Full article
195 - Conceptual Paper Architecture
@arch-and-cons
Lebbeus Woods