i’ve started a tma challenge on my instagram and i’ll be posting my favorites here (all credit to the prompt list goes to @kuppatan )
day 2: roleswap! i love the idea of sasha becoming a distortion avatar and i kind of have a whole au in my head if anyone wants to hear it lol
[id: sasha james is a woman with tan skin and dark brown flowing hair with sideswept bangs. she is holding her glasses which have a crack in the right glass pane. she is wearing a dark green sweater with a white collar. she is smiling widely and her teeth are sharp. she has a slightly distorted teal spiral on her right cheek and a slightly distorted yellow spiral on her left cheek. her eyes are the same but with the colors on opposite sides. the background is a bright blue and beside sasha are the words “ha ha ha” going diagonally. the words are black with green word shadowed behind them. id ends]
“reaching out with hands that cut you” - 1.1k - cw unhappy ending; spiral typical emotional manipulation; implied/referenced suicide - basically, I relistened to mag 187 and thought “what if I made a distortion!sasha au but just more sad than I have any right to?”
*
Jon plays the tapes he’d found hidden in Sasha’s desk.
One has a quick, light argument about the word “calliope.”
One is a full statement from Sasha, the real Sasha, about Michael, the one he’d had to have S--not Sasha re-record.
The third is from when Prentiss got in. It’s nauseating hearing his own screams played back, but he manages to make it to the end of the tape. “I see you,” he hears, in her voice. “Show yourself!” She starts to scream, and there’s a sound of a door opening. The patter of her shoes on the floor, running full tilt for it. The door swinging shut. Another voice, but not Sasha’s, coming towards the recorder, repeating her final words in a hiss.
There’s never been a door in that part of Artefact Storage.
*
Jon’s mind flies into such a panic, he doesn’t even fully think through that he took the exact same route out of Artefact Storage as Sasha did all those months ago until he catches a glimpse of her, out of the corner of his eye, as he pelts down the hallways. He tries to double back, to find her, to rescue her, but she’s gone again. Of course she’s gone again.
*
Hand slick with lotion and sweat, Jon tries the handle on the yellow door. It doesn’t budge. Michael yanks on it, trying to force it, and his face freezes as he starts to scream. With a creak of old hinges, Michael’s gone, and there’s a woman standing there who speaks with the voice from the recordings.
In another world, this is where Jon might get wary. The throat of delusion incarnate wouldn’t just send a friend to save him. Michael just told him all about how he wasn’t Michael Shelley, this person can’t just be the face they wear. In another world, Jon accepts the escape route but never trusts the friendly face. In this world, he does.
He uses what help the Eye gives him to try and Know whether this is really Sasha, and her face falls. “Of course you don’t recognize me. You forgot me.”
After all this time believing that that thing was Sasha, how can he look into her eyes and tell her that this is where his belief stops?
*
He doesn’t see her for months. The friend he couldn’t remember resurrected herself to save him, and he can’t find her for months.
A door opens in his office, and she stumbles out on the brink of tears. “I took someone,” she sobs. “I spent so long trying not to, I could feel it--it building in me, but I was so hungry--”
“Sasha, you--what?”
“When, when I--when The Distortion needed a replacement, and I made the choice to save you, I, I didn’t know I’d have to do this.”
Jon stops in his tracks.
“I feel wrong, I don’t want this! All I did was take a job two years ago, just a job, I never asked for this, I can’t just be a killer now.”
“Sasha, I’m, I’m so sorry.”
“I just wanted out of those hallways, I just wanted to save you, I can’t--” she covers her face with her hands to obscure tears. They look like human hands, like Sasha’s hands, but as he goes to take them, she flinches away. “They won’t feel right,” she says. “They’ll feel like a monster’s.”
*
“Don’t blame yourself,” assures Sasha, leaning against her doorway. “Yes, if you had noticed I’d been replaced and gone looking for me, this probably wouldn’t have happened. But it doesn’t mean it’s your fault, please don’t think it’s your fault.”
*
“I think I preferred being the tortured over the torturer. At least then I knew it would eventually end. Now I think I’m just going to be trapped, putting people through the same hell I was in for those long months, feasting on their terror, forever.”
*
“Don’t blame yourself,” assures Sasha, sitting with him in the tunnels. “Yes, if I hadn’t been so focused on saving you, I probably would have thought it through and seen what I’d have to become, and this wouldn’t have happened. But it doesn’t mean it’s your fault, please don’t think it’s your fault.”
*
“I hate being like this. I feel dangerous. I am dangerous, God, the people I’ve had no choice but to, to… hurt. Kill. There’s no way out, no way to stop me. If there were one, I would take it.”
*
In another world, when Jon starts wondering if everyone might be better off without another monster, he makes a companion out of Daisy Tonner. He has bad radio to make fun of, pub nights to laugh during, a friend in whom he sees something of himself to tell him there’s no point in the self-loathing. A friend to tell him if he’s being better, then he’s being better, and what he needs to focus on is maintaining that. In this world, he doesn’t.
