Hey, Nico. Sending you good thoughts. You have done so much for the Clexakru and we want you to be okay. Much love.
seen from Saudi Arabia
seen from United States
seen from Saudi Arabia

seen from United States
seen from United States
seen from Saudi Arabia
seen from United States
seen from Türkiye

seen from Saudi Arabia
seen from United States
seen from Saudi Arabia

seen from Mexico
seen from United States
seen from China
seen from Mexico

seen from Japan
seen from United States
seen from China
seen from Vietnam
seen from United States
Hey, Nico. Sending you good thoughts. You have done so much for the Clexakru and we want you to be okay. Much love.
I feel like there should be a word for the specific feeling when you OTP a ship really hard and then a new character shows up and interacts with one of them and you get this feeling of dread in your gut like oh no I might ship this and you sort of brace yourself because suddenly your ship is the Titanic and the new character is a pesky beautiful iceberg.
(https://soundcloud.com/djshiva/subterror-radio-121-061415-guest-paula-temple?utm_source=soundcloud&utm_campaign=share&utm_medium=tumblrから)
www.subterror-radio.comPaula Temple [R&S/Noise Manifesto – Berlin, DE] **Exclusive Broadcast of her set from Movement Detroit 2015** @paulatemple www.facebook.com/paulatempleofficial paulatemple.com/ noisemanifesto.com/A self-confessed Noisician, Paula Temple obliterated 2014 with ‘Deathvox’, her second monumental release for the legendary label R&S. Her debut ‘Colonized’ EP made one of biggest statements in 2013 for uncompromising techno, followed by remixes for avant-electronic acts The Knife, Perera Elsewhere and Planningtorock. Such refreshing high-voltage output has rapidly placed Paula Temple at the forefront of new techno.Her performances in Detroit for the Movement festival were some of the most memorable of the weekend and are still being talked about by those lucky enough to witness them. She has graciously provided an hour(ish) of her set from the Underground stage at Movement 2015 for this episode of SUBterror Radio. Prepare for facemelting.First Hour: DJ Shiva01. Cotton Crown - In Vitro (Mark Broom Edit) [Beardman] 02. TWR72 - Kim N [Turbo] 03. Surgeon - THX-1139 (Level) [SRX] 04. Markus Suckut - Watching The Sunset II [Be As One] 05. Alex Falk - BlazeIt [CGI] 06. Ruskin & Broom - Council House [Blueprint LTD] 07. Brett Relish - Berc2 (Jay Zoney Remix) [Eternal Drive] 08. Distale - WXX20 (Nikola Gala Remix) [Invert] 09. Kroman Celik - Krater (DJ Shiva Remix) [Format] 10. Dax J - The Future [Monnom Black] 11. Jonas Kopp - CE-5 [EarToGround] 12. Niereich - Sq#3 Black Spider [nonlinear systems] 13. Construct - Blueprint [Format] 14. Marcel Dettmann - Forla2 [MDR] 15. Cubix - Kinetix [Kombination Research] 16. rRoxymore/Oni Ayhun / Aquarian Jugs/Jaguar Woman - DR1-2 [Noise Manifesto]Second Hour: Paula Temple01. Impact Unit - Tenshin Subjected remix 02. Adam X - Irreformable 03. Dave Clarke - Red 2 A Mochi Remix 04. Robert Hood - Unix (Alive) loop 05. Splinter (UA) - Explosion 06. DJ Hyperactive - Venus Truncate Remix 07. Robert Hood - Ritual 08. Reeko - Star Phases 09. Manni Dee - Relieve The Routine 10. Donato Dozzy - Oz Taped 11. Slam - Factory Music Planetary Assault Systems Remix 12. Martyn Hare - Forever Empty Joe Farr Remix 13. Sawf - Gove 14. Audio Injection - Outburst 15. Perera Elsewhere - Ebora Paula Temple Remix 16. SPX - Jack Cracker 17. Inigo Kennedy - Winter 18. Planetary Assault Systems Arc 19. Surgeon - Move 20. Simon Haydo - Infatuation 21. BD1982 - Zero Hours Qoso Remix 22. 