Official Art by Tan Jiu.
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Official Art by Tan Jiu.
Fan Art by Mian Lang for SQ Begin w/Your Name.
Official Art by Tan Jiu for SQ Begin w/Your Name.
I absolutely love how often Tan Jiu creates companion artworks for Sun Jing and Qiu Tong. Like, her art is beautiful of course, but I think the emphasis on their contrasting senses of style/color schemes pairs really well with their matching outfits in other works. The way her art style has developed over time helps them appear more mature, which helps the "future" scenes feel more authentic.
I decided to add the companion fan art above because I really like the watercolor style and the more black-and-white colors.
PS. you can steal the collage if you want it. No credit needed.
Kohaku is a character I really like but I also don't get to see explored a lot. Shounen has often had the issue of leaving female characters with less developed backstories or story arcs, but I actually think that, aside from minor issues, Dr. Stone does a fairly good job of creating fleshed out characters.
One of the first things we learn about Kohaku is her sense of compassion/concern (in sending the smoke signals despite the village's practice being to exile criminals, so she would have no clue who these people are or what they are doing) and her sense of justice or protectiveness alongside her fighting skills (in that she perceives Senku as a sorcerer -- something her village is noted of being slightly skeptical of, though we learn that Kohaku is close to Chrome and simply doesn't understand his interest in it -- but also as someone wrongfully killed after protecting a young woman from an aggressor).
She skillfully tracks Tsukasa's movements and then hides her weapon/intent until she's within a close enough range to use them. This is unusual even in the stone world. There are no other female fighters in Ishigami village, and the only other official stone world fighter we meet is Kirisame. Her flexibility, speed, and strength are no joke. Tsukasa's immediate comparison to martial arts standards of the modern era is only ONE indication of that. Kohaku trained and taught herself how to fight, likely by watching others in the village but also walking up and down the mountain with the jar of spring water. We learn from Senku that not only is this a fairly long or steep trek, but that the jar itself would be pretty heavy and required multiple trips. She makes the journey out of love and concern for her sister. We see another layer of her character within the first two or three chapters of meeting her.
Something else I like about her is that we know she doesn't fully "get" Senku or Chrome's interest in "sorcery" but is not only willing to help them out but to learn more about the process itself.
She's passionate about what's important to her: protecting her village, helping her sister or Suika, dedicating her energy to Senku/Chrome in the early kingdom of science.
She's impulsive in fights, and she admires hardworking people. It's a trait she values in herself and it's one of the things that makes her a great fit for the kingdom of science. She learns how to work with others even when she's initially unsure of them. She, like Senku, gave Magma and Tsukasa a second chance.
Kohaku is also very emotionally intelligent. Not only in her ability to read or understand Senku, even when he's hiding his emotions from the rest of the crew, but also an ability to find the right words. She is able to deduce Gen's character in just a few moments but also allowed her perspective of him to grow over time, which is why she knows he's trustworthy. It was something Senku said, sure, but it was also her own observation that helped her figure out WHY and HOW he behaves that way. She did the same with Senku.
She saw herself in Chrome when he told Senku he wouldn't do any job that allowed Senku to die.
Kohaku was very forthright in her concern for Suika's wellbeing. It was such a short yet strong moment of sisterly love.
One thing I do think is interesting about Boichi's character design is that Kohaku is pretty. She's tall and lean. She's got some incredible arm strength (clearly shown by her hits) but is not drawn with much muscle. This, in many ways, looked like a reflection of the usual shounen tropes. A female character has surprising and competeing physical strength but never has the muscle for it. In Boichi's case though, we have seen characters like Nikki or Maya drawn with distinct, visible musculature. However both of these characters are, within the text, regardless as less attractive.