In this world, as Jon throws himself into mission after mission of almost certain death, he goes to seek out Sasha. She tells him stories of every victim she’s taken, laughing and sobbing as she describes how their fear made her feel. She tells him that eventually she just gave up, that there was no point in the self-restraint. If she’s going to be a monster, she’s going to be a monster, and she daydreams of putting a stop to herself. Every high of a victim fed on is a low of an innocent life she loved to destroy.
Jon can’t give up in quite the same way, of course. Once the others hear his victim’s tape, they watch him at all hours, but all he can think about is how much he wants to hurt people and how much he hates that no matter what, he’ll always want to. He feels dangerous. He is dangerous. He feels like he’s trapped in putting people through hell forever, feasting on their terror. He never looks for outs, he knows there aren’t any, he’d never play some old Gertrude tape marked “E. Delano. July 21, 2008.” What’s the point in looking for something so futile if they’re all trapped, if he’s made them all trapped? Melanie, Daisy, Basira, Martin, Sasha, God, Sasha… Sasha and all the people she's killed, he’s responsible for them all.
Peter Lukas takes Martin somewhere deep within the tunnels, and Jon begs Sasha for help, but she doesn’t give it. “Why?” he commands.
She stands in her doorway, eyes glistening and smile so wide it’s clearly painful, blood blooming on her lips. “Because it feels good to make you afraid.”
Jon does reach the Panopticon, of course. Elias did call him, after all. And despite the lack of hope he has, he jumps right into the Lonely after Martin.
For the reverb inspiration thing honestly I'd kinda like more Ethan stuff? Mostly because it'd be fun to see someone adjusting to the future institute and that sort of flavor of outsider POV intrigues me. Plus I also just... Love Naomi a lot...
As happens with literally everything I write, this ended up longer than intended. So here’s Ethan’s first week at the Blackwood Institute. Poor guy. His boss is a creepy moron. Warning for a brief mention of self-harm and eye trauma right at the start here, but pretty much everything is canon-typical. This is also on AO3.
--
Being an Assistant Archivist at the Blackwood Institute is… well, it’s nerve-wracking honestly. There’s no formal training, and this seems to be largely because there’s been only one other person to have held the position in… ever, as far as Ethan can tell. And that had been over fifteen years ago and lasted a grand total of nine months before Chloe Halloway, age 29, had a “crisis of faith” and tendered her resignation by pouring bleach directly into her eyes.
“If you’re going to reconsider your position here,” Jon said matter-of-factly, after telling Ethan this, “I highly suggest you do so prior to signing a permanent contract.”
Which was really unnecessarily creepy, sure, but creepy is sort of why Ethan is here in the first place, so not that surprising. The least Miss Halloway could have done, in his opinion, was leave some kind of manual or something behind. A guide. Notes. Ethan would probably be willing to kill a man for a “To-Do list” at this point.
Technically Ethan has his own office, but the room is dusty and cluttered and doesn’t actually have a desk or chair yet, so he set up in the main Archive area, where there are three ancient desks, three slightly less ancient desk chairs, a small table, and inexplicably, a wardrobe and a worn armchair. Finding the least uncomfortable configuration of furniture made him feel a bit like Goldilocks, despite the desks and corresponding chairs being virtually identical. He figured that was what had been meant by “make yourself comfortable.” Jon didn’t say any different.
Between orientation (signing papers, sitting through general training, another tour, getting his picture taken with an actual polaroid camera, etc) and “settling in,” it hadn’t mattered the first day that Jon didn’t give him any direction. And when Ethan got in on the second day, Jon had already been in the middle of taking a statement, so Ethan had busied himself going through the desk he’d taken. And then another desk. And then the other desk.
At the end of that task, he had various office supplies, a good dozen unfiled statements, five tape recorders, sixteen unlabeled tapes, five labeled tapes that didn’t match any of the unfiled statements, a small notebook with a few unfinished poems, a bag of what might have once been gummy worms, a nearly empty bottle of vodka, two very faded polaroids of a younger Jon and Martin with a woman identified on the back as Sasha, and a large, large stack of poorly drawn and seemingly conflicting maps. Also a lingering feeling that he would never be able to fully get the cobwebs off his arms.
He wasn’t sure what to do with any of it.
Well, except for the gummy worms and vodka, which he promptly disposed of.
Most of the rest ended up on top of one of the unused desks. And by the time that was done, it was nearly time to leave. As far as Ethan could tell, Jon hadn’t come out of his office once. Though, apparently the statement-giver had left at some point without Ethan noticing, so he couldn’t actually be sure. He does have a tendency to block everything else out when he’s focused on a task.
When he came in on the third day, the desk he’d placed everything on was clear and Jon wasn’t in his office. In absence of anything else to do, Ethan started looking through the database. From reading (and supposing any of what he heard on The Observer Chronicles was accurate), he thought he understood a couple of the categories. Others seemed a bit too… arbitrary. Most entries appeared to have corresponding files regarding any follow-up done, but very few had actual digital copies of the statements themselves. And only the discredited statements had audio files.
