Cover to Gianni Mercurio & Demetrio Paparoni’s Anish Kapoor: Dirty Corner (2011).
(via Amazon)

seen from Australia
seen from Italy
seen from Japan

seen from Malaysia
seen from United States

seen from Malaysia

seen from Malaysia
seen from United States
seen from South Africa
seen from Germany
seen from China
seen from China
seen from France
seen from France
seen from China
seen from Türkiye
seen from Türkiye
seen from China
seen from Türkiye

seen from Malaysia
Cover to Gianni Mercurio & Demetrio Paparoni’s Anish Kapoor: Dirty Corner (2011).
(via Amazon)
‘Dirty Corner’ by Anish Kapoor
© kai bernstein
Dirty Corner, Anish Kapoor, 2010.
Dirty Corner
Last summer I went to Château Versailles to see Anish Kapoors exhibition in the gardens. A few days later the impressive sculpture Dirty Corner got defaced by racist idiots. I’ve always been a fan of Kapoors work, but his attitude following the attack on his work made me respect the artist even more.
For De Correspondent, October 2015.
→ Waarom deze zestig meter diepe vagina Frankrijk al maandenlang in haar ban houdt
“Diversity of opinion about a work of art shows that the work is new, complex, and vital.”
- Oscar Wilde
(Anish Kapoor’s Dirty Corner, Versailles.)
Anish Kapoor’s Dirty Corner, which had been vandalised the night before, and has since been vandalised again, this time with anti-Semitic slurs.
The recently restored Latona Fountain with Anish Kapoor’s Dirty Corner in the background.