14Anger - Third Wave 23. Diego Hostettler / Krenzlin - David Meiser Remix 24. Lakker - Numb 25. Pev & Kowton - End Point 26. Karl O Connor / Peter Sutton - Guiltless 27. Lex Gorrie - Developer Remix 1 28. Octave - Nervous Breakdown 29. Paula Temple - Colonized / Suburban Knight - Nocturbulous Behaviour
SUBterror Radio #112 02.01.15 Guest: Truncate * * * First Hour: DJ Shiva 01. Jeroen Search - Done Deal [M_REC LTD] 02. Gusto - Circulacion [Detour] 03. Matrixxman - Cybernetic Implant [Dekmantel] 04. Jon Kennedy - Tunnel Vision [Chicago Jaxxx] 05. Franklin de Costa & DJ Spider - Second Bass [KILLEKILL] 06. Valent - UC02 [Audio Borderline] 07. Virulent - The Broken Trust (Justin Schumacher Remix) [Rheostatus] 08. Measure Divide & Frederik Hatsav - Coil 1 [Nachstrom] 09. Anthony Jimenez - Blackground [Webuildmachines] 10. Reeko - Moon Direction [Modularz] 11. Tom Dicicco - Give It Back [The Corner] 12. Uun - Under The Gradient (Mike Gervais Remix) [Dystopian Rhythm] 13. Charles Fenckler - District Two [Soma] 14. Nerkkirn - Finality [V-Records] Second Hour: Truncate 01. Peder Mannerfeit - White Noise/Pink Ladies 02. Marco Zenker - Darai 03. Jakob Altman - OD07 04. Daniel Stefanik - Lifted (Tresor Version) 05. Delroy Edwards - Untitled 06. Fred P. - Splitting Particles 07. Patrick Graiser - From Foreign Territories 08. Anxur - Volo 1 09. DJ Harlow - Waxwork (SD Mix) 10. Sneaky Tim - Bad Connection 11. DJ Deeon - R U Sure 12. Adverse Match - Conundrum 13. Patrick Pulsinger - Construction Tool 14. Audion - Weild 15. Planetary Assault Systems - Surface Noise 16. Underground Science - Metamorphic 17. Overall Severity - Backfiring Nerves 18. Oniks - Milepora 19. Basic Channel - Octaedre 20. Hieroglyphic Being - Got No Place To Go
So Here's What You Missed On Glee: Faberry Edition
JUST A SMALL TOWN GIRL LIVING IN A LONELY WORLD
Rachel: Finnnnn Quinn: Finn - NO SEX, FINN WHAT DID I SAY JESUS IS WATCHING US! Finn: Quinn. Quinn. Quinn. Rachel? Quinn: RACHEL NO Rachel: RACHEL YES Quinn: *gets drunk, sleeps with Puck because he tells her she's pretty* Pregnancy Test: Yes. Quinn: FOR FUCK'S SAKE, JESUS.
Finn: Yay, I'm gonna be a dad! Let's name her Drizzle. Quinn: Um... yes. Yes Finn. Rachel: *sings sad songs* Rachel: *almost dates Puck* Rachel: FINN QUINN'S BABY ISN'T YOURS Quinn: FOR FUCK'S SAKE, RACHEL.
Quinn: *still disowned by parents, still social pariah, now kicked out of Finn's house too* Rachel: I FOUND MY BIRTH MOTHER AND ALSO FINN IS MY BOYFRIEND ALSO WHY DO YOU HATE ME SO MUCH QUINN Quinn: for fuck's sake, rachel.
Quinn: *gives baby to Rachel's birthmother* Don't take this personally, Rachel, she's a stable adult with a good home and she wants her. Rachel: YOU DID THIS BECAUSE YOU HATE ME.