Jon didn’t return until well after lunch time, and when he did he seemed almost surprised to see Ethan there.
“You should take an early day,” Jon told him, before Ethan managed to formulate any of his questions. “Daisy’s brought me a statement. Probably best it doesn’t see you in case we decide to let it go.”
And then he went into his office. Ethan had no idea who Daisy was or how a statement was supposed to see him— or what it would do to him if it did— but it didn’t look like he was going to get any answers now, and it probably wasn’t a good idea to risk it. So he was left with nothing but to do as Jon suggested.
—
“You’re home early,” Naomi says when he walks in to find his mum sitting on the couch.
“So are you,” Ethan replies, and he didn’t even do all that much today, but he feels exhausted none-the-less.
“I had an appointment,” she reminds him. Right. He knew that. He’d just… forgotten. But he knows she hadn’t really expected him to remember. “Nothing to report. So? What has you home already?”
“Jon told me to go home. Someone named Daisy brought him a statement, and he thought it was better I wasn’t there. Why? I have no idea.”
“Well, it’s early yet, and they deal with some pretty dangerous things there,” she reasons. “The Jon I knew tried to look out for people. Can’t say I’m not glad if it’s still the same.”
“Sure, but…” Ethan stands there, fiddling with the strap of his bag, staring at the coffee table as he tries to find the words. Naomi waits, but he’s not sure what to say.
“Why don’t you go put your bag down,” she says eventually. “Think it over a bit, then come sit with me. I’ll get you some tea and wake up Beaker.”
True to her word, when Ethan gets back in more comfortable clothes, there’s a cup of tea waiting on the table, just barely steaming, and a squirming, growling ball of orange fluff in his mum’s lap. The moment he sits and Naomi lets go, the cat is in his lap, squeaking her indignation. Her brush is already set on the couch beside him.
“Thanks,” he says, and his mum just nods.
“So?” she prompts.
Ethan sighs. “I don’t know what I’m doing.”
“Ethan, you’ve only been there three days. Not even three days. Everyone feels lost when they start a new job. It happened literally every time you started a new year in school, if you’ll recall.” He keeps brushing Beaker, but he can see his mum smiling in his peripheral vision and he rolls his eyes.
“No, yeah, I know that. I mean I literally have no idea what I’m supposed to be doing. There’s been no training. No instructions. I don’t- I cleaned out desks and I looked through the database and I read some old statements, and I keep waiting for Jon to say something. Tell me what I’m supposed to do. Explain anything.” Beaker squeaks again, nipping at his arm as he absently tugs a bit too hard at a knot of fur. “Sorry. Sorry.”
“I’m going to be honest,” Naomi says, huffing slightly the same way she does every time the tube runs late, even though she expects it. “That’s far, far more common than you’d think.”
“That makes no sense, though! How are people supposed to do their jobs if no one explains how to do the job?”
“Well… I think a lot of people try to pretend and copy the people around them. It’s usually better to just ask, though. People can get so used to doing something that they honestly forget that other people don’t know how, and Jon’s been doing this for a very long time. What did he say when you asked?”
On the table, Ethan’s tea is going cold. If he leans over to get it, though, Beaker will probably yell at him and run away, and brushing her really is helping him relax. But his mouth feels so dry, and it might be worth it.
“Ethan,” his mum says in that tone. That one she always got right before Caleb tried to lie to her. “You did ask Jon, right?”
There’s another knot in Beaker’s fur, but he takes more care with this one and she just keeps purring. He rocks. His mouth is still so dry.
Naomi sighs, setting her own cup down and passing Ethan his, handle out. It’d be alright today, he thinks, if their hands touched when he took it from her, but she’s always careful anyway. He takes a sip. The tea is good, as always, though he can’t help thinking of his interview with Martin. There’d been a cup waiting for him in Martin’s office. His favorite kind, perfectly made. He’d meant to ask Martin how he knew, but then he just… hadn’t.
“I don’t know! He’s always… in his office and- and busy or— I don’t know. He makes me a little… nervous or something.”
“Intimidated.”
“Maybe?”
“I can understand that,” she says. “The first time I technically met Jon, I was terrified of him. The first… many times. Even after I actually met him and got to talk to him, I kept having to remind myself that he didn’t want to hurt me. If he’s still like I remember him, and I’m willing to bet he is, then I don’t think leaving you to figure things out yourself or not talking to you is intentional. He’s really a very… very awkward man.” She’s staring at the wall, but doesn’t seem to be looking at anything, and after a moment she laughs a little. “Promise me you’ll at least try to talk to him Monday?”
Ethan promises, of course.
—
Jon doesn’t even seem to understand the words at first, when Ethan asks him what an assistant here does. For a few seconds, there’s no expression, and then Jon’s brow furrows and he looks down at the papers on his desk like he might read the answer there.
“I— Hmm,” he says. “F-file? Organize? I— What did they— I never actually was one, so… It occurs to me that I am very lucky I chose to include Sasha after all. You might ask her? Or- or Martin. They actually did the assisting once upon a time, so…” Jon shrugs, or Ethan thinks he does. There’s a cat draped across his shoulders, so they don’t actually move much. And then Ethan stands there, and Jon sits, and neither of them say anything, and if Ethan’s mum is right, it’s because neither of them is quite sure what to say.