Kohaku, in contrast, is noted as being more ANNOYING or hard to handle due to her brash nature. She's generally unconcerned about her appearances but dislikes when people (Chrome, quite often) compare her to a gorilla. She expressed annoyance with Senku's lioness comparison, but this leans more toward affirming her skills without diminishing her identity as a woman, but I can't say the same of "gorilla." It's played for laughs, of course, but when paired with the question of how "womanly" Kohaku WOULD be if she wasn't a fighter, it stinks. Her worth as a character is not diminished, in fact it is elevated, due to her strengths and skills, but is an unfortunate example of how misogyny is perpetrated even in a society pretty much untouched by larger social systems. It was still led mostly by men and likely lacks outright recognition of sexism.
Still, we know that Byakuya likely had stories about respecting others and such in his 100 tales, especially if we compare the way the Ishigami village and the Treasure Island villages developed. Kirisame is elevated as a one-of-a-kind fighter among her people, Amaryllis has no choice but to use her beauty and intelligence to protect herself and sneak her way into the harem. It's the same reason why Kohaku was forced to undergo a "beautification." Implying she's ugly is annoying but unsurprising, but at the same time, they weren't wrong to correct her "brash" behaviors. In Treasure Island's villages, there are no women allowed to act in such a manner, there are no female warriors outside of the one, because it is a threat to the harem. She would not be able to sneak in without carefully withholding those skills until the right moment. (Though, there's also something to be said about the way Ginro is emasculated in this arc too).
While Kohaku IS an oddball in Ishigami village, the women there are treated with much more independence and respect than we might have expected.
Besides. I love that Kohaku is always willing to speak her mind. She speaks crassly and loudly but can be strategic and concise whenever she needs to. I can see why she's such a respected party to Senku and the kingdom of science from that. While she doesn't have the deep love of science that Senku and Chrome do, while she doesn't have the modern psychology or the skills of a decades experienced craftsman, she still completely embodies the spirit of Senku's philosophy. Courage, skill, determination, and hope. Kohaku is in no short supply of that. Not to mention that she is a parallel — not to Senku — but to Byakuya, in her complete and utter dedication to leaving footholds for her sister, for Suika, and for her allies, to grab onto, even if it takes years of effort. I have to admit that Senku's willingness to show Kohaku his vulnerability, even without saying anything, is because he sees the traits he respects and admires in others — in his father — also in her.
On a less serious note, her reactions to Senku's wild ideas, to people's slights, to all the crazy things the crew gets up to, are just gold. Her expressions can be very cat-like at times. Her fighting moves look super springy and cool. And her tomboyish nature makes her very amusing but also pairs nicely with her more soft side. (Nikki is similar actually, expect she's NOT a tomboy, she's a total girly-girl who gets mistakes for one and decided to embrace it, but she never lost that either. If I haven't made it clear, I like Nikki quite a bit as well). She's also pretty damn scary when she needs to be.
Side note: I know I mentioned Senku and Chrome a lot, but a large portion of her scenes include them in some way. Her relationship to the other women in this series is less developed than they could be, but I also acknowledge that the others are side characters by comparison. Even with that, one thing I really like is that Kohaku isn't written to be jealousy or petty towards any of them, and none of them are written that way in turn. They all develop respect for each other's skills and character. And I didn't mention too much of the later arcs because there's just a LOT going on and the cast is much larger. Plus, there would be a lot of major spoilers, but in short: Kohaku never stops proving how damn awesome she is.
I love her. This is a completely incoherent ramble about it.
她们的故事 / Tāmen de Gùshì / Their Story - Sun Jing.
I love that she's so kind to others, sweet around Qiu Tong, and clearly well-liked by her peers. She's a basketball player and well known for being the tussling type. I have a lot of fun following her shenanigans at school. I love the slice-of-life nature of this story and how it focuses on these characters enjoying their mundane lives. There's no real plot but we get to see how the relationship between Sun Jing and Qiu Tong develops from the sheer awkwardness of their first meeting.
I decided to make a few moodboard using images from this manhua because it's not often talked about in the English fanbase. I think it's a shame that there's not as much material for us to work with, as the author has been unable to finish the story as she wished but I'm happy with the story we did get to have.
