foremothers by deborah jack, 2002, salt + digital print + wood + glass, 10 × 10 inches

seen from Australia
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foremothers by deborah jack, 2002, salt + digital print + wood + glass, 10 × 10 inches
Deborah Jack
…value of water…, 2020
When you hear the world famous calypso “Feeling Hot Hot Hot”, instantly you identify with the Caribbean; its white sandy beaches, rum…
~Sexypink~ Another look at Caribbean Artists and their processes.
Deborah Jack | Sasha Dees on Africanah (Arena for Contemporary African, African-American and Caribbean Art)
“I see the work as the result of my investigation of the tension that exists in spaces that are at once sites of trauma and sites of healing. I am intrigued by concept of the “re-memory” (renewed or remembered memory), memory as a trigger and a means for exploring the dismembering of the histories, cultures, traditions, families, and personal memories of my community/self. My work seeks to articulate an historical and cultural injury in a way that tries to avoid and subvert images of suffering and victim-hood that have been used as visual hot buttons in the past.“
Photo caption: Untitled, 2014, Digital C-Print 13 ¼ x 19 7/8 inches, Edition 2/5, from “What is the value of water, if it doesn’t quench our thirst…” series.
little girl lost by deborah jack, 2004, archival c-print on fine art paper, 8 × 5 inches
history on our skin #4 by deborah jack, 2015, archival c-print on fine art baryta paper, 20 × 13 inches
untitled by deborah jack, 2015, archical c-print on fine art baryta paper, 14 × 20 inches
untitled by deborah jack, 2020, acrylic + salt + gold leaf + wax, 5 × 5 inches