Ethan leaves.
Martin was nice during his interview. Encouraging and friendly and patient when it took some time for Ethan to decide what to say. It was a far, far easier interview than he’d feared. And Martin had said Ethan could come to him if he had any questions. Despite that, Martin makes Ethan even more nervous than Jon. It’s always worse disappointing friendly people.
So instead, Ethan makes his way to the Library, because that’s where Sasha works, if he’s remembering right. Once he’s there, though, he has no idea where to look, and it occurs to him that there may be more than one Sasha. The one he’d seen when he interviewed was young; maybe a couple years older than him. But the one in the pictures he found in the Archives would surely be Jon’s age at least. There’s no one who looks like either of them that he can see.
“Excuse me,” he says to someone who is probably a librarian, since he’s sitting at a desk with a plaque that says the date and ‘You’d have been out of here days ago if you’d just asked for help.’ The man doesn’t look up from his book. “I’m looking for Sasha?”
“Upstairs,” the guy says. The library is only one floor, though. It’s the first time he’s been in it, but Ethan made note of all Mara’s warnings.
“I’d like to speak to Sasha,” he says, firmer. The guy doesn’t look up and doesn’t look up and doesn’t… and then something changes and he stiffens and slowly looks up at Ethan, and he seems almost… nervous.
The man coughs. “O-oh. You’re- you’re from the Archives.”
“Yes,” Ethan agrees. “I need to talk to Sasha?”
“Right. Sure. Um, I’ll get— uh, Kelly- Kelly will help you.” The man nods toward something over Ethan’s shoulder. When he turns there’s someone already there, a bit too close, and Ethan didn’t know teeth could be that white.
“Hi!” They smile and smile. “I’m Michael. You can call me Kelly. I’m here to help. This way please!” Literally turning on their heel, they walk away with a gait more like a bounce than a walk, and Ethan follows. Right up until they hop onto the first step.
“I—” he says. Even before they turn their head, he can somehow see their smile. Human necks almost definitely aren’t supposed to turn that far. He almost forgets what he meant to say.
“Yes?”
“I— I was told the library is only one storey.”
They smile and smile. “That’s right.”
“But… the stairs?” he asks.
“What stairs?” Their head tilts, like a curious dog, still looking over their shoulder. And human necks definitely aren’t supposed to turn like that.
Ethan looks down at the stair Kelly is perched on, and they look down as well. There is no acknowledgement of the stairs.
“Come on!” They smile. “Best to take the first step at a bit of a jump!”
And they keep going up the stairs, so Ethan takes a breath and hops onto the first step.
Except it isn’t a step. It’s… a rug maybe? It doesn’t stop looking like stairs, but the whole thing is level, and he nearly trips more than a couple times expecting his foot to hit the floor before it does. When they reach the end, he looks back. Back and down. Down at the library, one storey below.
At the end of a short hallway, there is a yellow door; one that Ethan is sure he’s seen before, except somewhere else. Kelly bounces up to it and knocks, and looks back at him and smiles and smiles, and then the door creaks open.
The person who emerges is definitely the young woman he saw when he came for his interview, but she’s also almost definitely the woman in the photograph from decades ago.
“Hi, Sasha!” Kelly smiles. “This one wants to talk to you!”
“Oh? Oh!” Sasha also smiles, and there’s a ringing in Ethan’s ear when she talks, but it seems like a fairly normal smile. At least, comparatively. “You’re the new Archival Assistant!”
“Uh, A- Assistant Archivist, actually.” It probably doesn’t matter. People are always telling him things like this don’t matter, and he shouldn’t bother correcting them. For some reason, though, it really feels like this does.
Sasha, at least, looks a bit surprised. “Really? Huh. That’s fascinating.”
Ethan is at least 75% sure she isn’t being sarcastic. “Is it?”
The hallway couldn’t have been more than five meters, but her laugh echoes down it. “It is! Thank you, Kelly. I’ll be sure Ethan makes his way back alright.”
It’s a clear dismissal, but Kelly doesn’t move. They keep looking at Sasha and they smile and smile and smile until eventually Sasha rolls her eyes and scoffs.
“Please,” she says. “I couldn’t lose one of Jon’s if I wanted to. He’ll be back in the Archives as soon as we’re done talking.”
Kelly smiles. “Okay!” they say cheerily, as if there’d never been any tension at all. “Nice to meet you, Ethan!” and then they’re gone.
“They’re a good kid,” Sasha says. “Well, then. Please, step into my office.” She closes the yellow door behind her and opens a different one beside it, that Ethan is also sure hadn’t been there a moment before. It’s a normal enough door, though. Looks a lot like Jon’s, actually. Sasha waves him through, and if he didn’t know better, Ethan would be sure he was back in the Archives.