Quinn: *cuts hair short, dyes it pink, hangs out with grungy lesbians* Rachel: QUINN there you are. Join the Glee Club again. Quinn: No. Rachel: Please? I need you. Quinn: *joins Glee Club again*
Finn: Marry me Rachel we are stable adults at only 17. Rachel: K. Quinn: *looks sad* Rachel: I'd really like it if we could be friends. Quinn: *looks happy* Rachel: Be my maid of honor. Quinn: For fuck's sake, Rachel.
Rachel: Quinn I think the hideous car accident you were in on the way to my wedding was a sign that I shouldn't get married. Quinn: Yes probably. Finn: But I love you Rachel and also you're better than me and going to leave me behind. Rachel: No, Finn. Well, yes, Finn. Rachel: But also I love you and you should come to New York with me. Finn: *joins the army*
Quinn: I got into Yale. Rachel: Aw, but that's so far away from New York where I am which is the center of the universe cause of me. Quinn: Look, I bought us train passes so that we can visit each other whenever. Train: *never happens* Quinn: FOR FUCK'S SAKE RYAN MURPHY
Mr Schue: I'm getting married! Finn, you're only 19 but you're my best friend be my best man! Finn: That's flattering and not at all weird Mr Schue OK I'll do it. Santana: Nice wedding. Quinn: Yep. Santana: Wanna dance? Quinn: Wanna fuck?
AND THAT'S WHAT YOU MISSED ON GLEE: FABERRY EDITION
Music asks! Yay! Okay, um... #5, 11, 13, 22, 29 Weeeee, these are fun!
Yes! Music Asks! With LINKS because MUSIC. ASKS.
5: A song that needs to be played LOUD
A Jealous Heart Never Rests by the Black Madonna. It’s just so fucking good and when you crank it loud you hear all the things you’re supposed to hear and
11: A song that you never get tired of
Rabbit Hole by Natalia Kills. I don’t know. Ok? I don’t know. It’s the number one most played song on my iPod and it has been for, like, a while, and it has 20 more plays than any other song.
13: One of your favorite 80’s songs
A Little Respect by Erasure. Not ‘one of.’ This is my favorite song from the 80s, and I love a lot of songs from the 80s. This song is a masterpiece. A masterpiece.
22: A song that moves you forward
Fuck Em All by JbDubs. As fair warning, using this song to make it through your work day may result in unintentionally chanting ‘fuck em all, fuck em all, fuck em allllll’ right in front of your boss. But it’s so effective.
29: A song that you remember from your childhood
She Loves You by the Beatles. My mom preferred the Beatles to basically every other band, so I knew a lot of Beatles songs before I knew stuff like the itsy bitsy spider. As I’ve gotten older, my taste in their discography has changed. It was this one, and then it was Daytripper, and then it was Eleanor Rigby, and now it’s With a Little Help from My Friends. So I’ve never not loved the Beatles, I just love different parts of them as I’m in different places.
Shiva Exclusive Interview pt. 2/2
Put this on loop while reading our interview with Diosa Shiva. It's our DIOSA TRIBE EXCLUSIVE of DJ Shiva's "Dreamtime" off her debut EP "Dark Moon".
Much love to our creative tribe.Shiva is beyond fresh & gifted.
xoxo
EXCLUSIVE INTERVIEW WITH SHIVA (pt.1/2)
"My whole being is a dark chant /which will carry you /perpetuating you /to the dawn of eternal growths and blossoming" --Forough Farrokhzad
A lot of us fear the night swallowing us whole. Some of us relish the dark too long. Then there is a rare breed who border-hop between dark and light daily, snacking on a diet of ecstatic-madness. If you're open to an audible journey through the latter option, then Shiva's debut EP "Dark Moon" is your soundtrack. Every track is a consistent collapse and genesis, testing one's proprioception of the melody body. Every track has a lil something for the feminine and masculine ear. Every track is riddled with influences that span from freeform jazz to tribal trance. It is a poetic tip toeing into a vibrant dream-jungle.