Art Credit: Tan Jiu and Name Card by Me.
/ Qiu Tong's moodboard /
她们的故事 / Tāmen de Gùshì / Their Story - Qiu Tong.
I love the sweet, lighthearted nature of her character. She's well known in school but struggles to make friends. I like the detail that her family is often away and she's lonely. By becoming friends, and as their relationship grows into something romantic, we get to see just how affectionate and playful she can be. She was unsure at first, but I love that she was the one to kiss Sun Jing. They spend a lot of time just...going about their mundane lives together...and even in the future artwork, there's no sign of discontent.
"I decided to make a few moodboard using images from this manhua because it's not often talked about in the English fanbase. I think it's a shame that there's not as much material for us to work with, as the author has been unable to finish the story as she wished but I'm happy with the story we did get to have."
Art Credit: Tan Jiu and Name Card by Me.
Edit: I corrected the name on the title!
/ Sun Jing's moodboard /
TRYING TO FIND GIFS OF SHOWS I LIKE
Hannibal (2013) [NBC]
House (2004) [FOX]
Stargate Atlantis (2004) [SYFY]
Dead Boy Detectives (2024) [NETFLIX]
Killing Eve (2018) [BBC]
Teen Wolf (2011) [MTV]
Sherlock (2010) [BBC]
Ghost Whisperer (2005) [CBS]
Our Flag Means Death (2022) [HBO]
Gilmore Girls (2000) [The WB/The CW]
I absolutely love the characterizations in mo dao zu shi. I love the main cast so much. The villains are nuanced and well written and often sympathetic (and pathetic at times, too). The official art is pretty. The family dynamics are beautiful, and the relationships are complicated. None of them have it easy. The main character died a man hated and feared by everyone except one man and was forcefully revived to see that flipped on its head. His brother figure hates him and cries in the middle of a battle over him. His shijie's son stabbed him and felt guilty over it because he came to care for the man he began to know. The love of his life spent 13 years remembering him and living for him and didn't hesitate to protect him this time. The remnants of the family he made in the past survived in a fierce corpse and a Lan disciple. They rose as ghouls from a blood pool to protect him and the youngest of their family. The entire story is a contrived, nuanced, complex plot formulated by a man known as the 'head-shaker'. The final villain was the son of a prostitute and a man whose trauma over his class led to an extreme hatred of his own position. The parents of the story haunt the narrative subtly but inextricably. The main pairing is a wretched love that persisted past death. The juniors all become unlikely friends with weird uncles. The sisters of the story are in the thoughts of their siblings for its entirety. The music is an intimate and necessary part of the narrative. The story is so fucking well done. It's super gay, yes, but it's also built on family and the deterioration of it. It's about the confusing relationships and the descent into madness and the path of recovery. It's about a queer man who didn't know he was queer until the final arc of the series. It's about kinky sex. It's about a supreme slow burn. It's about betrayal and love. It's everything I ever wanted, and I'm obsessed with it. I read the manhua in one night, and I read the novel in three days and finished the donghua (animation) in about five. I can't stop thinking about them and I've already started the TV drama. I'll never get over it. I want the books so damn bad.
Jiang Cheng, the Golden Core, and why it's love. [PART 1]
First off, this has been a topic on my mind for a few weeks now and I've finally gotten around to putting my thoughts into a document. I was sharing my thoughts through tags and little notes in my drafts, but after some lovely encouragement from @travalerray I decided I'd go ahead and do it.
This didn't have as much focus on the fandom, but nevertheless gets my thoughts on this character and his relationship to Wei Wuxian across.
On my methods here, I went back through the manhua (mostly because it's much easier to skim through and get clips from) and I was making the draft as I went. That document turned out to be around 26 pages/11,200 words. I finalized by reordering what I wrote to make it more coherent (I hope) and added the novel clips needed so this is going to be super long.
Here we go.