In fact, he’s pretty sure that’s the same couch that’s currently sitting in Jon’s office and the same armchair he’d moved into his own “office” the other day; though both look in significantly better shape here.
“Have a seat,” Sasha says, dropping onto the couch— or draping herself across it rather— and eliciting a grumbling meow from an almost opalescent white cat that flicks its tail when she goes to pet it and jumps into Ethan’s lap the moment he settles into the chair. At first touch its fur feels like marble, but then he pets it and it feels like plush. He can’t hear the purr, but the rumble makes his fingers tingle.
“So, Ethan. What can I help you with?” Sasha asks.
“Well. My job… I hope.”
She sits up and sounds delighted when she says, “Oh, did you find a statement about me already? You’ve only been here a couple weeks, haven’t you?”
“Four… days?” It’s not a question. Ethan knows this is his fourth day. Knows. Yet for some reason he starts second guessing himself. It has only been four days… right? Yes. Yes, four days.
After the “stairs,” he doesn’t bother asking why there would be statements about her.
Sasha thinks for a moment and then waves his comment away. “Close enough. Time is fake. So… which one is it?”
“I didn’t— find a statement. I’m just trying to figure out what I’m supposed to be doing. Jon told me to ask you because you’ve actually done the job before.”
If she keeps laughing like that, he’s going to end up with a headache. The ringing is terrible.
“I’m sorry,” she laughs. “I wish I could think you were joking, but I know you’re not. I love Jon. He’s such a disaster. You know he knows basically everything?” Ethan does not know that. A lot, definitely. More than anyone logically should or could, sure. But everything?
“That… sounds improbable.” Buried in the cat’s equally improbable fur, Ethan’s fingers start going numb.
“He does. He knows almost everything and then always forgets that he knows anything. It’s hilarious,” Sasha says with a grin. “Alright. We used to do a lot of research, but that was back when we were cleaning up Gertrude’s mess and all the work the actual Research department did somehow got lost on its way down the stairs. The real ones. And Jon only knew most things rather than basically everything…”
She tells him she did research and reorganized possibly the worst archiving system in the world. She tells him she took statement-givers’ information and caught flies to feed the spiders in the corners. She tells him she killed worms and mapped underground tunnels and scanned in old letters and typed up written statements and managed “monster relations” and blew up mannequins and recorded false statements and hacked government networks and provided alibis and stole old books from museums and sang to the recorders so they wouldn’t start eating people’s fingers and updated the database and appeased disgruntled “youtubers” and collected obituaries and plotted her boss’s death.
Ethan is sure some of these things aren’t true, but he just walked up a flight of not-stairs, so he honestly couldn’t begin to guess which. He’s also not sure how many of them are relevant.
“Mostly, though,” Sasha concludes, “you take care of Jon.”
He does try to ask about the categories, and a couple of the titles she gives them make some kind of sense, but she also says category 06 is “me”, 09 is poker, 10 is geese, and 15 is millennials, so he decides to take those with a grain of salt as well.
When they finally leave her office, the door opens into the front lobby.
“There we are! Back safe and sane, just like I promised. I know I said I’d get you back to the Archives, but I’m not actually allowed to open doors down there anymore. And it’s only… Oops.” The lobby is quiet and the windows are dark. It’s definitely well into evening, though Ethan suspects midnight has come and gone. His watch starts buzzing with missed messages. “Well, I’m sure it’s at least the same day or Jon would’ve yelled at me by now. I could give you a shortcut home?”
The yellow door is back, and beyond it is a long hallway.
“I think I’d better take the long way,” he says.
Sasha nods. “That’s fair.”
—
If Ethan could actually figure out how to message HR, he would just message them. Even if it took them a day to get back to him, he’d still be better off than he has been so far. Unfortunately, he can’t find any sort of contact information for them at all. So the morning of his fifth day, he goes to the front desk and meets Priya No-Last-Name-As-Is-Tradition, who handles “reception, admin, and whatever Martin needs.”
He doesn’t ask, but she informs him Martin will be in a meeting all morning anyway. That’s fine. She’s more than happy to walk him up to HR and introduce him to a woman named Hope.
Hope startles when she sees them, and her fingers freeze on her keyboard, but there is definitely some kind of movement in her lap, barely visible over the edge of the desk. Then she smiles and turns to face them and Ethan does not comment on the fact that he can see two long, black limbs trying to shove some sort of yarn project into the drawer of a filing cabinet behind her. Priya nods at a job well done and leaves him there.
“How can I help you?” Hope asks. There’s something not quite right about her smile, but Ethan doesn’t comment on that either.
Instead, he says, “Do you have any sort of job description or scope of duties for the Assistant Archivist position?”
Hope blinks.
“The what?” she asks.
“The Assistant Archivist position.”
She blinks again. Her smile is gone, and he’s honestly glad for it. “Assistant… Archivist.”
“Yes.”
“That’s a thing?”
“I would hope so? I was just hired as one, so…”
She blinks again, then shakes her head. “Right. Sorry. Of course. I just… Honestly, I was sort of under the impression no one could work down there but the Archivist.”
