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Which of your ST oc’s is the soldier, poet and king?
Tbh, I didn't understand this trend, I like the song and that's as far as I thought about it. So I used this article to help me figure this out.
I personally don't think Daisy is a violent person, she doesn't crave violence or anything. But S4 she definitely has less impulse on what she does. For example, punching Jason when he uses her father's death to motivate people on winning a basketball game. So I think in S4 Daisy becomes a soldier.
Paige feels like all her strength comes from her words and in her music. That's how she processes things is writing songs or even just playing something. It's one of the things I focus heavily for her is what certain songs could mean for her and what songs she writes are for. Such as "Still Breathing" (actually written by Green Day) is all about her surviving what she thought was impossible after Eddie dies. So she would definitely be the poet.
Dean is someone who tries to take care of people constantly, sometimes not in the best interest for himself. Stretching himself too thin and not able to say "no." So that would be something to explore about his character. Not only that, he's a radio host. Even though they don't really talk about the news, it's still important for him to be up to date about everything happening so when something exciting happens, he can do a little shout-out. (Like Lucas winning the basketball game). So he would be the king, I think?
Dean Evans: one of the incredibly talented musicians at Ocean, best known for his work on the SNES version of Waterworld. Let's explore how his worked evolved over time, from the SNES and beyond!
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Note: this video is using the premiere feature, and won't be viewable until ~20 minutes after this post.
(1992) Push-Over
at its worst, this is super saccharine.
at its best, it’s almost atmospheric. it’s a good mixed bag, or at least better than the title screen may imply
top: ebay
bottom: philsp
Nov./Dec. 1952 issue
cover art by Barye W. Phillips
Mickey Spillane (ghost written by Howard Browne), “The Veiled Woman"
Richard Matheson, “To Fit the Crime"
Chad Oliver, “Final Exam"
Dean Evans, “Candlesticks"
Cornell Woolrich, “The Moon of Montezuma"
Ivar Jorgensen (by Paul W. Fairman), “The Missing Symbol”
Ralph Robin, “Rabbit Punch"
E. M. Forster, “The Celestial Omnibus”, Albany Review, January, 1908
Edgar Allan Poe, “The Cask of Amontillado”, Godey’s Lady’s Book, November, 1846
John Jakes, “The Opener of the Crypt", a sequel to “The Cask of Amontillado” by Edgar Allan Poe
Seattle Mystery Bookshop
(1995) The Flintstones
this is a bop?
lots of sampled breaks and oldschool (M1) sounds.
“Staff Roll” sounds like a legit XM module from some demoscene production.
that said there’s a very chill edge to all of these tracks. they’re not bangers, but they’re delightful. see “Quarry” for example.
(1995) Waterworld
the unreleased genesis version of this game was bordering on Orbital style rave, stylistically.
this version, however, is incredibly chill, and well crafted at that. tunes like “Map” give DKC’s brambles a run for their money.
but also: some of the tunes dive into astoundingly good chillout house music, such as “Mission Theme 2”
this is a HIGHLY RECOMMENDED soundtrack, the whole thing.