Two young women in tank tops that reveal bare arms and significant cleavage dance while shaking their breasts and hips furiously, their breasts sag to the floor, their buttocks sag to their knees, and they leave the dance floor amid gasps from the crowd. A female gym coach forces two of her female basketball players to Jell-O wrestle in gym shorts and T-shirts while she takes bets on who will win (we see legs and thighs and some cleavage as the girls roll in Jell-O). ► During a hip hop dance contest, a young woman removes her slacks to reveal red shorts and does a suggestive pole dance with gyrations and leg splits in the air (her bare thighs as well as cleavage are seen) and jumps into a male schoolmate's arms. The script also includes some alcohol use by teens, the portrayal of guns and gangs, racial slurs and repeated profanities and terms of Deity.SEX/NUDITY 6 - Throughout the film a female dance teacher is dressed in tight stretch pants that clearly show large bulging genital lips in one scene the camera pans to a close up and we see the covered genital lips moving. There are references to oral sex and crude bodily functions along with frequent crass terms for male anatomy. Characters discuss condoms, tampons, prostitutes, porn stars and drugs for sexually transmitted diseases.
A drunk girl is shown driving with a car full of liquor. A male student makes repeated comments about female sexual organs. Several females are portrayed with exaggerated female sexual organs and body parts. A female gym teacher makes sexually oriented comments and forces two female students to strip down to their underwear and engage in a lewd fight. A male teacher kisses a male student and talks about giving up his “manhood”. A mother comments about her baby’s sexual activity. He is also hung out a second storey window and repeatedly hit against a closed window. A baby is left in a school locker and is later given an alcoholic beverage. A blind man spills hot coffee on a woman’s lap and then falls down an open manhole. Numerous students are the recipients of cruel comments from a teacher. A girl jumps to her death after being bullied by a teacher. A woman dies after being repeatedly hit or run over by automobiles. Characters are kicked in the face, hit, slapped, body slammed and molested. Although played for laughs, dancers also pull guns on one another and rob other participants. “Packed with” doesn’t begin to describe the amount of crude humor in this film where dance contestants are urinated on, portrayed with their heads inserted between their buttocks and shown giving birth during a competition. Why is Dance Flick rated PG-13? Dance Flick is rated PG-13 by the MPAA for crude and sexual content throughout, and language. But while teens (the demographic this film is clearly aimed at) might enjoy spotting the scenes ripped from other movies, television shows and tabloid headlines, the heavy content in this production will likely leave most parents feeling uncomfortable with the outing. Even a classic scene from Singin’ in the Rain makes it in. Side stories spoof everything from High School Musical, Dreamgirls, and Step Upto Twilight, You Got Servedand Fame-along with the The Biggest Loser and Brittney Spears’ parenting dilemmas. Hoping to help Megan rekindle her love of dance, Thomas begins to teach the classically trained performer more primal moves from the street. She also meets Thomas (Damon Wayans Jr.), a black aspiring medical student eager to get into college. (Mom is repeatedly hit or run over by cars after she collides with a tanker trunk hauling gasoline.) At Musical High School, Megan meets an unwed mother (Essence Atkins) who stashes her baby in her locker during classes, and a driven anorexic ballet student (Christina Murphy) who is looking for a suitable dance partner for the school’s year end finale. Unfortunately these scripts also stoop to the lowest form of locker room humor, employing a tome of crude terms and depictions of anatomy, crass sexual jokes and gross out gags.īuilding on the plot from Save the Last Dance, this film dumbs down the story of a young white girl named Megan (Shoshana Bush) who moves from the suburbs to a culturally diverse inner city neighborhood to live with her estranged father after her mother is killed in an accident. Putting their heads together, they churn out films that parody a parade of teen flicks and celebrity blunders along with moments from more classic works. The Wayans brothers (the creative team behind White Chicks and the Scary Moviefranchise) seem to have found a formula that works for them.