Given that apparently only one other person has in longer than Ethan’s been alive, he doesn’t exactly blame her. Still, he’s pretty sure it’s her job to know these things, and he’d really like an answer.
“I understand,” he says, “but I do work down there. So…”
“Right. Yes. Assistant Archivist, you said? Just a moment.” She turns back to her display, taps a few keys, and then starts scrolling. And scrolling. And scrolling. All the while singing “Assistant Archivist Archivist Assistant Assist Assist the Archivist” under her breath.
Three minutes later, Ethan is still waiting.
“Are you… sure that’s your position title?” she asks finally, and Ethan turns around and heads back to the Archives.
—
While he hopes he never has to do most of the things Sasha listed as her duties, there are a couple Ethan thinks he can probably manage. He has no idea what, if anything, might need to be done with the statements that already have case numbers, but there’s a shelf of boxes near the Archive entrance labeled “Me Next!” that Jon had said were unprocessed. Maybe he won’t be able to fit them all into the proper categories, but there have to be some that are obviously false, and it seems as good a way as any to get more familiar with the database.
Halfway through the day, he switches to listening to some of the old audio files to figure out the format. It doesn’t seem too complicated. Probably he can record a couple test statements, get a feel for it.
Twenty minutes later, he gives up searching and asks Jon where to find their recording software. Jon frowns and tells him he’s better off finding a free one online, so Ethan reaches out to IT instead.
Ten minutes after that, he gets a message from Cass Walters telling him to check his apps again and that he’ll “know it when [he] see[s] it.” So he does.
Halfway through the list there’s an icon with a stylized cassette tape. It’s labeled “IM TELLING YOU IT FUCKING WORKS JON”, and Ethan figures that’s probably it. Thankfully it’s fairly intuitive, and it might end up being a total waste of his time, but by the end of the day he has three halfway decent recordings and feels like he accomplished something, at least.
-
On his sixth day, one week after starting, Ethan comes in just in time to hear someone say, “Are you kidding me?!” really quite loudly in Jon’s office.
It doesn’t sound like the sort of conversation he wants to disturb, so he goes to his desk and gets set up as quietly as he can and meets the cat’s judging stare head-on while eavesdropping. She blinks and rubs up against his leg, and he can’t help but think it was some kind of test. Apparently he passed.
“You know everything, Jon,” the same person says, and Ethan is at least 80% sure it’s Martin.
“Not ev—”
“Everything,” Martin repeats. “How can you possibly not know what your own assistant is supposed to be doing?”
“I can’t know things that don’t exist, Martin. Chloe always wanted to figure everything out herself and made things up as she went along. It may as well be a new position. So, I don’t know.” There’s a moment of silence.
“Jon,” Martin says.
“… Yes, Martin.”
“Love,” Martin says.
Jon sighs. “Yes, Martin. I realize—”
“That might be the dumbest thing I’ve ever heard you say.”
“Yes, Martin. I get it.”
“He’s an Assistant Archivist! Tell him what you need assistance archiving!”
“I’ll take care of it,” Jon says. If either of them say anything in the few minutes after that, though, it’s too quiet for Ethan to hear.
“Alright,” Martin says, like they’ve come to some kind of agreement despite the silence. “I love you.”
“Yes, Martin,” Jon says, the same tired way he’d said it before, though there’s a slight laugh at the end now. “I know.”
Martin is smiling when he comes out of Jon’s office. Instead of leaving the Archives, he walks up to Ethan’s desk and sets a mug of barely steaming tea down upon it.
“It should be just right now,” Martin says, like he’d known exactly when Ethan was going to arrive— despite him being half an hour early— and purposely made the tea so it would have cooled to the perfect temperature the moment he walked in. It is, of course, made perfectly as well. “I should have warned you a bit more about Jon. He’s a bit of a moron sometimes, but he means well. The next time you ask a question and he says he doesn’t know or tries to send you to someone else, just ask again, a bit slower. Usually the critical thinking capabilities will catch on then. Come see me whenever you’re free on Friday. I’d like to hear how you’re doing, once you actually get into the work.” And then he’s gone before Ethan can say a word.
In the doorway of his office, Jon clears his throat.
“I’ve been— reliably informed that I owe you an apology,” he says, and Ethan really would rather he didn’t. Apologies are almost always terrible, no matter which side you’re on. They’re awkward and often pointless. It’s not like he’s hurt or anything. Jon feeling bad isn’t going to do anything but make Ethan uncomfortable. “I sho—”
“Okay,” Ethan says. “Can we just skip to you training me?”
“… Yes. Yes, we can,” Jon says, possibly as relieved as Ethan to move on. He looks less tense, at least. “We usually wait until the end of probation to explain the fears, but that won’t exactly work here, so we’ll get to that in a moment. You’ve already started recording, so I suppose the first thing to know is that true statements won’t record digitally. The audio always ends up corrupted. I don’t think I’ll have you start recording any real statements quite yet, but once you do, you’ll have to use the— the tape…” He trails off, staring down at the small stack of statements Ethan recorded yesterday.