Shiva is a Co-Host/DJ on Cypress Hill's BReal TV and has slated large festivals such as Coachella to the most intimate underground clubs such as Low End Theory. But "Dark Moon" is her first original body of work and is slated to drop 9/16. Since Shiva is a diosa, she's released fragments of the EP on the internet, including Diosa Vida (check pt.2 of the interview for an EXCLUSIVE treat). I've looped "Dark Moon" so much, starting to feel like an urban dervish on the cusp of rapture. I'm not the only one feeling "Dark Moon's" vibe. Gaslamp Killer and Mary Anne Hobbs from BBC have shown 'Dark Moon' much love and rotation during their recent sets. Alpha Pup Records has also picked up the EP for digital distribution.
Since music like this only orbits our feeds very rarely, Diosa Vida needed to pick this Sussex Born-Florida bred-LA based producer/DJ mind. We talked to Diosa Shiva about "Dark Moons" mystical origins, her view on female producers in LA, and upcoming show at The Low End Theory on 9/17.
You're considered LA's BEST female DJ. Which is 100% diosa. "Dark Moon" is your first project with all original production. How do you feel?
I'm really excited to put out my first release. It's been a long time coming...I've been making beats since before I started DJing. My drive to create and combine sounds with that producer spirit was what led me into a DJ career . So the fact that I've been DJing for 7 years and finally putting out my music feels really incredible.
Where did the concept for "Dark Moon" come from?
The track 'Dark Moon' was made on a dark moon (or new moon) night. The new moon represents new beginnings, releasing, letting go, reflection, starting fresh. Thats what this EP has been all about for me. 'Home' and 'Dreamtime' are named based off of the idea of what the new moon represents as well. Similarly, the track 'Full Moon' was started on the night of a full moon.
All of the tracks except 'Full Moon' were created this year. Making music in conjunctions with the moon cycles sort of organically came about and turned into a ritual for me while I was creating this music. Sounds like a lot of feminine energy. How is the dynamic being a strong female DJ/producer in LA?
It’s fun. I don’t think I’ve ever complained about being a woman in a male dominated scene. In fact I see it as something that helps me stand out. I love the contrast and it’s inspiring watching this boom of female talent in the music scene. At the end of the day it’s all about your product and what you’re putting out there. I just try to stay focused on that.
Exactly. As much as the EP is dripping with a feminine touch, was it entirely self-produced? Any collaborators?
All of the music on the EP was written by me. I was blessed to connect with an incredible producer/engineer by the name of WoodysProduce who mixed and mastered all of my tracks. That integral process brought my sounds to life.
I'm sure you've received lots of love from this project!
Actually, I started 'Full Moon' about 2 years ago and played it one day for my friend The Gaslamp Killer and he freaked out and told me I had to finish it. Two years later I decided I would finish that track for this EP. I sent it to him and he's been playing it out which has been really cool!
I was also really blessed to connect with Mary Anne Hobbs and get her my track 'Dark Moon' which she played on her BBC show. That was truly like a dream come true. I look up to her so much. Also Matthew Schrier from KCRW has been giving that track some love too. I'm just beyond grateful that people are actually hearing it and loving it enough to share.
Speaking of Gaslamp Killer, you have a show coming up at LA's iconic Low End Theory 9/17 where he's a resident DJ, right?
Yes. I've put an entirely new type of set together. I'll be performing on Ableton instead of turntables like I usually do. I'll be playing my first all original beat/remix set. I'm exhilarated about it. It's been really fun preparing everything and figuring out how to DJ my own tracks.
Lastly, what do you hope to offer listeners with "Dark Moon"?
I hope to invoke the same therapeutic feelings I received while I was creating it... translated through another's experience.