Articulate
“Ug,” said Bug.
“Ug-ug,” agreed his brother Aarp, feelingly.
The two homo sapiens gazed proudly at the drawing painstakingly scrawled by Bug onto the dank cave wall, a rendering in delicate blotches of plant dye and filth of an antelope in graceful flight as a sabre-toothed tiger pursued it over the edge of a cliff.
“Gug!” said Bug, who was named not only for his favourite snack, but also for the way he could blend into the foliage while out hunting.
“Ug,” nodded Aarp, who was named after his flatulence problem.
Bug turned to the shorter, squatter figure in attendance, and gestured at the wall with a hairy arm bristling with muscles and lice. “Urg?”
“Well, I think it’s a particularly powerful commentary on the state of our current world, with some pleasingly abstract touches,” said Tarquin the Neanderthal. “I would worry that perhaps there is a hint of plagiarism from Ig-Pig the Nutsmiter’s early work ‘Tragedy of an Unfaithful Woman’ –although fortunately sans the rather politically incorrect attitudes and thoughts towards female cavepersons- but you really have put your own stamp on it, particularly in the brushwork- er, fingerwork.”
Bug drooled wisely.
“It really does have an inspirational power, an energy. I can instantly tell your intention was to get the viewer to consider the apeman condition, the fleeting nature of life.”
Aarp passed wind and tried to focus on the conversation, having been distracted by the talk of politically incorrect thoughts about female cavepersons, which he thought sounded rather fun.
“But it’s the framing of the piece that says the most. You’ve painted a picture of an antelope in a cave, whereas of course- ha, ha!- antelopes don’t live in caves! Thus, it creates a sense of things being out-of-place, which serves as a powerful metaphor for our transitory way of life! I’m sure you agree?”
Bug contemplated Tarquin’s words, nodded once, then hefted his club and smashed the Neanderthal over the head, cracking open his skull and smacking his brains across the dingy cave, ruining any hope for future palaeontologists to determine that a smaller cranium did not necessarily mean a less complex neurological construction. This, sadly, did not unduly bother Bug, whose chief interests were sex, meat and poo, beating the scientific analysis of his activities and legacy by future generations into a depressing fourth place.
“Uggin,” he told Aarp, and the two of them ambled outside to see if putting their hands into fire would hurt as much as it did the last forty-nine times.
MORAL: Nobody likes a smarty-pants, especially not artists being told about their own work’s ‘deeper meaning.’