When Jon shows no sign of continuing, Ethan tentatively prompts, “The— tape recorders?”
“You’ve already started recording,” Jon says again.
“Yes?”
He pulls out the statement at the bottom of the stack and holds it out to Ethan, shaking it slightly. “You recorded this statement.”
“Yes? It was the last one I did before I went home last night.”
“Play it for me.” So Ethan does. Three minutes in, staring at the paper in his hand, Jon tells him to stop. “That’s not… Set up a new recording. I’m going to start reading this, and after two minutes, I want you to take this from me and stop the recording.” So Ethan does that too.
It had felt a bit… odd, when Ethan read the statement yesterday. Like the air got thicker, almost. But he’d also been very tired, and while a lot of things are weird at the Institute, that doesn’t mean everything is. It’s different when Jon starts reading. Not so much the air getting thicker as pressing down on them, and Ethan feels very uncomfortably like someone is making direct eye contact with him. It’s creepy. He almost misses the two minute mark.
The second he pulls the paper from Jon’s hands, the feeling lifts. Somehow, he isn’t surprised that playback of Jon’s reading comes out with a terrible screech and a whole lot of broken, garbled nonsense.
Jon looks between Ethan, the paper, and the display again and again.
“Jon?” Ethan asks.
“That’s not fair,” Jon replies. Then, with a sigh, “I guess I have more work for you than I thought.”
if you like timsasha then Please read I’d Like To Think So by @salvadoerena with distortion!sasha and desolation!tim, is short but its very nice and i love it a lot <3<3
bonus that didn’t turn out as good as i wanted but its still sweet:
Another extra from The Reverb in These Holy Halls. Just because Sasha’s a fear monster now doesn’t mean she’s going to let Tim stop being her friend. But also, Sasha “in this house we love and support Jon Sims” James isn’t here for Tim’s grudges.
—
Three months or so after the Unknowing. After they’d all gotten pizza and got mostly drunk and pretended for the night that they were all friends and everything was fine. After Tim had handed in his resignation and closed a chapter in his life he was beginning to think would never end with a strong determination never to reopen it. Three months after all that, Tim comes home to find her in his flat.
She smiles at him, in such a familiar way, and it should make him angry, he thinks, like he was with the thing that took Danny. Angry and afraid. He’s not though. Mostly he’s just tired. Tired and sad. He drops his wallet and keys on the side table and locks the door behind him. It’s not like this thing uses normal entrances.
He purposely doesn’t look at her and she sighs. “Tim—”
“Don’t,” he snaps. “Don’t tell me you’re her, because you’re not.”
“I’m not… not her,” she hedges.
Incredulity forces him to face her. “That… that doesn’t even make any sense!”
“Yes, that’s… kind of the point.”
“Of what?” He really shouldn’t ask. He really should know better.
“Me? I guess? Whatever I am. Sense is meant to be… twisted, and coiled, and looped back on itself. For me.” Her fingers twist around themselves, and Tim can’t watch too long without getting dizzy. He shuts his eyes.
“I can’t tell if I’m pissed off or just confused.”
“Both, probably. I just… We were never going to be what you wanted us to be. But I couldn’t just let you… mourn me, and pretend I’m not here. I didn’t kill Sasha, Tim. Sasha became me.”
Tim scoffs. “Yeah, like Jon became that thing he is now. ‘The Archivist’.”
“Y— Well, yes? And also no. Jon’s change was more gradual—”
“The hell it was! Maybe for him, but he’s not the Jon I worked with. That I was friends with. That Jon was just— overwritten.”
“Is it really overwriting,” she asks, “if they were the same person to that point? Does it matter, if the Jon you’re talking about would’ve have gone through the next four years in the exact same manner as this Jon did? Jon became what he is because that’s where he was pushed. You’re blaming him for being changed by his experiences.”
“I’m no—”
“You are. You feel personally betrayed because the end result of his trauma isn’t who you remember from before it. If this Jon hadn’t come back, we’d both be dead by now. And you’d have hated him all the same.” Her voice is sharp but annoyingly level. That’s always…
“... aren’t you not supposed to make sense?” he grumbles.
“Well, if I don’t knock some into you, who’s going to? Jon?” She sighs, picking at her fingers. “I am… less Sasha, than the Archivist is Jon. But Jon’s change happened without his understanding. As Sasha, I chose this, knowing what I was doing.”
“You could be lying,” Tim says, swallowing down the bitter taste in his mouth.
“I could,” she agrees with a grin. “If I was, you might never know. I’m very good at it.”
“Not exactly the answer I was looking for.”
“Yes, but if I told you that, it would be a lie.” There’s a slight ringing in his ears, like the chuckle she’s trying to contain behind that smile can’t help but seep through. Part of him wants to laugh as well, the other part is trying to remember that trick to get rid of tinnitus.
Eventually he drops himself into a chair and lets the force expel the air from his lungs. Not quite a sigh. Not quite resignation. Not quite a roll of his eyes. “Alright, fine. Then why?”
“That’s hard to explain rationally. I made a statement about it,” she says brightly. “Two actually! You could listen to them if you want, I don’t mind.”
“I’m not going back to that place. Just… try.” She positions herself on the sofa, not so much sitting in it as draping herself over it, her legs just happening to end up curled on the cushions. And Tim knows that furrowed brow, that slight, contemplative frown. He doesn’t push. Sasha always… she’d always needed time to order her thoughts before she spoke. Never one to stutter through.
“Fear, I suppose.” Her whole head seems to roll with her eyes when he snorts, though it never actually moves. “Yes, I know, but… there’s no good way to describe it. No other word that fits so well. There were so very many feelings that led me to the decision. So many thoughts and rationalizations and doubts. But underneath it all, it was fear. Fear of never seeing Jon again; fear of him being hurt; fear of finding him too late, yes. But also fear of my own helplessness; fear of how easy it would be to be a victim— just another unfortunate statement-giver, and fear of not having the power to help when the time came. Fear that, in a job like that, the End would find me too soon. Fear of losing myself. Fear of being too afraid to risk it. Fear of my own stubbornness keeping me from adapting like I needed to. Fear of what it would mean, once I figured it all out. Fear that I never would, and it would eat away at me. Fear that, underneath it all, I didn’t want to figure it all out. Fear of how that desperation to just be lost pulled at me, and fear of what I’d be if I didn’t answer it.” The words come faster and faster until it’s hard to distinguish what she’s saying, though the sentiment still gets through. She takes a breath and sits back from where she’d starting leaning toward him. It’s painfully familiar.
“I was so full of contradictory fears, and it kept chipping away at me, at my reason. And then Michael told me he was going to kill Jon, and for just a moment it all stopped and it all hit me at once. And I thought ‘Can I really do this?’ and I knew I could. I wanted to. Maybe there were better ways— ways that kept me more me— but this was the one before me. This was the quickest, the most decisive, the most useful, and if I hesitated, there was no guarantee I’d get another chance. So I took it.”
“Not to be a self-centered ass, but what about me?” His voice is thick, trying to catch in his throat. “Did you even consider what it would do to me, to see this happen to you?”
“Yes. Of course. You’re my best friend.” He scoffs through the tears, and she smacks his arm, chiding, like she always did, though she should be too far to be able. “You are. Jon, Martin… they’re my family now. There’s a bond there that I don’t think even Jon could describe. But I think… you’re why I’m still Sasha.”
“Sorry, what? No—”
“Yes. Do you know how easy it would’ve been? To just let myself go? To become just a- a dye on the yarn, rather than a strand in the braid?” It should be rhetorical, but she just waits, and Tim thinks she’s been around Martin too long. Though maybe Martin got it from her, rather than the other way around. It’s been years now, Tim can barely remember what mannerisms she had before the Archives.
“Easy, I assume?”
“So easy, Tim! So. Easy. But I didn’t! I stayed mostly me!” Sasha pauses and tilts her head slightly. “Well… partly. At least half!”
“And you think that’s good enough?” Tim still can’t shake that bitter taste… or is it sour?
“I hope it is.” The words sound flat. Not without emotion but… without that unnatural reverberation that makes the world tilt. They sound… human. They sound like Sasha. “I really, really hope it is.”
It fucking hurts. It hurts that she’s gone. It hurts that she left him behind. It hurts that there is something sitting in his flat, with her face, asking— if he’s reading it right— to be friends. It hurts that it’s not really her. And it hurts that it is. There are differences. Countless differences. But the way she talks, moves, smiles… it’s all Sasha, turned up to eleven. It hurts how much he wants this. And he’s so, so sick of that bitter taste.
“I can’t just go back to how things were,” he chokes out. “I can’t just pretend you’re the same person I knew before.”
“No,” she agrees. “No, of course not. We could start small, though, maybe? Get lunch sometime? Make awkward conversation over and over until it eventually becomes natural?”
“Do you even eat anymore?” Tim has to ask.
“I… ate the pizza?” This seems like the sort of thing she should’ve thought about earlier, but he supposes she has had other things on her mind. “And I still like coffee. So… probably? I don’t need it, but I think I can still enjoy it. Maybe. I’m really curious to find out now.”
Of course she is. And that thought is what decides him.
“Okay,” he says. “Lunch then. On Thursday.”
Sasha perks up and grins. “Really?! Oh! That’s great! Lunch on Thursday! Right. I’ll- I’ll let you be, then, and see you Thursday. I’d give you a hug, but—”
“Please don’t.” Her laugh still makes him flinch, but she doesn’t try to contain it this time.
What she does can’t be called standing so much as unfolding, but whatever she does, she gets up from his couch and goes to a yellow door on his outer wall that definitely shouldn’t be there. Tim drops his head to his hands and rubs his temples.
“… Thank you, Tim,” she says, but doesn’t seem to mind that he doesn’t respond as the door swings open with an eerie creak. Just before she steps fully inside, she stops. “Oh… Tim?”
“Yes,” he asks, trying to remember if he still has any paracetamol anywhere.